Ulysses (novel) in the context of "Elijah"

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⭐ Core Definition: Ulysses (novel)

Ulysses is a modernist novel by the Irish writer James Joyce. Partially serialised in the American journal The Little Review from March 1918 to December 1920, the entire work was published in Paris by Sylvia Beach on 2 February 1922, Joyce's fortieth birthday. It is considered one of the most important works of modernist literature and a classic of the genre, having been called "a demonstration and summation of the entire movement".

Ulysses chronicles the experiences of three Dubliners over the course of a single day, 16 June 1904 (which its fans now celebrate annually as Bloomsday). Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem the Odyssey, and the novel establishes a series of parallels between Leopold Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus and Telemachus. There are also correspondences with William Shakespeare's play Hamlet and with other literary, religious, and mythological figures, including Jesus, Elijah, Moses, Dante Alighieri and Don Juan. Such themes as antisemitism, human sexuality, British rule in Ireland, Catholicism and Irish nationalism are treated in the context of early-20th-century Dublin. It is highly allusive and written in a variety of styles.

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Ulysses (novel) in the context of James Joyce

James Augustine Aloysius Joyce (born James Augusta Joyce; 2 February 1882 – 13 January 1941) was an Irish novelist, poet, and literary critic. He contributed to the modernist movement and is regarded among the most influential and important writers of the 20th century. Joyce's novel Ulysses (1922) is a landmark in which the episodes of Homer's Odyssey are paralleled in a variety of literary styles, particularly stream of consciousness. Other well-known works are the short-story collection Dubliners (1914) and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939). His other writings include three books of poetry, a play, letters, and occasional journalism.

Born in Dublin into a middle-class family, Joyce attended the Jesuit Clongowes Wood College in County Kildare, then, briefly, the Christian Brothers–run O'Connell School. Despite the chaotic family life imposed by his father's unpredictable finances, he excelled at the Jesuit Belvedere College and graduated from University College Dublin in 1902. In 1904, he met his future wife, Nora Barnacle, and they moved to mainland Europe. He briefly worked in Pola (now in Croatia) and then moved to Trieste in Austria-Hungary, working as an English instructor. Except for an eight-month stay in Rome working as a correspondence clerk and three visits to Dublin, Joyce lived there until 1915. In Trieste, he published his book of poems Chamber Music and his short-story collection Dubliners, and began serially publishing A Portrait of the Artist as a Young Man in the English magazine The Egoist. During most of World War I, Joyce lived in Zurich, Switzerland, and worked on Ulysses. After the war, he briefly returned to Trieste and in 1920 moved to Paris, which was his primary residence until 1940.

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Ulysses (novel) in the context of Hypertext fiction

Hypertext fiction is a genre of electronic literature characterized by the use of hypertext links that provide a new context for non-linearity in literature and reader interaction. The reader typically chooses links to move from one node of text to the next, and in this fashion arranges a story from a deeper pool of potential stories. Its spirit can also be seen in interactive fiction.

The term can also be used to describe traditionally published books in which a nonlinear narrative and interactive narrative is achieved through internal references. James Joyce's Ulysses (1922), Enrique Jardiel Poncela's La Tournée de Dios (1932), Jorge Luis Borges' The Garden of Forking Paths (1941), Vladimir Nabokov's Pale Fire (1962), Julio Cortázar's Rayuela (1963; translated as Hopscotch), and Italo Calvino's The Castle of Crossed Destinies (1973) are early examples predating the word "hypertext", while a common pop-culture example is the Choose Your Own Adventure series in young adult fiction and other similar gamebooks, or Jason Shiga's Meanwhile, a graphic novel that allows readers to choose from a total of 3,856 possible linear narratives.

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Ulysses (novel) in the context of Encyclopedic novel

The encyclopedic novel is a genre of complex literary fiction which incorporates elements across a wide range of scientific, academic, and literary subjects. The concept was coined by Edward Mendelson in criticism of Gravity's Rainbow by Thomas Pynchon, defined as an encyclopedia-like attempt to "render the full range of knowledge and beliefs of a national culture, while identifying the ideological perspectives from which that culture shapes and interprets its knowledge". In more general terms, the encyclopedic novel is a long, complex work of fiction that incorporates extensive information (which is sometimes fictional itself), often from specialized disciplines of science and the humanities. Mendelson's essays examine the encyclopedic tendency in the history of literature, considering the Divine Comedy, Don Quixote, Faust, and Moby-Dick, with an emphasis on the modern Ulysses and Gravity's Rainbow. Commonly cited examples of encyclopedic novels in the postmodern period include, in addition to Pynchon, Richard Powers' The Gold Bug Variations (1991), David Foster Wallace's Infinite Jest (1996), and Don DeLillo's Underworld (1997). Other literary critics have explored the concept since, attempting to understand the function and effect of "encyclopedic" narratives, and coining the related terms systems novel and maximalist novel.

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Ulysses (novel) in the context of Metempsychosis

In philosophy and theology, metempsychosis (Ancient Greek: μετεμψύχωσις) is the transmigration of the soul, especially its reincarnation after death. The term is derived from ancient Greek philosophy, and has been recontextualized by modern philosophers such as Arthur Schopenhauer, Kurt Gödel, Mircea Eliade, and Magdalena Villaba; otherwise, the word "transmigration" is more appropriate. The word plays a prominent role in James Joyce's Ulysses and is also associated with Nietzsche. Another term sometimes used synonymously is palingenesis.

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Ulysses (novel) in the context of Ezra Pound

Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American poet and critic, a major figure in the early modernist poetry movement, and a collaborator in Fascist Italy and the Salò Republic during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and The Cantos (c. 1915–1962).

Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped to discover and shape the work of contemporaries such as H.D., Robert Frost, T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's A Portrait of the Artist as a Young Man, the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's Ulysses. Hemingway wrote in 1932 that, for poets born in the late 19th or early 20th century, not to be influenced by Pound would be "like passing through a great blizzard and not feeling its cold".

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Ulysses (novel) in the context of The Egoist (periodical)

The Egoist (subtitled An Individualist Review) was a London literary magazine published from 1914 to 1919, during which time it published important early modernist poetry and fiction. In its manifesto, it claimed to "recognise no taboos", and published a number of controversial works, such as parts of Ulysses. Today, it is considered "England's most important Modernist periodical."

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Ulysses (novel) in the context of A Portrait of the Artist as a Young Man

A Portrait of the Artist as a Young Man is the second book and first novel of Irish writer James Joyce, published in 1916. A Künstlerroman written in a modernist style, it traces the religious and intellectual awakening of young Stephen Dedalus, Joyce's fictional alter ego, whose surname alludes to Daedalus, Greek mythology's consummate craftsman. Stephen questions and rebels against the Catholic and Irish conventions under which he has grown, culminating in his self-exile from Ireland to Europe. The work uses techniques that Joyce developed more fully in Ulysses (1922) and Finnegans Wake (1939).

A Portrait began life in 1904 as Stephen Hero—a projected 63-chapter autobiographical novel in a realistic style. After 25 chapters, Joyce abandoned Stephen Hero in 1907 and set to reworking its themes and protagonist into a condensed five-chapter novel, dispensing with strict realism and making extensive use of free indirect speech that allows the reader to peer into Stephen's developing consciousness. American modernist poet Ezra Pound had the novel serialised in the English literary magazine The Egoist in 1914 and 1915, and published as a book in 1916 by B. W. Huebsch of New York. The publication of A Portrait and the short story collection Dubliners (1914) earned Joyce a place at the forefront of literary modernism.

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Ulysses (novel) in the context of Margaret C. Anderson

Margaret Caroline Anderson (November 24, 1886 – October 19, 1973) was the American founder, editor and publisher of the art and literary magazine The Little Review, which published a collection of modern American, English and Irish writers between 1914 and 1929. The periodical is most noted for introducing many prominent American and British writers of the 20th century, such as Ezra Pound and T. S. Eliot, in the United States and publishing the first thirteen chapters of James Joyce's then-unpublished novel Ulysses.

A large collection of Anderson's papers on Gurdjieff's teaching is preserved at the Beinecke Rare Book and Manuscript Library, Yale University.

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Ulysses (novel) in the context of Sylvia Beach

Sylvia Beach (14 March 1887 – 5 October 1962), born Nancy Woodbridge Beach, was an American-born bookseller and publisher who lived most of her life in Paris, where she was one of the leading expatriate figures between World War I and II.

She is known for her Paris bookstore, Shakespeare and Company, where she published James Joyce's book Ulysses (1922), and encouraged the publication of and sold copies of Hemingway's first book, Three Stories and Ten Poems (1923).

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