Typology (theology) in the context of "Bible moralisée"

Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognisable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace.

The earliest Gothic art was monumental sculpture, on the walls of Cathedrals and abbeys. Christian art was often typological in nature (see Medieval allegory), showing the stories of the New Testament and the Old Testament side by side. Saints' lives were often depicted. Images of the Virgin Mary changed from the Byzantine iconic form to a more human and affectionate mother, cuddling her infant, swaying from her hip, and showing the refined manners of a well-born aristocratic courtly lady.

The Biblia pauperum (Latin for "Paupers' Bible") was a tradition of picture Bibles beginning probably with Ansgar, and a common printed block-book in the later Middle Ages to visualize the typological correspondences between the Old and New Testaments. Unlike a simple "illustrated Bible", where the pictures are subordinated to the text, these Bibles placed the illustration in the centre, with only a brief text or sometimes no text at all. Words spoken by the figures in the miniatures could be written on scrolls coming out of their mouths. To this extent one might see parallels with modern comics.

The tradition is a further simplification of the Bible moralisée tradition, which was similar but with more text. Like these, the Biblia pauperum was usually in the local vernacular language, rather than Latin.

The Exodus (Hebrew: יציאת מצרים, romanized: Yəṣīʾat Mīṣrayīm, lit. 'Departure from Egypt') is the founding myth of the Israelites whose narrative is spread over four of the five books of the Pentateuch (specifically, Exodus, Leviticus, Numbers, and Deuteronomy). The narrative of the Exodus describes a history of Egyptian bondage of the Israelites followed by their exodus from Egypt through a passage in the Red Sea, in pursuit of the Promised Land under the leadership of Moses.

The story of the Exodus is central in Judaism. It is recounted daily in Jewish prayers and celebrated in festivals such as Passover. Early Christians saw the Exodus as a typological prefiguration of resurrection and salvation by Jesus. The Exodus is also recounted in the Quran as part of the extensive referencing of the life of Moses, a major prophet in Islam. The narrative has also resonated with various groups in more recent centuries, such as among African Americans striving for freedom and civil rights, and in liberation theology.

The Catechetical School of Antioch was one of the two major Christian centers of the study of biblical exegesis and theology during Late Antiquity; the other was the School of Alexandria. This group was known by this name because the advocates of this tradition were based in the city of Antioch in Roman Syria (modern-day Turkey), one of the major cities of the ancient Roman Empire. Although there were early interpreters from Antioch, like Theophilus of Antioch, the proper school of exegesis at Antioch belongs to the period of the 4th and 5th centuries.

While the Christian intellectuals of Alexandria emphasized the allegorical interpretation of Scriptures and tended toward a Christology that emphasized the union of the human and the divine, those in Antioch held to a more literal and occasionally typological exegesis and a Christology that emphasized the distinction between the human and the divine in the person of Jesus Christ. They rejected notions of instantaneous creation held by other figures such as Augustine, and instead literally held to the notion of the progressive creation of the Genesis creation narrative: those things created on the sixth day did not exist in the fifth, that made on the fifth day did not exist in the fourth, and so on. Advocates included Acacius of Caesarea, Severian of Gabala, Theodore of Mopsuestia, Theodoret, and others.

Edward Bouverie Pusey (/ˈpjuːzi/; 22 August 1800 – 16 September 1882) was an English Anglican cleric, for more than fifty years Regius Professor of Hebrew at the University of Oxford. He was one of the leading figures in the Oxford Movement, with interest in sacramental theology and theological typology.

Jonah the son of Amittai or Jonas (Hebrew: יוֹנָה Yōnā, lit. 'dove') is a Jewish prophet from Gath-hepher in the Northern Kingdom of Israel around the 8th century BCE according to the Hebrew Bible. He is the central figure of the Book of Jonah, one of the minor prophets, which details his reluctance in delivering the judgment of God to the city of Nineveh (near present-day Mosul) in the Neo-Assyrian Empire. After he is swallowed by a large sea creature (Hebrew: דג גדול, romanized: dāḡ gāḏol, lit. 'large fish') and then released, he returns to the divine mission.

In Judaism, the story of Jonah represents the teaching of repentance in Judaism, the ability to repent to God for forgiveness. In the New Testament of Christianity, Jesus calls himself "greater than Jonah" and promises the Pharisees "the sign of Jonah" when referring to his resurrection. Early Christian interpreters viewed Jonah as a type of Jesus. Jonah in Islam is regarded as a prophet and the narrative of Jonah appears in a surah of the Quran named after him, Yūnus.