Kabbalah, the central system in Jewish mysticism, uses anthropomorphic mythic symbols to metaphorically describe manifestations of God in Judaism. Based on the verses "God created man in his own image, in the image of God created he him; male and female created he them" (Genesis 1:27) and "from my flesh shall I see God" (Job 19:26), Kabbalah uses the form of the human body to describe the structure of the human soul, and the nature of supernal Divine emanations. A particular concern of Kabbalah is sexual unity between male and female potencies in Divinity on high, depicted as interaction of the two sides in the sephiroth, Adam Kadmon the divine Anthropos, between archetypal partzufim or divine personas, and the redemption of the exiled Shekhinah, feminine divine presence, from captivity among the impure forces called qlippoth "husks" below.
Kabbalists repeatedly warn and stress the need to divest their subtle notions from any corporeality, dualism, plurality, or spatial and temporal connotations. All divine emanations are only from the spiritual perception of creation, nullifying from the Divine view into the Ohr Ein Sof (Infinite light). As "the Torah speaks in the language of Man", according to Berachot 31b and other sources, the empirical terms are necessarily imposed upon man's experience in this world. Once the analogy is described, its dialectical limitations are then related to stripping the kernel of its qlippa "husk" to arrive at a more accurate conception. Nonetheless, Kabbalists believe their mythic symbols are not arbitrary but carefully chosen terminologies that mystically point beyond their limits of language to denote subtle connotations and profound relationships in the Divine spiritual influences. More accurately, as they describe the emanation of the Material world from the Four Worlds, the analogous anthropomorphisms and material metaphors themselves derive through cause and effect from their precise root analogies on High.