A Portrait of the Artist as a Young Man in the context of "James Joyce"

⭐ In the context of James Joyce, *A Portrait of the Artist as a Young Man* is notable for being initially released through what method before being published as a complete book?

Ad spacer

⭐ Core Definition: A Portrait of the Artist as a Young Man

A Portrait of the Artist as a Young Man is the second book and first novel of Irish writer James Joyce, published in 1916. A Künstlerroman written in a modernist style, it traces the religious and intellectual awakening of young Stephen Dedalus, Joyce's fictional alter ego, whose surname alludes to Daedalus, Greek mythology's consummate craftsman. Stephen questions and rebels against the Catholic and Irish conventions under which he has grown, culminating in his self-exile from Ireland to Europe. The work uses techniques that Joyce developed more fully in Ulysses (1922) and Finnegans Wake (1939).

A Portrait began life in 1904 as Stephen Hero—a projected 63-chapter autobiographical novel in a realistic style. After 25 chapters, Joyce abandoned Stephen Hero in 1907 and set to reworking its themes and protagonist into a condensed five-chapter novel, dispensing with strict realism and making extensive use of free indirect speech that allows the reader to peer into Stephen's developing consciousness. American modernist poet Ezra Pound had the novel serialised in the English literary magazine The Egoist in 1914 and 1915, and published as a book in 1916 by B. W. Huebsch of New York. The publication of A Portrait and the short story collection Dubliners (1914) earned Joyce a place at the forefront of literary modernism.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 A Portrait of the Artist as a Young Man in the context of James Joyce

James Augustine Aloysius Joyce (born James Augusta Joyce; 2 February 1882 – 13 January 1941) was an Irish novelist, poet, and literary critic. He contributed to the modernist movement and is regarded among the most influential and important writers of the 20th century. Joyce's novel Ulysses (1922) is a landmark in which the episodes of Homer's Odyssey are paralleled in a variety of literary styles, particularly stream of consciousness. Other well-known works are the short-story collection Dubliners (1914) and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939). His other writings include three books of poetry, a play, letters, and occasional journalism.

Born in Dublin into a middle-class family, Joyce attended the Jesuit Clongowes Wood College in County Kildare, then, briefly, the Christian Brothers–run O'Connell School. Despite the chaotic family life imposed by his father's unpredictable finances, he excelled at the Jesuit Belvedere College and graduated from University College Dublin in 1902. In 1904, he met his future wife, Nora Barnacle, and they moved to mainland Europe. He briefly worked in Pola (now in Croatia) and then moved to Trieste in Austria-Hungary, working as an English instructor. Except for an eight-month stay in Rome working as a correspondence clerk and three visits to Dublin, Joyce lived there until 1915. In Trieste, he published his book of poems Chamber Music and his short-story collection Dubliners, and began serially publishing A Portrait of the Artist as a Young Man in the English magazine The Egoist. During most of World War I, Joyce lived in Zurich, Switzerland, and worked on Ulysses. After the war, he briefly returned to Trieste and in 1920 moved to Paris, which was his primary residence until 1940.

↓ Explore More Topics
In this Dossier

A Portrait of the Artist as a Young Man in the context of Ezra Pound

Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American poet and critic, a major figure in the early modernist poetry movement, and a collaborator in Fascist Italy and the Salò Republic during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and The Cantos (c. 1915–1962).

Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped to discover and shape the work of contemporaries such as H.D., Robert Frost, T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's A Portrait of the Artist as a Young Man, the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's Ulysses. Hemingway wrote in 1932 that, for poets born in the late 19th or early 20th century, not to be influenced by Pound would be "like passing through a great blizzard and not feeling its cold".

↑ Return to Menu

A Portrait of the Artist as a Young Man in the context of Clongowes Wood College

Clongowes Wood College SJ is a Catholic voluntary boarding school for boys near Clane, County Kildare, Ireland, founded by the Jesuits in 1814. It features prominently in James Joyce's semi-autobiographical novel A Portrait of the Artist as a Young Man. Blessed John Sullivan (Jesuit) taught at Clongowes Wood College from 1907 until his death in 1933. One of five Jesuit secondary schools in Ireland, it had 450 students in 2019.

The school's current headmaster, Christopher Lumb, is the first lay headmaster in its history.

↑ Return to Menu

A Portrait of the Artist as a Young Man in the context of Stephen Dedalus

Stephen Dedalus is James Joyce's literary alter ego, appearing as the protagonist and antihero of his first, semi-autobiographic novel of artistic existence, A Portrait of the Artist as a Young Man (1916), and as a major character in his modernist novel Ulysses (1922). Stephen mirrors many facets of Joyce's own life and personality. Joyce was a talented singer, for example, and in Ulysses Leopold Bloom notes the excellence of Stephen's tenor voice after hearing him sing Johannes Jeep's song "Von der Sirenen Listigkeit".

In Stephen Hero, an early version of A Portrait, Stephen's surname is spelled "Daedalus," a more obvious allusion to the mythological figure Daedalus, a brilliant artificer who constructed a pair of wings for himself and his son Icarus as a means of escaping the island of Crete, where they had been imprisoned by King Minos. Buck Mulligan makes reference to Stephen's mythic namesake in Ulysses, telling him, "Your absurd name, an ancient Greek!" His surname also suggests his desire to "fly" above the constraints of religion, nationality, and politics in his development as an artist. Daedalus had been contracted by King Minos to build the Labyrinth in which he would imprison his wife's son the Minotaur. Stephen's surname may also reflect the labyrinthine quality of his developmental journey in A Portrait of the Artist as a Young Man. Stephen's first name recalls the first Christian martyr. The theme of martyrdom runs throughout the novel.

↑ Return to Menu

A Portrait of the Artist as a Young Man in the context of Stephen Hero

Stephen Hero is a posthumously published autobiographical novel by Irish author James Joyce. It is the early version of A Portrait of the Artist as a Young Man. Its published form reflects only a portion of the manuscript: the first 518 pages have disappeared; 383 pages remain.

↑ Return to Menu