Variety show in the context of "Royal Variety Performance"

Circus skills are a group of disciplines that have been performed as entertainment in circus, carnival, sideshow, busking, variety, vaudeville, or music hall shows. Most circus skills are still being performed today. Many are also practiced by non-performers as a hobby.

Circus schools and instructors use various systems of categorization to group circus skills by type. Systems that have attempted to formally organize circus skills into pragmatic teaching groupings include the Gurevich system (the basis of the Russian Circus School's curriculum) and the Hovey Burgess system.

Sketch comedy comprises a series of short, amusing scenes or vignettes, called "sketches" or "skits", commonly between one and ten minutes long, performed by a group of comic actors or comedians. While the form developed and became popular in music hall in Britain and vaudeville in North America, today it is used widely in variety shows, as well as in late night talk shows and even some sitcoms. While sketch comedy is now associated mostly with adult entertainment, certain children's television series such have used it, too. The sketches may be improvised live by the performers, developed through improvisation before public performance, or scripted and rehearsed in advance like a play.

Vaudeville (/ˈvɔːd(ə)vɪl, ˈvoʊ-/; French: [vodvil] ) is a theatrical genre of variety entertainment which became popular in the United States and Canada from the early 1870s until the early 1930s.

In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, mimes, illustrated songs, jugglers, athletes, lecturing celebrities, or scenes from plays, one-act plays, minstrels, and films. A vaudeville performer is often referred to as a "vaudevillian."

Music hall is a type of British theatrical entertainment that was most popular from the early Victorian era until around World War I. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous music hall entertainment and subsequent, more respectable variety entertainment differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts.

Originating in saloon bars within pubs during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These theatres were designed chiefly so that people could consume food and alcohol and smoke tobacco in the auditorium while the entertainment took place, with the cheapest seats located in the gallery. This differed from the conventional type of theatre, which seats the audience in stalls with a separate bar-room. Major music halls were based around London. Early examples included: the Canterbury Music Hall in Lambeth, Wilton's Music Hall in Tower Hamlets, and The Middlesex in Drury Lane, otherwise known as the Old Mo. By the mid-19th century, the halls cried out for many new and catchy songs. As a result professional songwriters were enlisted to provide the music for a plethora of star performers, such as Marie Lloyd, Dan Leno, Little Tich, and George Leybourne. All manner of other entertainment was performed: male and female impersonators, lions comiques, mime artists and impressionists, trampoline acts, and comic pianists (such as John Orlando Parry and George Grossmith) were just a few of the many types of entertainments the audiences could expect to find over the next forty years.

The Mickey Mouse Club is an American variety television show that aired intermittently from 1955 to 1996 and briefly returned to social media in 2017. Created by Walt Disney and produced by Walt Disney Productions, the program was first televised for four seasons, from 1955 to 1959, by ABC. This original run featured a regular, but ever-changing cast of mostly child, tween or teen performers. ABC broadcast reruns weekday afternoons during the 1958–1959 season, airing right after American Bandstand. The show was revived three times after its initial 1955–1959 run on ABC, first from 1977 to 1979 for first-run syndication as The New Mickey Mouse Club, then from 1989 to 1996 as The All-New Mickey Mouse Club (also known to fans as MMC from 1993 to 1996) airing on Disney Channel, and again from 2017 to 2018 with the moniker Club Mickey Mouse airing on internet social media.

The character of Mickey Mouse appeared in every show, not only in vintage cartoons originally made for theatrical release, but also in the opening, interstitial, and closing segments made especially for the show. In both the vintage cartoons and new animated segments, Mickey was voiced by his creator Walt Disney, who had previously voiced the character theatrically from Steamboat Willie to Fun and Fancy Free.

An act is a major division of a theatrical work, including a play, film, opera, ballet, or musical theatre, consisting of one or more scenes. The term can either refer to a conscious division placed within a work by a playwright (usually itself made up of multiple scenes) or a unit of analysis for dividing a dramatic work into sequences. The word act can also be used for major sections of other entertainment, such as variety shows, television programs, music hall performances, cabaret, and literature.

A shtick is a comic theme or gimmick. The word is borrowed from Yiddish: שטיק, romanized: shtik, related to German: Stück, Polish: sztuka, Russian: штука, romanized: štúka, all ultimately from Proto-Germanic: *stukkiją, all meaning 'piece', 'thing' or 'theatre play'; Theaterstück is the German word for 'play' (and is a synonym of Schauspiel, lit. 'viewing play', in contrast to Singspiel).‍

The English word piece is sometimes used in a similar context: for example, "a musical piece". In a stand-up comedy context, a near-equivalent term is a "bit". Another variant is "bits of business" or just "bits". Shtick may refer to an adopted persona, usually for comedy performances, that is maintained consistently (though not necessarily exclusively) across the performer's career. In this usage, the recurring personalities adopted by Laurel and Hardy through all of their many comedy films—although they often played characters with different names and occupations—would qualify as their shtick. A comedian might maintain several different shticks of this sort, particularly if appearing in a variety show encouraging development of multiple characters, such as Saturday Night Live.

Edward Harrigan (October 26, 1844 – June 6, 1911) was an Irish-American actor, singer, dancer, playwright, lyricist and theater producer who, together with Tony Hart (as Harrigan & Hart), formed one of the most celebrated theatrical partnerships of the 19th century. His career began in minstrelsy and variety but progressed to the production of multi-act plays full of singing, dancing and physical comedy, making Harrigan one of the founding fathers of modern American musical theatre.