Salvador Dalí in the context of "Museo Soumaya"

The Cap de Creus (Cabo de Creus in Spanish) is a peninsula and a headland located at the far northeast of Catalonia, some 25 kilometres (16 mi) south from the French border. The cape lies in the municipal area of Cadaqués, and the nearest large town is Figueres, the capital of the Alt Empordà and the birthplace of Salvador Dalí. Cap de Creus is the easternmost point of Catalonia and therefore of mainland Spain and the Iberian Peninsula.

The area is now a Natural Park.

Surrealist cinema is a modernist approach to film theory, criticism, and production, with origins in Paris, France in the 1920s. The Surrealist movement used shocking, irrational, or absurd imagery and Freudian dream symbolism to challenge the traditional function of art to represent reality. Related to Dada cinema, Surrealist cinema is characterized by juxtapositions, the rejection of dramatic psychology, and a frequent use of shocking imagery. Philippe Soupault and André Breton’s 1920 book collaboration Les Champs magnétiques is often considered to be the first Surrealist work, but it was only once Breton had completed his Surrealist Manifesto in 1924 that ‘Surrealism drafted itself an official birth certificate.’

Surrealist films of the 1920s include René Clair's Entr'acte (1924), Fernand Léger's Ballet Mécanique (1924), Jean Renoir's La Fille de l'Eau (1924), Marcel Duchamp's Anemic Cinema (1926), Jean Epstein's Fall of the House of Usher (1928) (with Luis Buñuel assisting), Watson and Webber's Fall of the House of Usher (1928) and Germaine Dulac's The Seashell and the Clergyman (1928) (from a screenplay by Antonin Artaud). Other films include Un Chien Andalou (1929) and L'Âge D'Or (1930), both by Buñuel and Salvador Dalí; Buñuel went on to direct many more films, never denying his surrealist roots. Ingmar Bergman said "Buñuel nearly always made Buñuel films".

Municipal Museum Boijmans Van Beuningen (Dutch pronunciation: [myˈzeːjʏm ˈboːimɑns fɑm ˈbøːnɪŋə(n)]) is an art museum in Rotterdam in the Netherlands. The name of the museum is derived from its two most important donors, Frans Jacob Otto Boijmans and Daniël George van Beuningen. The museum is located at the Museumpark in the district Rotterdam Centrum, close to the Kunsthal and the Natural History Museum.

The museum opened in 1849. Since its inception, the museum has become the home to over 151,000 artworks. In the collection, ranging from medieval to contemporary art, are works of Rembrandt, Claude Monet, Vincent van Gogh, and Salvador Dalí and specific masterpieces such as the ‘Achilles series’ by Peter Paul Rubens and ‘A Cornfield, in the Background the Zuiderzee’ by Jacob van Ruisdael.

The Beaverbrook Art Gallery (French: Musée des beaux-arts Beaverbrook) commonly referred to simply as The Beaverbrook, is a public art gallery in Fredericton, New Brunswick, Canada. It is named after William Maxwell "Max" Aitken, Lord Beaverbrook, who funded the building of the gallery and assembled the original collection. It opened in 1959 with over 300 works, including paintings by J. M. W. Turner and Salvador Dalí. The Beaverbrook Art Gallery is New Brunswick's officially designated provincial art gallery.

The building has undergone several expansions, the latest of which opened in 2017 via a design by Halifax-based MacKay-Lyons Sweetapple Architects. Former director Terry Graff stated that this "expansion and revitalization" aimed to make the gallery "an important destination for national and international contemporary art".

Figueres (Catalan: [fiˈɣeɾəs] ; Spanish: Figueras [fiˈɣeɾas] ) is the capital city of Alt Empordà County, in the Girona region, Catalonia, Spain.

The town is the birthplace of artist Salvador Dalí, and houses the Dalí Theatre and Museum, a large museum designed by Dalí himself which attracts many visitors. It is also the birthplace of Narcís Monturiol, inventor of the first successful machine-powered submarine. Also born here was Mónica Naranjo, one of the best-selling Spanish singers of the 1990s and 2000s.

The Museo Nacional Centro de Arte Reina Sofía ("Queen Sofía National Museum Art Centre"; MNCARS) is Spain's national museum of 20th-century art. The museum was officially inaugurated on September 10, 1992, and is named for Queen Sofía. It is located in Madrid, near the Atocha train and metro stations, at the southern end of the so-called Golden Triangle of Art (located along the Paseo del Prado and also comprising the Museo del Prado and the Museo Thyssen-Bornemisza).

The museum is mainly dedicated to Spanish art. Highlights of the museum include collections of Spain's two greatest 20th-century masters, Pablo Picasso and Salvador Dalí. The most famous masterpiece in the museum is Picasso's 1937 painting Guernica. Along with its extensive collection, the museum offers a mixture of national and international temporary exhibitions in its many galleries, making it one of the world's largest museums for modern and contemporary art. In 2021, due to the COVID-19 pandemic restrictions, it attracted 1,643,108 visitors, up 32 percent from 2020, but well below 2019 attendance. In 2021 it ranked eighth on the list of most-visited art museums in the world.

Luis Buñuel Portolés (Spanish: [ˈlwis βuˈɲwel poɾtoˈles]; 22 February 1900 – 29 July 1983) was a Spanish and Mexican filmmaker who worked in France, Mexico, and Spain. He has been widely considered by many film critics, historians, and directors to be one of the greatest and most influential filmmakers of all time. Buñuel's works are known for their avant-garde surrealism which was also infused with political commentary.

Often associated with the surrealist movement of the 1920s, Buñuel's career spanned the 1920s through the 1970s. He collaborated with prolific surrealist painter Salvador Dalí on Un Chien Andalou (1929) and L'Age d'Or (1930). Both films are considered masterpieces of surrealist cinema. From 1947 to 1960, he honed his skills as a director in Mexico, making grounded and human melodramas such as Gran Casino (1947), Los Olvidados (1950), and Él (1953). Here is where he gained the fundamentals of storytelling.

Un Chien Andalou (French pronunciation: [œ̃ ʃjɛ̃ ɑ̃dalu], An Andalusian Dog) is a 1929 French silent short film directed, produced and edited by Luis Buñuel, who also co-wrote the screenplay with Salvador Dalí. Buñuel's first film, it was initially released in a limited capacity at Studio des Ursulines in Paris, but became popular and ran for eight months.

Un Chien Andalou has no plot in the conventional sense of the word. With disjointed chronology, jumping from the initial "once upon a time" to "eight years later" without events or characters changing, it uses dream logic in narrative flow that can be described in terms of the then-popular Freudian free association, presenting a series of tenuously related scenes. Un Chien Andalou is a seminal work of surrealist cinema.