Utopia, Limited in the context of "The Grand Duke"

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⭐ Core Definition: Utopia, Limited

Utopia, Limited; or, The Flowers of Progress, is a Savoy opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on 7 October 1893 for a run of 245 performances. It did not achieve the success of most of their earlier productions.

Gilbert's libretto satirises limited liability companies, and particularly the idea that a bankrupt company could leave creditors unpaid without any liability on the part of its owners. It also lampoons the Joint Stock Company Act by imagining the absurd convergence of natural persons (or sovereign nations) with legal commercial entities under the limited companies laws. In addition, it mocks the conceits of the late 19th-century British Empire and several of the nation's beloved institutions. In mocking the adoption by a "barbaric" country of the cultural values of an "advanced" nation, it takes a tilt at the cultural aspects of imperialism. The libretto was criticised as too long and rambling by some critics and later commentators, and several subplots introduced in Act I are never resolved.

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👉 Utopia, Limited in the context of The Grand Duke

The Grand Duke; or, The Statutory Duel, is the final Savoy Opera written by librettist W. S. Gilbert and composer Arthur Sullivan, their fourteenth and last opera together. It premiered at the Savoy Theatre on 7 March 1896, and ran for 123 performances. Despite a successful opening night, the production had a relatively short run and was the partnership's only financial failure, and the two men never worked together again. In recent decades, the opera has been revived professionally, first in the US and then in the UK.

In The Grand Duke, Gilbert and Sullivan come full circle, back to the theme of their first collaboration, Thespis: a troupe of actors taking political power. The plot hinges on the mis-interpretation of a 100-year-old law regarding statutory duels (decided by drawing cards). The baffled leading comedian of the troupe, Ludwig, spearheads the rebellion against the hypochondriac, miserly Grand Duke and becomes engaged to four different women before the plot is resolved. The frugality and phoniness of the wealthy classes and the nobility are lampooned and, as in Princess Ida, The Mikado, The Gondoliers, and Utopia, Limited, the foreign setting emboldens Gilbert to use some particularly pointed satire. Sullivan's varied score includes lilting Viennese waltz music.

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Utopia, Limited in the context of The Mikado

The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations. It opened on 14 March 1885, in London, where it ran at the Savoy Theatre for 672 performances, the second-longest run for any work of musical theatre and one of the longest runs of any theatre piece up to that time. By the end of 1885, it was estimated that, in Europe and America, at least 150 companies were producing the opera.

The Mikado is the most internationally successful Savoy opera and has been especially popular with amateur and school productions. The work has been translated into numerous languages and is one of the most frequently played musical theatre pieces in history. The Mikado is a satire of late 19th century British institutions, society and politics. By setting the opera in a fantasy Japan, an exotic locale far away from contemporary Britain, Gilbert was able to satirise British politics more freely and soften the impact of his criticisms of British social institutions, in a similar way that he used other "foreign" settings in Princess Ida, The Gondoliers, Utopia, Limited and The Grand Duke. Nevertheless, some 21st-century productions of the opera in the United States have drawn criticism for promoting stereotypes of East Asians.

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