Physical comedy in the context of "Edward Harrigan"

Stand-up comedy is a performance directed to a live audience, where the performer stands on a stage and delivers humorous and satirical monologues sometimes incorporating physical acts (act outs). These performances are typically composed of rehearsed scripts but often include varying degrees of live crowd interaction (crowdwork). Stand-up comedy consists of one-liners, stories, observations, or shticks that can employ props, music, impressions, magic tricks, or ventriloquism.

Performances can take place in various venues, including comedy clubs, comedy festivals, bars, nightclubs, colleges, or theaters.

Slapstick is a style of humor involving exaggerated physical activity that exceeds the boundaries of normal physical comedy. Slapstick may involve both intentional violence and violence by mishap, often resulting from physical abuse and/or inept use of props such as saws and ladders.

The term arises from a device developed for use in the broad, physical comedy style known as commedia dell'arte in 16th-century Italy. The "slap stick" consists of two thin slats of wood, which makes a "slap" when striking another actor, with little force needed to make a loud—and comical—sound. The physical slap stick remains a key component of the plot in the traditional and popular Punch and Judy puppet show. More contemporary examples of slapstick humor include The Three Stooges, The Naked Gun and Mr. Bean.

Farce is a form of comedy that relies on exaggerated, improbable, or ridiculous situations to entertain an audience. It is typically marked by physical humor, absurdity, satire or parody, improbable scenarios, misunderstandings, and broadly stylized characters and performances.

A clown is a person who performs physical comedy and arts in an open-ended fashion, typically while wearing distinct makeup or costuming and reversing folkway-norms. The art of performing as a clown is known as clowning or buffoonery, and the term "clown" may be used synonymously with predecessors like jester, joker, buffoon, fool, or harlequin. Clowns have a diverse tradition with significant variations in costume and performance. The most recognizable clowns are those that commonly perform in the circus, characterized by colorful wigs, red noses, and oversized shoes. However, clowns have also played roles in theater and folklore, like the court jesters of the Middle Ages and the jesters and ritual clowns of various indigenous cultures.

Clown performances can elicit a range of emotions, from humor and laughter to fear and discomfort, reflecting complex societal and psychological dimensions. Through the centuries, clowns have continued to play significant roles in society, evolving alongside changing cultural norms and artistic expressions.

Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian and filmmaker. He is best known for his silent films during the 1920s, in which he performed physical comedy and inventive stunts. He frequently maintained a stoic, deadpan facial expression that became his trademark and earned him the nickname "The Great Stone Face".

Keaton was a child vaudeville star, performing as part of his family's traveling act. As an adult, he began working with independent producer Joseph M. Schenck and filmmaker Edward F. Cline, with whom he made a series of successful two-reel comedies in the early 1920s, including One Week (1920), The Playhouse (1921), Cops (1922), and The Electric House (1922). He then moved to feature-length films; several of them, such as Sherlock Jr. (1924), The General (1926), Steamboat Bill, Jr. (1928), and The Cameraman (1928), remain highly regarded. The General is perhaps his most acclaimed work; Orson Welles considered it "the greatest comedy ever made...and perhaps the greatest film ever made".

The Three Stooges were an American vaudeville and comedy troupe active from 1922 until 1970, best remembered for their 190 short-subject films by Columbia Pictures. Their hallmark styles were physical, farce, and slapstick comedy. Six Stooges appeared over the act's run (with only three working at any given time). The two constants were:

• Moe Howard (born Moses Horwitz), 1922–1975, and
• Larry Fine (born Louis Feinberg), 1925–1970

The "third stooge" was played in turn by: