The Velvet Underground in the context of "Velvet Underground "

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⭐ Core Definition: The Velvet Underground

The Velvet Underground was an American rock band formed in New York City in 1964. The New York Times wrote that the Velvet Underground was "arguably the most influential American rock band of our time". Though their integration of rock and the avant-garde earned them little commercial success during their initial nine-year run, they are now widely regarded as one of the most influential bands in rock music, as well as underground, experimental, and alternative music. Their provocative subject matter and experimentation were instrumental in the development of punk rock, new wave and other genres.

The group performed under several names before settling on the Velvet Underground in 1965, taken from the title of a 1963 book on atypical sexual behavior. Its classic lineup consisted of singer and guitarist Lou Reed, Welsh multi-instrumentalist John Cale, guitarist Sterling Morrison, and percussionist Moe Tucker. In 1966, pop artist Andy Warhol became their official manager. They served as the house band at Warhol's studio, The Factory, and performed with his traveling multimedia show, Exploding Plastic Inevitable, from 1966 to 1967. Their debut album, The Velvet Underground & Nico, featuring the German singer and model Nico, was released in 1967 to critical indifference and poor sales, although it has since been hailed as one of the greatest albums in music history.

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The Velvet Underground in the context of Punk rock

Punk rock (or simply punk) is a subgenre of rock music that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the overproduction and corporate nature of mainstream rock music. Typically producing short, fast-paced songs with rough stripped-down vocals and instrumentation and an anti-establishment theme, artists embrace a DIY ethic with many bands self-producing and distributing recordings through independent labels.

During the early 1970s, the term "punk rock" was originally used by some American rock critics to describe mid-1960s garage bands. Subsequent developments such as glam and pub rock in the UK, alongside the Velvet Underground and the New York Dolls from New York have been cited as key influences. By the mid-1970s, the term "punk rock" had become associated with several regional underground music scenes, including the MC5 and the Stooges in Detroit; Television, Patti Smith, Suicide, the Dictators, Richard Hell and the Voidoids, and the Ramones in New York City; Rocket from the Tombs, Electric Eels and Dead Boys in Ohio; the Saints and Radio Birdman in Australia; and the Sex Pistols, the Clash, the Damned and the Buzzcocks in England. By late 1976, punk had become a major cultural phenomenon in the UK, giving rise to a punk subculture that expressed youthful rebellion through distinctive styles of clothing, such as T-shirts with deliberately offensive graphics, leather jackets, studded or spiked bands, jewelry, bondage clothing and safety pins.

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The Velvet Underground in the context of Lou Reed

Lewis Allan Reed (March 2, 1942 – October 27, 2013) was an American musician and songwriter. He was the guitarist, singer, and principal songwriter for the rock band the Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground came to be regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career.

Reed, John Cale, Sterling Morrison, and Angus MacLise formed the Velvet Underground in 1965. After building a reputation in the avant garde music scene, the Velvet Underground gained the attention of Andy Warhol, who became the band's manager. The Velvet Underground became something of a fixture at The Factory, Warhol's art studio, and served as his "house band" for various projects. The band released its first album, now with drummer Moe Tucker and featuring German singer Nico, in 1967, and parted ways with Warhol shortly thereafter. Following several lineup changes and three more little-heard albums, Reed quit the band in 1970.

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The Velvet Underground in the context of Andy Warhol

Andy Warhol (/ˈwɔːrhɒl/ ; born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987) was an American artist, filmmaker, and impresario. Drawing on imagery from advertising, mass media, and celebrity culture, he transformed everyday consumer goods and familiar icons—such as Campbell's soup cans, Marilyn Monroe, and Brillo Pad boxes—into renowned artworks, establishing himself as a leading figure in the pop art movement. Warhol is widely regarded as the most important American artist of the second half of the 20th century.

Born to working-class Rusyn immigrant parents in Pittsburgh, Warhol began his career as a successful commercial illustrator in New York before turning to fine art, where his embrace of mechanical reproduction, silkscreen printing, and serial repetition challenged traditional boundaries between high and low culture. His studio, the Factory, became a hub for avant-garde experimentation, bringing together drag queens, poets, bohemians, musicians, and wealthy patrons. He directed numerous underground films—such as Chelsea Girls (1966), Lonesome Cowboys (1968), and Blue Movie (1969)—featuring a shifting group of personalities known as Warhol superstars, and he is often credited with popularizing the expression "15 minutes of fame." Warhol also managed the influential rock band the Velvet Underground, who performed at his multimedia happenings, the Exploding Plastic Inevitable (1966–67). He expressed his queer identity through many of his artworks and films at a time when homosexuality in the United States was heavily stigmatized and legally constrained.

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The Velvet Underground in the context of John Cale

John Davies Cale OBE (born 9 March 1942) is a Welsh musician, composer, and record producer who was a founding member of the American rock band the Velvet Underground. Over his six-decade career, Cale has worked in various styles in rock, drone, classical, avant-garde and electronic music.

John Cale studied music at Goldsmiths College before moving in 1963 to New York City, where he performed as part of the Theatre of Eternal Music and formed the Velvet Underground. Since leaving the band in 1968, Cale has released seventeen solo studio albums, including Paris 1919 (1973), Fear (1974) and Music for a New Society (1982). Cale has worked as a record producer on albums by artists including Nico, the Stooges, the Modern Lovers and Patti Smith.

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The Velvet Underground in the context of Sterling Morrison

Holmes Sterling Morrison Jr. (August 29, 1942 – August 30, 1995) was an American guitarist, best known as one of the founding members of the rock band the Velvet Underground, usually playing electric guitar, occasionally bass guitar, and singing backing vocals.

Unlike bandmates Lou Reed, Doug Yule, John Cale, Maureen Tucker and Nico, Morrison never released a solo album or made recordings under his own name. He was nevertheless an essential element of the group's sound as a guitarist whose percussive and syncopated rhythm playing and melodic lead parts provided the foil for Lou Reed's improvisational rhythm and lead guitar riffs.

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The Velvet Underground in the context of Velvet Underground & Nico

The Velvet Underground & Nico is the debut studio album by the American rock band the Velvet Underground and the German singer Nico, released by Verve Records in March 1967. The album was recorded in 1966 on Ludlow Street, New York while the band were featured on Andy Warhol's Exploding Plastic Inevitable tour. Warhol, who designed the album's record sleeve, served as co-producer alongside Tom Wilson.

The Velvet Underground & Nico features elements of avant-garde music incorporated into brash, minimal and groove-driven rock music. Lead singer and songwriter Lou Reed delivers explicit lyrics spanning themes of drug abuse, prostitution, sadomasochism and urban life. Due to its abrasive, unconventional sound and controversial lyrical content, the album underperformed commercially and polarized critics upon release. Various record stores banned the album, many radio stations refused to play it, and magazines refused to carry advertisements for it.

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The Velvet Underground in the context of Moe Tucker

Maureen Ann "Moe" Tucker (born August 26, 1944) is an American retired musician, singer, and songwriter who achieved international fame as the drummer of the rock band the Velvet Underground. Tucker occasionally sang lead vocals with the group, including the songs "After Hours" and "I'm Sticking With You".

After the Velvet Underground disbanded in the early 1970s, she took a hiatus to focus on her marriage and family. She returned in the 1980s, and, until the late 2000s, released four studio albums and performed as a session musician. In 1996, Tucker was inducted into the Rock and Roll Hall of Fame as a member of the Velvet Underground.

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The Velvet Underground in the context of Nico (German singer)

Christa Päffgen (German pronunciation: [ˈkʁɪsta ˈpɛfɡn̩]; 16 October 1938 – 18 July 1988), known by her stage name Nico, was a German singer, songwriter, actress and model.

Nico had roles in films including Federico Fellini's La Dolce Vita (1960) and Andy Warhol's Chelsea Girls (1966). At the insistence of Warhol, she sang lead on three songs of the Velvet Underground's debut album, The Velvet Underground & Nico (1967). At the same time, she released her debut album, Chelsea Girl (1967), composed of songs written by other musicians. At the suggestion of her friend Jim Morrison, she started writing her own material, using a harmonium, not traditionally a rock instrument. John Cale of the Velvet Underground became her musical arranger and produced The Marble Index (1968), Desertshore (1970), The End... (1974) and other albums.

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