Thespis (opera) in the context of "W. S. Gilbert"

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⭐ Core Definition: Thespis (opera)

Thespis, or The Gods Grown Old, is an operatic extravaganza that was the first collaboration between dramatist W. S. Gilbert and composer Arthur Sullivan. No musical score of Thespis was ever published, and most of the music has been lost. Gilbert and Sullivan went on to become the most famous and successful artistic partnership in Victorian England, creating a string of enduring comic opera hits, including H.M.S. Pinafore, The Pirates of Penzance and The Mikado.

Thespis premièred in London at the Gaiety Theatre on 26 December 1871. Like many productions at that theatre, it was written in a broad, burlesque style, considerably different from Gilbert and Sullivan's later works. It was a success, for a Christmas entertainment of the time, and closed on 8 March 1872, after a run of 63 performances. It was advertised as "An entirely original Grotesque Opera in Two Acts".

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👉 Thespis (opera) in the context of W. S. Gilbert

Sir William Schwenck Gilbert (18 November 1836 – 29 May 1911) was an English dramatist, librettist, poet and illustrator best known for his collaboration with composer Arthur Sullivan, which produced fourteen comic operas. The most famous of these include H.M.S. Pinafore, The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre, The Mikado. The popularity of these works was supported for over a century by year-round performances of them, in Britain and abroad, by the repertory company that Gilbert, Sullivan and their producer Richard D'Oyly Carte founded, the D'Oyly Carte Opera Company. These Savoy operas are still frequently performed in the English-speaking world and beyond.

Gilbert's creative output included over 75 plays and libretti, and numerous short stories, poems and lyrics, both comic and serious. After brief careers as a government clerk and a lawyer, Gilbert began to focus, in the 1860s, on writing light verse, including his Bab Ballads, short stories, theatre reviews and illustrations, often for Fun magazine. He also began to write burlesques and his first comic plays, developing a unique absurdist, inverted style that would later be known as his "topsy-turvy" style. He also developed a realistic method of stage direction and a reputation as a strict theatre director. In the 1870s, Gilbert wrote 40 plays and libretti, including his German Reed Entertainments, several blank-verse "fairy comedies", some serious plays, and his first five collaborations with Sullivan: Thespis, Trial by Jury, The Sorcerer, H.M.S. Pinafore and The Pirates of Penzance. In the 1880s, Gilbert focused on the Savoy operas, including Patience, Iolanthe, The Mikado, The Yeomen of the Guard and The Gondoliers.

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Thespis (opera) in the context of The Grand Duke

The Grand Duke; or, The Statutory Duel, is the final Savoy Opera written by librettist W. S. Gilbert and composer Arthur Sullivan, their fourteenth and last opera together. It premiered at the Savoy Theatre on 7 March 1896, and ran for 123 performances. Despite a successful opening night, the production had a relatively short run and was the partnership's only financial failure, and the two men never worked together again. In recent decades, the opera has been revived professionally, first in the US and then in the UK.

In The Grand Duke, Gilbert and Sullivan come full circle, back to the theme of their first collaboration, Thespis: a troupe of actors taking political power. The plot hinges on the mis-interpretation of a 100-year-old law regarding statutory duels (decided by drawing cards). The baffled leading comedian of the troupe, Ludwig, spearheads the rebellion against the hypochondriac, miserly Grand Duke and becomes engaged to four different women before the plot is resolved. The frugality and phoniness of the wealthy classes and the nobility are lampooned and, as in Princess Ida, The Mikado, The Gondoliers, and Utopia, Limited, the foreign setting emboldens Gilbert to use some particularly pointed satire. Sullivan's varied score includes lilting Viennese waltz music.

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Thespis (opera) in the context of Trial by Jury

Trial by Jury is a comic opera in one act, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was first produced on 25 March 1875, at London's Royalty Theatre, where it initially ran for 131 performances and was considered a hit, receiving critical praise and outrunning its popular companion piece, Jacques Offenbach's La Périchole. The story concerns a "breach of promise of marriage" lawsuit in which the judge and legal system are the objects of lighthearted satire. Gilbert based the libretto of Trial by Jury on an operetta parody that he had written in 1868.

The opera premiered more than three years after Gilbert and Sullivan's only previous collaboration, Thespis, an 1871–72 Christmas season entertainment. In the intervening years, both the author and the composer were busy with separate projects. Beginning in 1873, Gilbert tried several times to get the opera produced before the impresario Richard D'Oyly Carte suggested that he collaborate on it with Sullivan. Sullivan was pleased with the piece and promptly wrote the music.

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