The Stooges in the context of "John Cale"

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⭐ Core Definition: The Stooges

The Stooges (also known as Iggy and the Stooges) were an American rock band formed in Ann Arbor, Michigan, in 1967 by singer Iggy Pop, guitarist Ron Asheton, drummer Scott Asheton, and bassist Dave Alexander. Initially playing a raw, primitive style of rock and roll, the band sold few records in their original incarnation and gained a reputation for their confrontational performances, which sometimes involved acts of self-mutilation by Iggy Pop.

After releasing two albums – The Stooges (1969) and Fun House (1970) – the group disbanded briefly, and reformed with an altered lineup (with Ron Asheton replacing Dave Alexander on bass and James Williamson taking up guitar) to release a third album, Raw Power (1973), before breaking up again in 1974. The band reunited in 2003 with Ron Asheton moving back to guitar and Mike Watt on bass, and the addition of saxophonist Steve Mackay, who had played saxophone on Fun House. Ron Asheton died in 2009 and was replaced by James Williamson, and the band continued to play shows until 2013, when they also released their last album, Ready to Die. The Stooges formally announced their breakup in 2016 due to the deaths of Scott Asheton and saxophonist Steve Mackay.

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👉 The Stooges in the context of John Cale

John Davies Cale OBE (born 9 March 1942) is a Welsh musician, composer, and record producer who was a founding member of the American rock band the Velvet Underground. Over his six-decade career, Cale has worked in various styles in rock, drone, classical, avant-garde and electronic music.

John Cale studied music at Goldsmiths College before moving in 1963 to New York City, where he performed as part of the Theatre of Eternal Music and formed the Velvet Underground. Since leaving the band in 1968, Cale has released seventeen solo studio albums, including Paris 1919 (1973), Fear (1974) and Music for a New Society (1982). Cale has worked as a record producer on albums by artists including Nico, the Stooges, the Modern Lovers and Patti Smith.

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The Stooges in the context of Punk rock

Punk rock (or simply punk) is a subgenre of rock music that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the overproduction and corporate nature of mainstream rock music. Typically producing short, fast-paced songs with rough stripped-down vocals and instrumentation and an anti-establishment theme, artists embrace a DIY ethic with many bands self-producing and distributing recordings through independent labels.

During the early 1970s, the term "punk rock" was originally used by some American rock critics to describe mid-1960s garage bands. Subsequent developments such as glam and pub rock in the UK, alongside the Velvet Underground and the New York Dolls from New York have been cited as key influences. By the mid-1970s, the term "punk rock" had become associated with several regional underground music scenes, including the MC5 and the Stooges in Detroit; Television, Patti Smith, Suicide, the Dictators, Richard Hell and the Voidoids, and the Ramones in New York City; Rocket from the Tombs, Electric Eels and Dead Boys in Ohio; the Saints and Radio Birdman in Australia; and the Sex Pistols, the Clash, the Damned and the Buzzcocks in England. By late 1976, punk had become a major cultural phenomenon in the UK, giving rise to a punk subculture that expressed youthful rebellion through distinctive styles of clothing, such as T-shirts with deliberately offensive graphics, leather jackets, studded or spiked bands, jewelry, bondage clothing and safety pins.

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The Stooges in the context of Proto-punk

Proto-punk (or protopunk) is music that foreshadowed the punk rock genre, particularly rock music artists during the 1960s and early-to mid 1970s. A retrospective label, the musicians involved were generally not originally associated with each other and came from a variety of backgrounds and styles; together, they anticipated many of punk's musical and thematic attributes.

The tendency towards aggressive, raw, simplistic rock songs is a trend rooted in the earliest forms of rock and roll. The American garage rock movement of the mid-1960s is a key influence in the development of punk rock. By the late 1960s, Detroit bands the Stooges and MC5 had taken the influence of garage groups to form a distinct prototypical punk sound. In the following years, this sound spread both domestically and internationally, alongside glam rock and pub rock, into several regional early underground punk scenes in New York, Ohio, Australia and England.

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