Urbino in the context of "Francesco Laurana"

Raffaello Sanzio da Urbino (Italian: [raffaˈɛllo ˈsantsjo da urˈbiːno]; March 28 or April 6, 1483 – April 6, 1520), now generally known in English as Raphael (UK: /ˈræfeɪ.əl/ RAF-ay-əl, US: /ˈræfi.əl, ˈreɪfi-, ˌrɑːfaɪˈɛl/ RAF-ee-əl, RAY-fee-, RAH-fy-EL), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period.

His father Giovanni Santi was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He probably trained in the workshop of Pietro Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of Pope Julius II, to work on the Apostolic Palace at the Vatican. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He was still at the height of his powers at his death in 1520.

Federico Commandino (1509 – 5 September 1575) was an Italian humanist and mathematician.

Born in Urbino, he studied at Padua and then at Ferrara, where he received his doctorate in medicine under Antonio Musa Brassavola. He had numerous patrons throughout his life. Initially, aided by Grassi, the bishop of Viterbo, he then came under the patronage of Pope Clement VIII. In Urbino, he was sponsored by Guidobaldo II della Rovere, but then came to Rome with cardinal Ranuccio Farnese. In Rome, he was patronized by Cardinal Cervini, who served briefly as Pope. Lured back to Urbino by Francesco Maria II della Rovere. In Urbino, he putatively met John Dee, and corresponded with the scholars Conrad Dasypodius (il Dasipodio), Gerolamo Cardano, Francesco Maurolico, and Christopher Clavius.

The four Raphael Rooms (Italian: Stanze di Raffaello) form a suite of reception rooms in the Apostolic Palace, now part of the Vatican Museums, in Vatican City. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's Sistine Chapel ceiling frescoes, they are the grand fresco sequences that mark the High Renaissance in Rome.

The Stanze, as they are commonly called, were originally intended as a suite of apartments for Pope Julius II. He commissioned Raphael, then a relatively young artist from Urbino, and his studio in 1508 or 1509 to redecorate the existing interiors of the rooms entirely. It was possibly Julius' intent to outshine the apartments of his predecessor (and rival) Pope Alexander VI, as the Stanze are directly above Alexander's Borgia Apartment. They are on the second floor, overlooking the south side of the Belvedere Courtyard.

The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art, in cycles of the Passion or the larger subject of the Life of Christ. Catholic tradition places the Flagellation on the site of the Church of the Flagellation (the second station of the Via Dolorosa in Jerusalem). It is the second Sorrowful Mystery of the Rosary and the sixth station of John Paul II's Scriptural Way of the Cross. The column to which Christ is normally shown to be tied, and the rope, scourge, whip or birch are elements in the Arma Christi. The Basilica di Santa Prassede in Rome is one of the churches claiming to possess the original column or parts of it.

In art, the subject was first depicted as one of a series of Passion scenes, but from the 15th century onwards it was also painted in individual works. The most-discussed single work is the enigmatic Flagellation of Christ on a small panel in Urbino by Piero della Francesca (1455–1460), the precise meaning of which has eluded generations of art historians. At the same time, Christ at the Column or Christ at the Stake developed as an image of Christ alone tied to a column or stake. This was most popular in Baroque sculpture, and also related to the subject, not found in the canonical Gospels, of Christ in the Dungeon. It is often difficult to distinguish between these two subjects, and between Christ at the Column and a Flagellation.

Federico da Montefeltro, also known as Federico III da Montefeltro KG (7 June 1422 – 10 September 1482), was one of the most successful mercenary captains (condottieri) of the Italian Renaissance. He became the lord of Urbino in 1444, and ruled the city as its duke from 1474 until his death. In addition to his considerable reputation for martial skill and honour, he was a renowned intellectual humanist and civic leader. Montefeltro commissioned the construction of a great library, perhaps the largest of Italy after the Vatican's, complete with a team of scribes in its scriptorium. He also assembled a large humanistic court in his Ducal Palace, designed by Luciano Laurana and Francesco di Giorgio Martini.

The Renaissance in Urbino was one of the most fundamental manifestations of the early Italian Renaissance.

During the lordship of Federico da Montefeltro, from 1444 to 1482, a fertile and vital artistic climate developed at the court, due to cultural exchanges with numerous centers on the peninsula and also abroad, especially the Flemish one. The cultural movement in Urbino was restricted within the court, around its highly refined prince, and although it elaborated highly advanced and avant-garde solutions, it did not generate a real local school, also due to the recourse mainly to foreign artists. Nevertheless, the Urbino style, by virtue of the very circulation of artists, experienced a wide diffusion, which made it one of the key variations of the Italian Renaissance. Among the basic characteristics of its humanistic culture were the unmistakable tone made of measure and rigor, which had protagonists such as Piero della Francesca, Luciano Laurana, Justus van Gent, Pedro Berruguete, Francesco di Giorgio Martini, and Fra Diamante.

The University of Urbino Carlo Bo (Italian: Università degli Studi di Urbino Carlo Bo, UniUrb) is an Italian university located in Urbino, in the region of Marche, in north-eastern central Italy. The main campus occupies numerous buildings throughout the historic Urbino town center and the nearby countryside, with a branch campus in Fano. The university's enrollment in 2019 was 11,646 undergraduate students and 2,230 graduate students, with 858 full-time or part-time instructional and research faculty across various departments.

The University of Urbino is renowned for teaching and research in sports science, humanities, biology and computer science. Until 2006 it was a free university.

The Archdiocese of Urbino–Urbania–Sant'Angelo in Vado (Latin: Archidioecesis Urbinatensis–Urbaniensis–Sancti Angeli in Vado) is a Latin Church ecclesiastical territory or archdiocese of the Catholic Church in the Province of Pesaro and Urbino in the Marche region of central Italy. The current archbishop is Sandro Salvucci, appointed in January 2023. It was previously a metropolitan see.

Its cathedral is a minor basilica and World Heritage Site: Basilica Cattedrale di S. Maria Assunta, in Urbino. It has two co-cathedrals, both former cathedrals of absorbed diocese whose title was also adopted: another minor basilica, the Basilica Concattedrale di S. Michele Arcangelo, dedicated to the archangel Saint Michael, in Sant’Angelo in Vado, and the Concattedrale di S. Cristoforo Martire, dedicated to the protomartyr Saint Christopher, in Urbania.

The Ducal Palace (Italian: Palazzo Ducale) is a Renaissance building in the Italian city of Urbino in the Marche. One of the most important monuments in Italy, it's been listed as a UNESCO World Heritage Site since 1998.

Luciano Laurana (Lutiano Dellaurana, Croatian: Lucijan Vranjanin) (c. 1420 – 1479) was a Dalmatian Italian architect and engineer from the historic Vrana settlement near the town of Zadar in Dalmatia, (today in Croatia, then part of the Republic of Venice) After education by his father Martin in Vrana settlement, he worked mostly in Italy during the late 15th century. He was principal designer of the Palazzo Ducale of Urbino and one of the main figures in 15th-century Italian architecture. He considerably influenced the development of Renaissance architecture. His projects were accompanied with notes in the Croatian glagolitic script, as witnessed by the famous Bernardo Baldi. He was a relative of the sculptor Francesco Laurana.

Inlay covers a range of techniques in sculpture and the decorative arts for inserting pieces of contrasting, often colored materials into depressions in a base object to form ornament or pictures that normally are flush with the matrix. A great range of materials have been used both for the base or matrix and for the inlays inserted into it. Inlay is commonly used in the production of decorative furniture, where pieces of colored wood, precious metals or even diamonds are inserted into the surface of the carcass using various matrices including clear coats and varnishes. Lutherie inlays are frequently used as decoration and marking on musical instruments, particularly the smaller strings.

Perhaps the most famous example of furniture inlay is that of André-Charles Boulle (1642–1732) which is known as Boulle work and evolved in part from inlay produced in Italy during the late 15th century at the studiolo for Federico da Montefeltro in his Ducal Palace at Urbino, in which trompe-l'œil shelving seems to carry books, papers, curios and mathematical instruments, in eye-deceiving perspective. The similar private study made for him at Gubbio is now in the Metropolitan Museum of Art.

Urbania is a comune (municipality) in the Province of Pesaro e Urbino in the Italian region of Marche, located about 80 kilometres (50 mi) west of Ancona and about 40 kilometres (25 mi) southwest of Pesaro, next to the river Metauro.

Urbania borders the following municipalities: Acqualagna, Apecchio, Cagli, Fermignano, Peglio, Piobbico, Sant'Angelo in Vado, Urbino.

The Flagellation of Christ (1459–1460) is a painting by Piero della Francesca in the Galleria Nazionale delle Marche in Urbino, Italy. Called by one writer an "enigmatic little painting," the composition is complex and unusual, and its iconography has been the subject of widely differing theories. Kenneth Clark called The Flagellation "the greatest small painting in the world".

The Baronci Altarpiece was a painting by the Italian High Renaissance artist Raphael. His first recorded commission, it was made for Andrea Baronci's chapel in the church of Sant'Agostino in Città di Castello, near Urbino. The altarpiece was seriously damaged during an earthquake in 1789, and since 1849 fragments of the original painting have been part of different collections.

Piandimeleto is a comune (municipality) in the Province of Pesaro e Urbino in the Italian region Marche, located about 90 kilometres (56 mi) west of Ancona and about 45 kilometres (28 mi) southwest of Pesaro.

Piandimeleto borders the following municipalities: Belforte all'Isauro, Carpegna, Frontino, Lunano, Macerata Feltria, Pietrarubbia, Sant'Angelo in Vado, Sassocorvaro Auditore, Sestino, Urbino. Its territory is included in the Sasso Simone and Simoncello Regional Park. The Foglia river flows near the town.

Montecalvo in Foglia is a comune (municipality) in the Province of Pesaro e Urbino in the Italian region Marche, located about 70 kilometres (43 mi) northwest of Ancona and about 25 kilometres (16 mi) southwest of Pesaro.

Montecalvo in Foglia borders the following municipalities: Mondaino, Tavullia, Urbino, Vallefoglia.

Montelabbate is a comune (municipality) in the Province of Pesaro e Urbino in the Italian region Marche, located about 60 kilometres (37 mi) northwest of Ancona and about 12 kilometres (7 mi) southwest of Pesaro.

Montelabbate borders the following municipalities: Colbordolo, Pesaro, Sant'Angelo in Lizzola, Tavullia, Urbino, Vallefoglia.

Cagli [ˈkaʎʎi] is a town and comune in the province of Pesaro e Urbino, Marche, central Italy. It is c. 30 kilometres (19 miles) south of Urbino. The Burano flows near the town.