Tutelary deity in the context of "Athena"

The Athena Promachos (Ἀθηνᾶ Πρόμαχος, "Athena who fights in the front line") was a colossal bronze statue of Athena sculpted by Phidias, which stood between the Propylaea and the Parthenon on the Acropolis of Athens. Athena was the tutelary deity of Athens and the goddess of wisdom and warriors. Pheidias also sculpted two other figures of Athena on the Acropolis, the huge gold and ivory ("chryselephantine") cult image of Athena Parthenos in the Parthenon and the Lemnian Athena.

The designation Athena Promachos is not attested before a dedicatory inscription of the early fourth century CE; Pausanias (1.28.2) referred to it as "the great bronze Athena" on the Acropolis.

The daimon (δαίμων), also spelled daemon (meaning "god", "godlike", "power", "fate"), denotes an "unknown superfactor", which can be either good or hostile. The daimonic manifests as a penetration into the order of the known and explainable world. For Christian thinkers, the daimonic was associated with non-rational divine inspiration and, due to lack of its predictability, considered evil. For modern non-Christian thinkers, such as Johann Wolfgang von Goethe, the daimon remained neutral.

In ancient Greek religion and mythology a daimon was imagined to be a lesser deity or guiding spirit. The word is derived from Proto-Indo-European *déh₂i-mō ~ *dh₂i-mn-és 'divider, apportioner(?)'. Daimons were possibly seen as the souls of men of the golden age, tutelary deities, or the forces of fate.

The statue of Athena Parthenos (Ancient Greek: Παρθένος Ἀθηνᾶ, lit. 'Athena the Virgin') was a monumental chryselephantine sculpture of the goddess Athena. Attributed to Phidias and dated to the mid-fifth century BCE, it was an offering from the city of Athens to Athena, its tutelary deity. The naos of the Parthenon on the acropolis of Athens was designed exclusively to accommodate it.

Many artists and craftsmen worked on the realization of the sculpture, which was probably built around a core of cypress wood, and then paneled with gold and ivory plates. At about 13 meters high, the statue reflected the established aesthetic canon of the severe style (clothing) while adopting the innovations of the high classical (leg position). She was helmeted and held a large round shield and spear, placed on the ground to her left, next to her sacred snake. Clothes, jewellery, accessories, and even the statue base were decorated, mainly with the snake and gorgon motif.

The pediments of the Parthenon are the two sets of statues (around fifty) in Pentelic marble originally located as the pedimental sculpture on the east and west facades of the Parthenon on the Acropolis of Athens. They were probably made by several artists, including Agoracritos. The master builder was probably Phidias. They were probably lifted into place by 432 BC, having been carved on the ground.

Pausanias, a Greek geographer, described their subjects: to the east, the birth of Athena, and to the west the quarrel between her and Poseidon to become the tutelary deity of Athens.

Mazu or Matsu is a sea goddess in Chinese folk religion, Chinese Buddhism, Confucianism, and Taoism. She is also known by several other names and titles. Mazu is the deified form of Lin Moniang (Chinese: 林默娘; pinyin: Lín Mòniáng; Pe̍h-ōe-jī: Lîm Be̍k-niû / Lîm Bia̍k-niû / Lîm Be̍k-niô͘), a shamaness from Fujian who is said to have lived in the late 10th century. After her death, she became revered as a tutelary deity of Chinese seafarers, including fishermen and sailors.

Her worship spread throughout China's coastal regions and overseas Chinese communities throughout Southeast Asia, where some Mazuist temples are affiliated with famous Taiwanese temples. Traditionally, Mazu was believed to roam the seas, safeguarding her devotees through miraculous interventions. She is now generally regarded by her believers as a powerful and benevolent Queen of Heaven.

Horus (/hɔːrəs/), also known as Heru, Har, Her, or Hor (/hɔːr/) Ϩⲱⲣ (Coptic), in Ancient Egyptian, is one of the most significant ancient Egyptian deities who served many functions, most notably as the god of kingship, healing, protection, the sun, and the sky. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom and Roman Egypt. Different forms of Horus are recorded in history, and these are treated as distinct gods by Egyptologists. These various forms may be different manifestations of the same multi-layered deity in which certain attributes or syncretic relationships are emphasized, not necessarily in opposition but complementary to one another, consistent with how the Ancient Egyptians viewed the multiple facets of reality. He was most often depicted as a falcon, most likely a lanner falcon or peregrine falcon, or as a man with a falcon head.

The earliest recorded form of Horus is the tutelary deity of Nekhen in Upper Egypt, who is the first known national god, specifically related to the ruling pharaoh who in time came to be regarded as a manifestation of Horus in life and Osiris in death. The most commonly encountered family relationship describes Horus as the son of Isis and Osiris, and he plays a key role in the Osiris myth as Osiris's heir and the rival to Set, the murderer and brother of Osiris. In another tradition, Hathor is regarded as his mother and sometimes as his wife.