Thriller (genre) in the context of "Action fiction"

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⭐ Core Definition: Thriller (genre)

Thriller is a genre of fiction with numerous, often overlapping, subgenres, including crime, horror, and detective fiction. Thrillers are characterized and defined by the moods they elicit, giving their audiences heightened feelings of suspense, excitement, surprise, anticipation and anxiety. This genre is well suited to film and television.

A thriller generally keeps its audience on the "edge of their seats" as the plot builds towards a climax. The cover-up of important information is a common element. Literary devices such as red herrings, plot twists, unreliable narrators, and cliffhangers are used extensively. A thriller is often a villain-driven plot, whereby they present obstacles that the protagonist or hero must overcome.

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👉 Thriller (genre) in the context of Action fiction

Action fiction is a genre in literature that focuses on stories involving high-stakes, high-energy, and fast-paced events. This genre includes a wide range of subgenres, such as spy novels, adventure stories, tales of terror, intrigue ("cloak and dagger"), and mysteries. These kinds of stories utilize suspense, the tension that is built up when the reader wishes to know how the conflict between the protagonist and antagonist is going to be resolved or the solution to a mystery of a thriller.

The intricacies of human relationships or the nuances of philosophy and psychology are rarely explored in action fiction, typically being fast-paced mysteries that merely seek to provide the reader with an exhilarating experience.

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Thriller (genre) in the context of Narrative

A narrative, story, or tale is any account of a series of related events or experiences, whether non-fictional (memoir, biography, news report, documentary, travelogue, etc.) or fictional (fairy tale, fable, legend, thriller, novel, etc.). Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these.

Narrative is expressed in all mediums of human creativity, art, and entertainment, including speech, literature, theatre, dance, music and song, comics, journalism, animation, video (including film and television), video games, radio, structured and unstructured recreation, and potentially even purely visual arts like painting, sculpture, drawing, and photography, as long as a sequence of events is presented.

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Thriller (genre) in the context of Bill Napier

William M. Napier (born 29 June 1940) is a Scottish author. Napier is best known for authoring five high tech thriller novels and a number of nonfiction science books that concern fringe and pseudoscientific theories.

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Thriller (genre) in the context of The Lady Vanishes

The Lady Vanishes is a 1938 British mystery thriller film directed by Alfred Hitchcock, starring Margaret Lockwood and Michael Redgrave. Written by Sidney Gilliat and Frank Launder, based on the 1936 novel The Wheel Spins by Ethel Lina White, the film is about an English tourist travelling by train in continental Europe who discovers that her elderly travelling companion seems to have disappeared from the train. After her fellow passengers deny ever having seen the elderly lady, the young woman is helped by a young musicologist, the two proceeding to search the train for clues to the old lady's disappearance.

The Lady Vanishes was filmed at the Gainsborough Studios in Islington, London. Hitchcock caught Hollywood's attention with the film and moved to Hollywood soon after its release. Although the director's three previous efforts had done poorly at the box office, The Lady Vanishes was widely successful, and confirmed American producer David O. Selznick's belief that Hitchcock indeed had a future in Hollywood cinema.

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Thriller (genre) in the context of Psychological thriller

Psychological thriller is a genre combining the thriller and psychological fiction genres. It is commonly used to describe literature or films that deal with psychological narratives in a thriller or thrilling setting.

In terms of context and convention, it is a subgenre of the broader ranging thriller narrative structure, with similarities to Gothic and detective fiction in the sense of sometimes having a "dissolving sense of reality". It is often told through the viewpoint of psychologically stressed characters, revealing their distorted mental perceptions and focusing on the complex and often tortured relationships between obsessive and pathological characters. Psychological thrillers often incorporate elements of mystery, drama, action, and paranoia. The genre overlaps with the psychological drama and psychological horror genres, the latter generally involving more horror and terror elements and themes and more disturbing or frightening scenarios.

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Thriller (genre) in the context of Ross Laidlaw (author)

Ross Laidlaw (born 5 May 1931) is a Scottish writer of historical, thriller and spy fiction.

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Thriller (genre) in the context of Alistair MacLean

Alistair Stuart MacLean (Scottish Gaelic: Alasdair MacGill-Eain; 21 April 1922 – 2 February 1987) was a Scottish novelist who wrote popular thrillers and adventure stories. Many of his novels have been adapted to film, most notably The Guns of Navarone (1957) and Ice Station Zebra (1963). In the late 1960s, encouraged by film producer Elliott Kastner, MacLean began to write original screenplays, concurrently with an accompanying novel. The most successful was the first of these, the 1968 film Where Eagles Dare, which was also a bestselling novel. MacLean also published two novels under the pseudonym Ian Stuart. His books are estimated to have sold over 150 million copies, making him one of the best-selling fiction authors of all time.

According to one obituary, MacLean "never lost his love for the sea, his talent for portraying good Brits against bad Germans, or his penchant for high melodrama. Critics deplored his cardboard characters and vapid females, but readers loved his combination of hot macho action, wartime commando sagas, and exotic settings that included Greek Islands and Alaskan oil fields."

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