Tintoretto in the context of "Moral code"

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⭐ Core Definition: Tintoretto

Jacopo Robusti (late September or early October 1518 – 31 May 1594), best known as Tintoretto (/ˌtɪntəˈrɛt/ TIN-tə-RET-oh; Italian: [tintoˈretto], Venetian: [tiŋtoˈɾeto]), was an Italian Renaissance painter of the Venetian school. His contemporaries both admired and criticized the speed with which he painted and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed il Furioso (Italian for 'the Furious'). His work is characterised by muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style.

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Tintoretto in the context of Moral values

Morality (from Latin moralitas 'manner, character, proper behavior') is the categorization of intentions, decisions and actions into those that are proper, or right, and those that are improper, or wrong. Morality can be a body of standards or principles derived from a code of conduct from a particular philosophy, religion or culture, or it can derive from a standard that is understood to be universal. Morality may also be specifically synonymous with "goodness", "appropriateness" or "rightness".

Moral philosophy includes meta-ethics, which studies abstract issues such as moral ontology and moral epistemology, and normative ethics, which studies more concrete systems of moral decision-making such as deontological ethics and consequentialism. An example of normative ethical philosophy is the Golden Rule, which states: "One should treat others as one would like others to treat oneself."

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Tintoretto in the context of El Greco

Doménikos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος, IPA: [ðoˈminikos θeotoˈkopulos]; 1 October 1541 – 7 April 1614), most widely known as El Greco (Spanish pronunciation: [el ˈɡɾeko]; "The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance, regarded as one of the greatest artists of all time. El Greco was a nickname, and the artist normally signed his paintings with his full birth name in Greek letters often adding the word Κρής (Krḗs), which means "Cretan" in Ancient Greek.

El Greco was born in the Kingdom of Candia (modern Crete), which was at that time part of the Republic of Venice, Italy, and the center of Post-Byzantine art. He trained and became a master within that tradition before traveling at age 26 to Venice, as other Greek artists had done. In 1570, he moved to Rome, where he opened a workshop and executed a series of works. During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance taken from a number of great artists of the time, notably Tintoretto and Titian. In 1577, he moved to Toledo, Spain, where he lived and worked until his death. In Toledo, El Greco received several major commissions and produced his best-known paintings, such as View of Toledo and Opening of the Fifth Seal.

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Tintoretto in the context of Venetian Senate

The Senate (Venetian: Senato), formally the Consiglio dei Pregadi or Rogati (lit.'Council of the Invited', Latin: Consilium Rogatorum), was the main deliberative and legislative body of the Republic of Venice.

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Tintoretto in the context of Venetian school (art)

Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian school included Giorgione (c. 1477–1510), Titian (c. 1489–1576), Tintoretto (1518–1594), Paolo Veronese (1528–1588) and Jacopo Bassano (1510–1592) and his sons. Considered to give primacy to colour over line, the tradition of the Venetian school contrasted with the Mannerism prevalent in the rest of Italy. The Venetian style exerted great influence upon the subsequent development of Western painting.

By chance, the main phases of Venetian painting fit rather neatly into the centuries. The glories of the 16th century were followed by a great fall-off in the 17th, but an unexpected revival in the 18th, when Venetian painters enjoyed great success around Europe, as Baroque painting turned to Rococo. This had ended completely by the extinction of the Republic of Venice in 1797 and since then, though much painted by others, Venice has not had a continuing style or tradition of its own.

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Tintoretto in the context of Museo Soumaya

The Museo Soumaya is a private museum in Mexico City and a non-profit cultural institution with two museum buildings in Mexico City — Plaza Carso and Plaza Loreto. It has over 66,000 works from 30 centuries of art including sculptures from Pre-Hispanic Mesoamerica, 19th- and 20th-century Mexican art and an extensive repertoire of works by European old masters and masters of modern western art such as Auguste Rodin, Salvador Dalí, Bartolomé Esteban Murillo and Tintoretto. It is called one of the most complete collections of its kind.

The museum is named after Soumaya Domit, who died in 1999, and was the wife of the founder of the museum Carlos Slim. The museum received an attendance of 1,095,000 in 2013, making it the most visited art museum in Mexico and the 56th in the world that year. In October 2015, the museum welcomed its five millionth visitor. The museum was designed by Slim's son-in-law, Fernando Romero's practice, fr·ee.

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Tintoretto in the context of Ahasuerus

Ahasuerus (/əˌhæzjuˈɪərəs/ ə-HAZ-ew-EER-əs; Hebrew: אֲחַשְׁוֵרוֹשׁ, Modern: ʾĂḥašverōš, Tiberian: ʾĂḥašwērōš, commonly Achashverosh; Koine Greek: Ἀσουήρος, romanizedAsouḗros, in the Septuagint; Latin: Assuerus in the Vulgate) is a name applied in the Hebrew Bible to three rulers of Ancient Persia and to a Babylonian official (or Median king) first appearing in the Tanakh in the Book of Esther and later in the Book of Tobit. It is a transliteration of either "Xerxes" or "Artaxerxes;" both are names of multiple Achaemenid dynasty Persian kings.
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