Vaishnava in the context of "Smartism"

The Bhagavad Gita (/ˈbʌɡəvəd ˈɡiːtɑː/; Sanskrit: भगवद्गीता, IPA: [ˌbʱɐɡɐʋɐd ˈɡiːtɑː], romanized: bhagavad-gītā, lit. 'God's song'), often referred to as the Gita (IAST: gītā), is a Hindu scripture, likely composed in the second or first century BCE, which forms part of the epic poem Mahabharata. The Gita is a synthesis of various strands of Indian religious thought, including the Vedic concept of dharma (duty, rightful action); Sankhya-based yoga and jnana (knowledge); and bhakti (devotion). Among the Hindu traditions, the Gita holds a unique pan-Hindu influence as the most prominent sacred text and is a central text in the Vedanta and Vaishnava traditions.

While traditionally attributed to the sage Veda Vyasa, the Gita is historiographically regarded as a composite work by multiple authors. Incorporating teachings from the Upanishads and the samkhya yoga philosophy, the Gita is set in a narrative framework of dialogue between the Pandava prince Arjuna and his charioteer guide Krishna, an avatar of Vishnu, at the onset of the Kurukshetra War.

Bengali literature (Bengali: বাংলা সাহিত্য, romanized: Bangla Shahittô) denotes the body of writings in the Bengali language and which covers Old Bengali, Middle Bengali and Modern Bengali with the changes through the passage of time and dynastic patronization or non-patronization. Bengali has developed over the course of roughly 1,400 years. If the emergence of the Bengali literature supposes to date back to roughly 650 AD, the development of Bengali literature claims to be 1600 years old. The earliest extant work in Bengali literature is the Charyapada, a collection of Buddhist mystic songs in Old Bengali dating back to the 8th century. The timeline of Bengali literature is divided into three periods: ancient (650–1200), medieval (1200–1800) and modern (after 1800). Medieval Bengali literature consists of various poetic genres, including Hindu religious scriptures (e.g. Mangalkavya), Islamic epics (e.g. works of Syed Sultan and Abdul Hakim), Vaishnava texts (e.g. biographies of Chaitanya Mahaprabhu), translations of Arabic, Persian and Sanskrit texts, and secular texts by Muslim poets (e.g. works of Alaol). Novels were introduced in the mid-19th century. Nobel laureate Rabindranath Tagore is the best known figure of Bengali literature to the world. Kazi Nazrul Islam, notable for his activism and anti-British literature, was described as the Rebel Poet and is now recognised as the National poet of Bangladesh.

Hanuman (/ˈhʌnʊˌmɑːn/; Sanskrit: हनुमान्, IAST: Hanumān), also known as Maruti, Bajrangabali, and Anjaneya, is a deity in Hinduism, revered as a divine vanara, and a devoted companion of the deity Rama. Central to the Ramayana, Hanuman is celebrated for his unwavering devotion to Rama and is considered a chiranjivi. He is traditionally believed to be the spiritual offspring of the wind deity Vayu, who is said to have played a significant role in his birth. In Shaiva tradition, he is regarded to be an incarnation of Shiva, while in most of the Vaishnava traditions he is the son and incarnation of Vayu. His tales are recounted not only in the Ramayana but also in the Mahabharata and various Puranas. Devotional practices centered around Hanuman were not prominent in these texts or in early archaeological evidence. His theological significance and the cultivation of a devoted following emerged roughly a millennium after the Ramayana was composed, during the second millennium CE.

In the medieval Hinduism Bhakti movement, figures such as Samarth Ramdas, have portrayed Hanuman as an emblem of nationalism and defiance against oppression. According to Vaishnava tradition, the sage Madhvacharya posited that Vayu aids Vishnu in his earthly incarnations, a role akin to Hanuman's assistance to Rama. In recent times, the veneration of Hanuman through iconography and temple worship has significantly increased. He epitomizes the fusion of "strength, heroic initiative, and assertive excellence" with "loving, emotional devotion" to his lord Rama, embodying both Shakti and Bhakti. Subsequent literature has occasionally depicted him as the patron deity of martial arts, meditation, and scholarly pursuits. He is revered as an exemplar of self-control, faith, and commitment to a cause, transcending his outward Vanara appearance. Traditionally, Hanuman is celebrated as a lifelong celibate, embodying the virtues of chastity. Hanuman's abilities are partly attributed to his lineage from Vayu, symbolizing a connection with both the physical and the cosmic elements.

The Bhakti movement was a significant religious movement in medieval Hinduism that sought to bring religious reforms to all strata of society by adopting the method of devotion to achieve salvation. Originating in Tamilakam during the 6th century CE, it gained prominence through the poems and teachings of the Vaishnava Alvars and Shaiva Nayanars in early medieval South India, before spreading northwards. It swept over east and north India from the 15th century onwards, reaching its zenith between the 15th and 17th century CE.

The Bhakti movement regionally developed around different Hindu gods and goddesses, and some sub-sects were Vaishnavism (Vishnu), Shaivism (Shiva), Shaktism (Shakti goddesses), and Smartism. The Bhakti movement preached using the local languages so that the message reached the masses. The movement was inspired by many poet-saints, who championed a wide range of philosophical positions ranging from theistic dualism of Dvaita to absolute monism of Advaita Vedanta.

Parameshvara (IAST: Parameśvara, Sanskrit: परमेश्वर) is an epithet used in Hindu literature. The term indicates the Supreme Being and Supreme Reality in Hinduism. Vaishnavas consider Vishnu and his avatars, such as Rama and Krishna as Parameshvara, while Shaivas consider Shiva as Parameshvara. In Shaktism, he plays a supporting role and is dependent on Parameshvari, that is the Adi Shakti/Mahadevi (known for her forms such as Durga, Tripura Sundari, Mahakali, Mahalakshmi, Mahasaraswati etc). Shakta traditions are focused on Parameshvari's superiority over Parameshvara, comparisons going as far as to calling Parameshwara a Shava (dead body) without Parameshwari (The supreme moving force of the universe). Whereas in Shaivism and Vaishnavism, she is considered the dependant consort of Parameshvara (as Uma/Sati/Parvati consort of Shiva in Shaivism and Lakshmi consort of Vishnu in Vaishnavism). Beyond sectarian interpretations, Hindus regard Parameshvara as the ultimate and highest reality, eternally pervading all matter. He is regarded by devotees to be totality itself, controlling the triple forces of creation, preservation, and destruction.

Saraswati (Sanskrit: सरस्वती, IAST: Sarasvatī), also spelled as Sarasvati, is one of the principal goddesses in Hinduism, revered as the goddess of knowledge, education, learning, arts, speech, poetry, music, creativity, purification, language and culture. Together with the goddesses Lakshmi and Parvati, she forms the trinity of chief goddesses, known as the Tridevi. Saraswati is a pan-Indian deity, venerated not only in Hinduism but also in Jainism and Buddhism.

She is one of the prominent goddesses in the Vedic tradition (1500 to 500 BCE) who retains her significance in later Hinduism. In the Vedas, her characteristics and attributes are closely connected with the Saraswati River, making her one of the earliest examples of a river goddess in Indian tradition. As a deity associated with a river, Saraswati is revered for her dual abilities to purify and to nurture fertility. In later Vedic literature, particularly the Brahmanas, Saraswati is increasingly identified with the Vedic goddess of speech, Vac, and eventually, the two merge into the singular goddess known in later tradition. Over time, her connection to the river diminishes, while her association with speech, poetry, music, and culture becomes more prominent. In classical and medieval Hinduism, Saraswati is primarily recognized as the goddess of learning, arts and poetic inspiration, and as the inventor of the Sanskrit language. She is linked to the creator god Brahma, either as his creation or consort. In the latter role, she represents his creative power (Shakti), giving reality a unique and distinctly human quality. She becomes linked with the dimension of reality characterized by clarity and intellectual order. Within the goddess-oriented Shaktism tradition, Saraswati is a key figure and venerated as the creative aspect of the Supreme Goddess. She is also significant in certain Vaishnava traditions, where she serves as one of Vishnu's consorts and assists him in his divine functions. Despite her associations with these male deities, Saraswati also stands apart as an independent goddess in the pantheon, widely worshipped as a celibate goddess, without a consort.

The Naalayira Divya Prabandham (Tamil: நாலாயிரத் திவ்வியப் பிரபந்தம், romanized: Nālāyira Divya Prabandham, lit. 'Four Thousand Divine Hymns') is a collection of 4,000 Tamil verses composed by the 12 Alvars. It was compiled in its present form by Nāthamuni during the 9th–10th centuries. The work, an important liturgical compilation of the Tamil Alvars who lived between 5th and 8th Century CE, marks the beginning of the canonisation of 12 Vaishnava poet saints, and these hymns are still sung extensively today.

The Bhagavata (/ˈbɑːɡəˌvɑːtə/; Sanskrit: भागवत, IAST: Bhāgavata [bʱɑ́ːɡɐʋɐtɐ]) tradition, also called Bhagavatism (/ˌbɑːɡəˈvɑːtɪz(ə)m/), is an ancient religious sect that traced its origin to the region of Mathura. After its syncretism with the Brahmanical tradition of Vishnu, Bhagavatism became a pan-Indian tradition by the second century BCE, according to R.C. Majumdar.

Historically, Bhagavatism corresponds to the development of a popular theistic movement in India, departing from the elitist sacrificial rites of Vedism, and initially focusing on the worship of the Vrishni hero Vāsudeva in the region of Mathura. It later assimilated into the concept of Narayana where Krishna is conceived as svayam bhagavan. According to some historical scholars, worship of Krishna emerged in the 1st century BCE. However, Vaishnava traditionalists place it in the 4th century BCE. Despite the relative silence of the earlier Vedic sources, the features of Bhagavatism and the principles of monotheism of Bhagavata school, as described in the Bhagavad Gita, are viewed as an example of the belief that Vāsudeva-Krishna is not an avatar of the Vedic Vishnu, but is the Supreme Being Himself.

Shrinathji is a form of Krishna, manifested as a seven-year-old child. Shrinathji is the central presiding deity of the Vaishnava sect known as Pushtimarg (the way of grace) or the Vallabha Sampradaya, established by saint Vallabhacharya.

Shrinathji is worshipped mainly by followers of Bhakti Yoga and the Vaishnavas in Gujarat and Rajasthan, as well as the Bhatias among others.