Theosophy in the context of "Anthroposophy"

Western esotericism and the arts surveys documented intersections between Western esotericism—notably Hermeticism, Christian Kabbalah, Alchemy, and Astrology—and the visual arts, literature, and the performing arts from the late Middle Ages to the present. Scholarship highlights recurring vectors: Renaissance and early modern image–text programmes (emblems, alchemical series, Kabbalistic diagrams) that formalised "operative images"; encyclopedic displays and diagrams in early modern erudition; nineteenth-century Spirit photography and related "psychic" image technologies; fin de siècle milieux linking occult orders with salon culture; early twentieth-century abstraction tied to Theosophy/Anthroposophy; ritual poetics on stage and in experimental film; and later artist-authored Tarot and neo-alchemical process art.

Aby Warburg's reading of the Palazzo Schifanoia frescoes in Ferrara established a foundational model for interpreting astrological programs in Renaissance art, while Barbara Obrist documented the late-medieval shift toward serial illustration and diagrammatic representation in alchemical manuscripts. Early modern encyclopedic projects—epitomized by Athanasius Kircher—wove hieroglyphs, cosmology, and spectacular display into ambitious image-systems that influenced the period's visual culture. In parallel, historians of science and craft have emphasized how chymistry's "wider worlds" intersected with literature, theatre, and the visual arts. Classic studies have traced how esoteric metaphysics and "spiritual" aesthetics contributed to early abstraction (e.g., Wassily Kandinsky and Hilma af Klint), while recent scholarship reassesses the role of Spiritualism/Spiritism within abstract art and Surrealism's image-making and poetics.

Neo-Theosophy is a term, originally derogatory, used by the followers of Helena Blavatsky to denominate the system of Theosophical ideas expounded by Annie Besant and Charles Webster Leadbeater following the death of Madame Blavatsky in 1891. This material differed in major respects from Blavatsky's original presentation, but it is accepted as genuinely Theosophical by many Theosophists around the world.

Main innovations of post-Blavatsky Theosophy as expounded by Besant and Leadbeater were the focus on exploring past lives and the astral plane using clairvoyance, the promotion of the young Indian boy Krishnamurti as the vehicle of the coming "World Teacher" and the introduction of Catholicism and its religious rituals in the form of the Liberal Catholic Church.

Mahatma (English pronunciation: /məˈhɑːtmə, məˈhætmə/, Sanskrit: महात्मा, romanized: mahātmā, from Sanskrit महा (mahā) 'great' and आत्मा (ātmā) 'soul') is an honorific used in India. The term is commonly used for Mohandas Karamchand Gandhi, who is often referred to simply as "Mahatma Gandhi" (lit. 'Venerable Gandhi'). Albeit less frequently, this epithet has also been used with regard to such people as Basava (1131–1167), Swami Shraddhanand (1856–1926), Lalon Shah (1772–1890), Ayyankali (1863–1941), and Jyotirao Phule (1827–1890).

The term mahātmā has also been historically used for a class of religious scholars in Jainism; for the selected religious leaders in Theosophy; and for local religious teachers in the Divine Light Mission church.

Helena Petrovna Blavatsky (née Hahn von Rottenstern; 12 August [O.S. 31 July] 1831 – 8 May 1891), often known as Madame Blavatsky, was a Russian and American mystic and writer who co-founded the Theosophical Society in 1875. She gained an international following as the primary founder of Theosophy as a belief system.

Born into an aristocratic family in Yekaterinoslav, Blavatsky traveled widely around the empire as a child. Largely self-educated, she developed an interest in Western esotericism during her teenage years. According to her later claims, in 1849 she embarked on a series of world travels, visiting Europe, the Americas, and India. She also claimed that during this period she encountered a group of spiritual adepts, the "Masters of the Ancient Wisdom", who sent her to Shigatse, Tibet, where they trained her to develop a deeper understanding of the synthesis of religion, philosophy, and science.

Hilma af Klint (Swedish pronunciation: [ˈhɪ̂lːma ˈɑːv ˈklɪnːt]; 26 October 1862 – 21 October 1944) was a Swedish artist and mystic whose paintings are considered to be among the first major abstract works in Western art history. A considerable body of her work predates the first purely abstract compositions by Kandinsky, Malevich, and Mondrian. She belonged to a group called "The Five", a circle of women inspired by Theosophy who shared a belief in the importance of trying to contact the "High Masters", often through séances. Her paintings, which sometimes resemble diagrams, were a visual representation of complex spiritual ideas.

The astral plane, also called the astral realm, or the astral world, or the soul realm, or the spirit realm, is a plane of existence postulated by classical, medieval, oriental, esoteric, and New Age philosophies and mystery religions. It is the world of the celestial spheres, crossed by the soul in its astral body on the way to being born and after death, and is generally believed to be populated by angels, spirits, or other immaterial beings. In the late 19th and early 20th century, the term was popularised by Theosophy and neo-Rosicrucianism.

Another view holds that the astral plane or world, rather than being some kind of boundary area crossed by the soul, is the entirety of spirit existence or spirit worlds to which those who die on Earth go, and where they live out their non-physical lives. It is understood by adherents that all consciousness resides in the astral plane. Some writers conflate this realm with heaven or paradise or union with God itself, while others do not. Paramahansa Yogananda wrote in Autobiography of a Yogi (1946), "The astral universe ... is hundreds of times larger than the material universe ... [with] many astral planets, teeming with astral beings."

Nikolai Konstantinovich Rerikh (Russian: Николай Константинович Рерих), better known as Nicholas Roerich (/ˈrɛrɪk/; October 9, 1874 – December 13, 1947), was a Russian painter, writer, archaeologist, theosophist, philosopher, and public figure. In his youth he was influenced by Russian Symbolism, a movement in Russian society centered on the spiritual. He was interested in hypnosis and other spiritual practices and his paintings are said to have hypnotic expression.

Born in Saint Petersburg to a well-to-do Baltic German father and a Russian mother, Roerich lived in various places until his death in Naggar, India. Trained as an artist and lawyer, his main interests were literature, philosophy, archaeology, and especially art. Roerich was a dedicated activist for the cause of preserving art and architecture during times of war. He was nominated several times for the Nobel Peace Prize. The so-called Roerich Pact for the protection of cultural objects was signed into law by the United States and most other nations of the Pan-American Union in April 1935.

Jiddu Krishnamurti (/ˈdʒɪduː ˌkrɪʃnəˈmʊərti/ JID-oo KRISH-nə-MOOR-tee; 11 May 1895 – 17 February 1986) was an Indian spiritual figure, speaker, and writer. Adopted by members of the Theosophical Society as a child, Krishnamurti was raised to fill the mantle of the prophesied World Teacher, a role tasked with aiding humankind's spiritual evolution. In 1922, he began to suffer from painful, seizure-like mystical episodes that would produce a lasting change in his perception of reality. In 1929, he broke from the Theosophy movement and disbanded the Order of the Star in the East which had been formed around him. He spent the rest of his life speaking to groups and individuals around the world, hoping to contribute a radical transformation of mankind.

Krishnamurti asserted that "truth is a pathless land" and advised against following any doctrine, discipline, teacher, guru, or authority, including himself. Nonetheless, during his life he tried to share his insights in 'the teachings', urging for a state without conceptual deliberations and thought. In Krishnamurti's perception, such a righteousness was only possible through the practice of passive or choiceless awareness, which he called the essence of "true meditation" in contrast to contrived techniques. He gained a wider recognition in the 1950s, after Aldous Huxley had introduced him to his mainstream publisher and the publication of The First and Last Freedom (1954). Many of his talks have been published since, among them Commentaries on Living (1956–60) and Krishnamurti's Notebook (written 1961-62).