Psychological horror in the context of "Psychological thriller"

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⭐ Core Definition: Psychological horror

Psychological horror is a subgenre of horror and psychological fiction with a particular focus on mental, emotional, and psychological states to frighten, disturb, or unsettle its audience. The subgenre frequently overlaps with the related subgenre of psychological thriller, and often uses mystery elements and characters with unstable, unreliable, or disturbed psychological states to enhance the suspense, horror, drama, tension, and paranoia of the setting and plot and to provide an overall creepy, unpleasant, unsettling, or distressing atmosphere.

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👉 Psychological horror in the context of Psychological thriller

Psychological thriller is a genre combining the thriller and psychological fiction genres. It is commonly used to describe literature or films that deal with psychological narratives in a thriller or thrilling setting.

In terms of context and convention, it is a subgenre of the broader ranging thriller narrative structure, with similarities to Gothic and detective fiction in the sense of sometimes having a "dissolving sense of reality". It is often told through the viewpoint of psychologically stressed characters, revealing their distorted mental perceptions and focusing on the complex and often tortured relationships between obsessive and pathological characters. Psychological thrillers often incorporate elements of mystery, drama, action, and paranoia. The genre overlaps with the psychological drama and psychological horror genres, the latter generally involving more horror and terror elements and themes and more disturbing or frightening scenarios.

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Psychological horror in the context of Horror fiction

Horror is a genre of speculative fiction that is intended to disturb, frighten, or scare an audience. Horror is often divided into the sub-genres of psychological horror and supernatural horror. Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length ... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society.

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Psychological horror in the context of Flatliners

Flatliners is a 1990 American science fiction psychological horror film directed by Joel Schumacher, produced by Michael Douglas and Rick Bieber, and written by Peter Filardi. It stars Kiefer Sutherland, Julia Roberts, William Baldwin, Oliver Platt, and Kevin Bacon. The film is about five medical students who attempt to find out what lies beyond death by conducting clandestine experiments that produce near-death experiences. The film was shot on the campus of Loyola University Chicago between October 1989 and January 1990, and was nominated for an Academy Award for Best Sound Editing in 1990 (Charles L. Campbell and Richard C. Franklin). The film was theatrically released on August 10, 1990, by Columbia Pictures. It grossed $61 million at the box office.

A follow-up film directed by Danish filmmaker Niels Arden Oplev was released in September 2017, also featuring Sutherland in a starring role.

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Psychological horror in the context of Slasher film

A slasher film is a subgenre of horror films involving a killer or a group of killers stalking and murdering a group of people, often by use of bladed or sharp tools. Although the term "slasher" may occasionally be used informally as a generic term for any horror film involving murder, film analysts cite an established set of characteristics which set slasher films apart from other horror subgenres, such as monster movies, splatter films, supernatural and psychological horror films.

Critics cite psychological horror films such as Peeping Tom (1960) and Psycho (1960) and the Italian giallo films as early influences. The genre hit its peak between 1978 and 1984 in an era referred to as the "Golden Age" of slasher films. Notable slasher films include Black Christmas (1974), The Texas Chain Saw Massacre (1974), Halloween (1978), Friday the 13th (1980), My Bloody Valentine (1981), Sleepaway Camp (1983), A Nightmare on Elm Street (1984), Child's Play (1988), Candyman (1992), Scream (1996), I Know What You Did Last Summer (1997), Urban Legend (1998) and Terrifier (2016). Many slasher films released decades ago continue to attract cult followings. The slasher canon can be divided into three eras: the classical (1974–1993), the self-referential (1994–2000) and the neoslasher cycle (2000–2013).

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Psychological horror in the context of Japanese horror

Japanese horror, also known as J-horror, is horror fiction derived from popular culture in Japan, generally noted for its unique thematic and conventional treatment of the horror genre differing from the traditional Western representation of horror. Japanese horror tends to focus on psychological horror, tension building (suspense), and the supernatural, particularly involving ghosts (yūrei) and poltergeists. Other Japanese horror fiction contains themes of folk religion such as possession, exorcism, shamanism, precognition, and yōkai. Media in which the genre of Japanese horror fiction can be found include artwork, theater, literature, film, anime and video games.

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Psychological horror in the context of Images (film)

Images is a 1972 psychological horror film directed and co-written by Robert Altman and starring Susannah York, René Auberjonois and Marcel Bozzuffi. The picture follows an unstable children's author who finds herself engulfed in apparitions and hallucinations while staying at her remote vacation home.

Conceived by Altman in the mid-1960s, Images secured financing in 1971 by Hemdale Film Group Ltd., and shot on location in County Wicklow, Ireland in the fall of that year. The script, which had been sparsely composed by Altman, was collaboratively developed further throughout the shoot with the actors. Images premiered at the 25th Cannes Film Festival, where York won the award for Best Actress, after which it was released theatrically in the United States by Columbia Pictures on December 18, 1972. Its theatrical run in the United States was short-lived, and the film received little promotion from Hemdale in the United Kingdom.

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Psychological horror in the context of You Should Have Left

You Should Have Left is a 2020 American psychological horror film written and directed by David Koepp, based on the 2017 book by Daniel Kehlmann. It stars Kevin Bacon and Amanda Seyfried. Jason Blum served as a producer through his Blumhouse Productions banner.

Originally intended to be theatrically released, the film was released digitally via Premium VOD on June 18, 2020, by Universal Pictures. It received mixed reviews from critics.

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