Francesco di Giorgio Martini in the context of "Renaissance in Urbino"

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⭐ Core Definition: Francesco di Giorgio Martini

Francesco di Giorgio Martini (1439–1501) was an Italian architect, engineer, painter, sculptor, and writer. As a painter, he belonged to the Sienese School. He was considered a visionary architectural theorist—in Nikolaus Pevsner's terms: "one of the most interesting later Quattrocento architects". As a military engineer, he executed architectural designs and sculptural projects and built almost seventy fortifications for the Federico da Montefeltro, Count (later Duke) of Urbino, building city walls and early examples of star-shaped fortifications.

Born in Siena, he apprenticed as a painter with Vecchietta. In panels painted for cassoni he departed from the traditional representations of joyful wedding processions in frieze-like formulas to express visions of ideal, symmetrical, vast and all but empty urban spaces rendered in perspective.

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👉 Francesco di Giorgio Martini in the context of Renaissance in Urbino

The Renaissance in Urbino was one of the most fundamental manifestations of the early Italian Renaissance.

During the lordship of Federico da Montefeltro, from 1444 to 1482, a fertile and vital artistic climate developed at the court, due to cultural exchanges with numerous centers on the peninsula and also abroad, especially the Flemish one. The cultural movement in Urbino was restricted within the court, around its highly refined prince, and although it elaborated highly advanced and avant-garde solutions, it did not generate a real local school, also due to the recourse mainly to foreign artists. Nevertheless, the Urbino style, by virtue of the very circulation of artists, experienced a wide diffusion, which made it one of the key variations of the Italian Renaissance. Among the basic characteristics of its humanistic culture were the unmistakable tone made of measure and rigor, which had protagonists such as Piero della Francesca, Luciano Laurana, Justus van Gent, Pedro Berruguete, Francesco di Giorgio Martini, and Fra Diamante.

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Francesco di Giorgio Martini in the context of Parachute

A parachute is a device designed to slow an object's descent through an atmosphere by creating drag or aerodynamic lift. It is primarily used to safely support people exiting aircraft at height, but also serves various purposes like slowing cargo, aiding in space capsule recovery on Earth, landing spacecraft on other planets, and stabilizing vehicles or objects. Modern parachutes are typically made from durable fabrics like nylon and come in various shapes, such as dome-shaped, rectangular, and inverted domes, depending on their specific function.

The concept of the parachute dates back to ancient attempts at flight. In AD 852, Armen Firman, in Córdoba, Spain, made the first recorded jump with a large cloak to slow his fall. Renaissance figures like Francesco di Giorgio Martini and Leonardo da Vinci later sketched designs resembling modern parachutes, but it was not until the 18th century that the first successful jumps occurred. French Louis-Sébastien Lenormand made the first public jump in 1783, and he coined the term "parachute" in 1785. In the following years, key advancements were made by figures like André Garnerin, with parachutes becoming lighter, more reliable, and easier to deploy.

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Francesco di Giorgio Martini in the context of Federico da Montefeltro

Federico da Montefeltro, also known as Federico III da Montefeltro KG (7 June 1422 – 10 September 1482), was one of the most successful mercenary captains (condottieri) of the Italian Renaissance. He became the lord of Urbino in 1444, and ruled the city as its duke from 1474 until his death. In addition to his considerable reputation for martial skill and honour, he was a renowned intellectual humanist and civic leader. Montefeltro commissioned the construction of a great library, perhaps the largest of Italy after the Vatican's, complete with a team of scribes in its scriptorium. He also assembled a large humanistic court in his Ducal Palace, designed by Luciano Laurana and Francesco di Giorgio Martini.

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