The Lord of the Rings in the context of Stewards of Gondor

A novel is an extended work of narrative fiction usually written in prose and published as a book. The word derives from the Italian: novella for 'new', 'news', or 'short story (of something new)', itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning 'new'. According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, Medieval chivalric romance, and the tradition of the Italian Renaissance novella. The ancient romance form was revived by Romanticism, in the historical romances of Walter Scott and the Gothic novel. Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, and John Cowper Powys, preferred the term romance. Such romances should not be confused with the genre fiction romance novel, which focuses on romantic love. M. H. Abrams and Walter Scott have argued that a novel is a fiction narrative that displays a realistic depiction of the state of a society, like Harper Lee's To Kill a Mockingbird. The romance, on the other hand, encompasses any fictitious narrative that emphasizes marvellous or uncommon incidents. In reality, such works are nevertheless also commonly called novels, including Mary Shelley's Frankenstein and J. R. R. Tolkien's The Lord of the Rings.

The spread of printed books in China led to the appearance of the vernacular classic Chinese novels during the Ming dynasty (1368–1644), and Qing dynasty (1616–1911). An early example from Europe was Hayy ibn Yaqdhan by the Sufi writer Ibn Tufayl in Muslim Spain. Later developments occurred after the invention of the printing press. Miguel de Cervantes, author of Don Quixote (the first part of which was published in 1605), is frequently cited as the first significant European novelist of the modern era. Literary historian Ian Watt, in The Rise of the Novel (1957), argued that the modern novel was born in the early 18th century with Robinson Crusoe.

John Ronald Reuel Tolkien (/ˈruːl ˈtɒlkiːn/, 3 January 1892 – 2 September 1973) was an English writer and philologist. He was the author of the high fantasy works The Hobbit (1937) and The Lord of the Rings (1954–55).

From 1925 to 1945 Tolkien was the Rawlinson and Bosworth Professor of Anglo-Saxon and a Fellow of Pembroke College, both at the University of Oxford. He then moved within the same university to become the Merton Professor of English Language and Literature and Fellow of Merton College, and held these positions from 1945 until his retirement in 1959. Tolkien was a close friend of C. S. Lewis, a co-member of the Inklings, an informal literary discussion group. He was appointed a Commander of the Order of the British Empire by Queen Elizabeth II on 28 March 1972.

Clive Staples Lewis (29 November 1898 – 22 November 1963) was a British author, literary scholar and Anglican lay theologian. He held academic positions in English literature at both Magdalen College, Oxford (1925–1954), and Magdalene College, Cambridge (1954–1963). He is best known as the author of The Chronicles of Narnia, but he is also noted for his other works of fiction, such as The Screwtape Letters and The Space Trilogy, and for his non-fiction Christian apologetics, including Mere Christianity, Miracles and The Problem of Pain.

Lewis was a close friend of J. R. R. Tolkien, the author of The Lord of the Rings. Both men served on the English faculty at the University of Oxford and were active in the informal Oxford literary group known as the Inklings. According to Lewis's 1955 memoir Surprised by Joy, he was baptized in the Church of Ireland but fell away from his faith during adolescence. Lewis returned to Anglicanism at the age of 32, owing to the influence of Tolkien and other friends, and he became an "ordinary layman of the Church of England". Lewis's faith profoundly affected his work, and his wartime radio broadcasts on the subject of Christianity brought him wide acclaim.

A fictional universe, also known as an imagined universe or a constructed universe, is the internally consistent fictional setting used in a narrative or a work of art. This concept is most commonly associated with works of fantasy and science fiction, and can be found in various forms such as novels, comics, films, television shows, video games, and other creative works.

In science fiction, a fictional universe may be a remote alien planet or galaxy with little apparent relationship to the real world (as in Star Wars). In fantasy, it may be a greatly fictionalized or invented version of Earth's distant past or future (as in The Lord of the Rings).

Fróði (Old Norse: Frōði; Old English: Frōda; Middle High German: Vruote) is the name of a number of legendary Danish kings in various texts including Beowulf, Snorri Sturluson's Prose Edda and his Ynglinga saga, Saxo Grammaticus' Gesta Danorum, and the Grottasǫngr. A Danish king by this name also appears as a minor character in the Middle High German epic Rabenschlacht. The name is possibly an eponym for the god Freyr.

• The Fróði of the Grottasǫngr is said to be the son of Fridleif, the son of Skjǫldr. According to Ynglinga saga it was in this Fróði's beer that King Fjǫlnir drowned. Snorri Sturluson here and in the Skáldskaparmál make this Fróði the contemporary of Roman emperor Augustus and comments on the peacefulness of his reign, referred to as Fróði's Peace, suggesting a relationship to the birth of Christ. Though Icelandic sources make this Fróði a very early Danish king, in Gesta Danorum (Book 5), Saxo puts him late in his series of rulers, though including the chronological equation with Augustus and mentioning the birth of Christ.
• The Fróði who, according to Ynglinga saga and Gesta Danorum, was the father of Halfdan. He would have lived in the 5th or 6th century. He appears to be the same king who later in the Ynglinga saga aided the Swedish king Ongenþeow in defeating the thrall Tunni. Because of this, Egil and his son Ottar (Ohthere) became tributaries to the Danish king.
• Fróði the father of Ingjald, who in Beowulf is Froda the father of Ingeld and king of the Heathobards. The existence of the Heathobards has been forgotten in Norse texts and this Fróði there sometimes appears as the brother of Halfdan with the long hostility between Heathobards and Danes becoming a family feud between Halfdan and his brother Fróði. Fróði kills Halfdan and is himself slain by Halfdan's sons Helgi (Halga) and Hroar (Hrothgar). (In Arngrímur Jónsson's Latin summary to the lost Skjöldunga saga the names Fróði and Ingjald are interchanged. Saxo Grammaticus (Book 6) makes this Fróði instead to be a very late legendary king, the son of Fridleif son of Saxo's late peaceful Fróði. Saxo knows some of the story of this feud but nothing of any relationship to Halfdan. Instead Saxo relates how this Fróði was slain by Saxons and how, after a marriage alliance between his son Ingel and a Saxon princess to heal the feud, Ingel opened it again at the urging of an old warrior, just as the hero Beowulf prophesies of Ingjald in the poem Beowulf.
• A legend from Ydre in the South Swedish highlands tells that a king known as Frode was killed by Urkon, the same cow that created Lake Sommen.

The form Fróði is still in use in Icelandic and Faroese and appears Latinized as Frotho or Frodo. The latter form of the name is used by J. R. R. Tolkien in The Lord of the Rings for the main character of the story, Frodo Baggins. Alternative anglicizations are Frode, Fródi, Fróthi and Frodhi. The Danish, Norwegian and Swedish form is Frode. The meaning of the name is "clever, learned, wise".

J. R. R. Tolkien, a fantasy author and professional philologist, drew on the Old English poem Beowulf for multiple aspects of his Middle-earth legendarium, alongside other influences. He used elements such as names, monsters, and the structure of society in a heroic age. He emulated its style, creating an impression of depth and adopting an elegiac tone. Tolkien admired the way that Beowulf, written by a Christian looking back at a pagan past, just as he was, embodied a "large symbolism" without ever becoming allegorical. He worked to echo the symbolism of life's road and individual heroism in The Lord of the Rings.

The names of races, including ents, orcs, and elves, and place names such as Orthanc and Meduseld, derive from Beowulf. The werebear Beorn in The Hobbit has been likened to the hero Beowulf himself; both names mean "bear" and both characters have enormous strength. Scholars have compared some of Tolkien's monsters to those in Beowulf. Both his trolls and Gollum share attributes with Grendel, while Smaug's characteristics closely match those of the Beowulf dragon.Tolkien's Riders of Rohan are distinctively Old English, and he has made use of multiple elements of Beowulf in creating them, including their language, culture, and poetry.The godlike Valar, their earthly paradise of Valinor, and the Old Straight Road that allowed the elves to sail to it, may all derive from the Scyld Scefing passage at the start of the poem.

Miranda Otto (born 16 December 1967) is an Australian actress. She is the daughter of actors Barry and Lindsay Otto and the paternal half-sister of actress Gracie Otto. Otto began her acting career in 1986 at age 18 and appeared in a variety of independent and major studio films in Australia. She made her major film debut in Emma's War in 1987 in which she played a teenager who moves to Australia's bush country during World War II.

After a decade of critically acclaimed roles in Australian films, Otto gained Hollywood's attention during the 1990s after appearing in supporting roles in the films The Thin Red Line and What Lies Beneath. She rose to fame in the early 2000s for playing Éowyn in Peter Jackson's The Lord of the Rings film series, based on the classic fantasy novel of the same name by English author J. R. R. Tolkien.

Middle-earth is the setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the Miðgarðr of Norse mythology and Middangeard in Old English works, including Beowulf. Middle-earth is the oecumene (i.e. the human-inhabited world, or the central continent of Earth) in Tolkien's imagined mythological past. Tolkien's most widely read works, The Hobbit and The Lord of the Rings, are set entirely in Middle-earth. "Middle-earth" has also become a short-hand term for Tolkien's legendarium, his large body of fantasy writings, and for the entirety of his fictional world.

Middle-earth is the main continent of Earth (Arda) in an imaginary period of the past, ending with Tolkien's Third Age, about 6,000 years ago. Tolkien's tales of Middle-earth mostly focus on the north-west of the continent. This region is suggestive of Europe, the north-west of the Old World, with the environs of the Shire reminiscent of England, but, more specifically, the West Midlands, with the town at its centre, Hobbiton, at the same latitude as Oxford.

The task of constructing The Lord of the Rings was long and complex, lasting from its start in 1937, soon after the success of J. R. R. Tolkien's children's book The Hobbit, until the novel's publication in 1954–1955. Tolkien began with no idea where the story would go, and made several false starts before the tale of the One Ring emerged. The names of the characters, including the protagonists, of The Lord of the Rings changed many times. Tolkien stopped writing repeatedly, sometimes for years at a time. Inspiration, when it came, was based on practical work with maps, names, and languages that Tolkien incorporated in the novel. He illustrated places described in the text, updating drawings and text together until he felt they were correct.

Sauron (/ˈsaʊərɒn/) is the title character and the main antagonist in J. R. R. Tolkien's The Lord of the Rings, where he rules the land of Mordor. He has the ambition of ruling the whole of Middle-earth using the power of the One Ring, which he has lost and seeks to recapture. In the same work, he is identified as the "Necromancer" of Tolkien's earlier novel The Hobbit. The Silmarillion describes him as the chief lieutenant of the first Dark Lord, Morgoth. Tolkien noted that the Ainur, the "angelic" powers of his constructed myth, "were capable of many degrees of error and failing", but by far the worst was "the absolute Satanic rebellion and evil of Morgoth and his satellite Sauron". Sauron appears most often as "the Eye", as if disembodied.

Tolkien, while denying that absolute evil could exist, stated that Sauron came as near to a wholly evil will as was possible. Commentators have compared Sauron to the title character of Bram Stoker's 1897 novel Dracula, and to Balor of the Evil Eye in Irish mythology. Sauron is briefly seen in a humanoid form in Peter Jackson's film trilogy, which otherwise shows him as a disembodied, flaming Eye.

The One Ring, also called the Ruling Ring and Isildur's Bane, is a central plot element in J. R. R. Tolkien's The Lord of the Rings (1954–55). It first appeared in the earlier story The Hobbit (1937) as a magic ring that grants the wearer invisibility. Tolkien changed it into a malevolent Ring of Power and re-wrote parts of The Hobbit to fit in with the expanded narrative. The Lord of the Rings describes the hobbit Frodo Baggins's quest to destroy the Ring and save Middle-earth.

Scholars have compared the story with the ring-based plot of Richard Wagner's opera cycle Der Ring des Nibelungen; Tolkien denied any connection, but scholars state that at the least, both men certainly drew on the same mythology. Another source is Tolkien's analysis of Nodens, an obscure pagan god with a temple at Lydney Park, where he studied the Latin inscriptions, one containing a curse on the thief of a ring.

The Rings of Power are magical artefacts in J. R. R. Tolkien's legendarium, most prominently in his high fantasy novel The Lord of the Rings. The One Ring first appeared as a plot device, a magic ring in Tolkien's children's fantasy novel, The Hobbit. Tolkien later gave it a backstory and much greater power: he added nineteen other Great Rings which also conferred powers such as invisibility, and which the One Ring could control. These were the Three Rings of the Elves, the Seven Rings for the Dwarves, and the Nine for Men. He stated that there were in addition many lesser rings with minor powers. A key story element in The Lord of the Rings is the addictive power of the One Ring, made secretly by the Dark Lord Sauron; the Nine Rings enslave their bearers as the Nazgûl (Ringwraiths), Sauron's most deadly servants.

Proposed sources of inspiration for the Rings of Power range from Germanic legend with the ring Andvaranaut and eventually Richard Wagner's Der Ring des Nibelungen, to fairy tales such as Snow White, which features both a magic ring and seven dwarfs. One experience that may have been pivotal was Tolkien's professional work on a Latin inscription at the temple of Nodens; he was a god-hero linked to the Irish hero Nuada Airgetlám, whose epithet is "Silver-Hand", or in Elvish "Celebrimbor", the name of the Elven-smith who made the Rings of Power. The inscription contained a curse upon a ring, and the site was called Dwarf's Hill.

In the fantasy of J. R. R. Tolkien, the Dwarves are a race inhabiting Middle-earth, the central continent of Arda in an imagined mythological past. They are based on the dwarfs of Germanic myths who were small humanoids that lived in mountains, practising mining, metallurgy, blacksmithing and jewellery. Tolkien described them as tough, warlike, and lovers of stone and craftsmanship.

The origins of Tolkien's Dwarves can be traced to Norse mythology; Tolkien also mentioned a connection with Jewish history and language.Dwarves appear in his books The Hobbit (1937), The Lord of the Rings (1954–55), and the posthumously published The Silmarillion (1977), Unfinished Tales (1980), and The History of Middle-earth series (1983–96), the last three edited by his son Christopher Tolkien.

In J. R. R. Tolkien's writings, Elves are the first fictional race to appear in Middle-earth. Unlike Men and Dwarves, Elves do not die of disease or old age. Should they die in battle or of grief, their souls go to the Halls of Mandos in Aman. After a long life in Middle-earth, Elves yearn for the Earthly Paradise of Valinor, and can sail there from the Grey Havens. They are prominent in The Hobbit and The Lord of the Rings, and their history is described in detail in The Silmarillion.

Tolkien derived Elves from mentions in the ancient poetry and languages of Northern Europe, especially Old English. These suggested to him that Elves were large, dangerous, beautiful, lived in wild natural places, and practised archery. He invented languages for the Elves, including Sindarin and Quenya.

The Shire is a region of J. R. R. Tolkien's fictional Middle-earth, described in The Lord of the Rings and other works. The Shire is an inland area settled exclusively by hobbits, the Shire-folk, largely sheltered from the goings-on in the rest of Middle-earth. It is in the northwest of the continent, in the region of Eriador and the Kingdom of Arnor.

The Shire is the scene of action at the beginning and end of Tolkien's The Hobbit and The Lord of the Rings. Five of the protagonists in these stories have their homeland in the Shire: Bilbo Baggins (the title character of The Hobbit), and four members of the Fellowship of the Ring: Frodo Baggins, Samwise Gamgee, Merry Brandybuck, and Pippin Took. At the end of The Hobbit, Bilbo returns to the Shire, only to find out that he has been declared "missing and presumed dead" and that his hobbit-hole and all its contents are up for auction. (He reclaims them, much to the spite of his cousins Otho and Lobelia Sackville-Baggins.) The main action in The Lord of the Rings returns to the Shire near the end of the book, in "The Scouring of the Shire", when the homebound hobbits find the area under the control of Saruman's ruffians, and set things to rights.

Hobbits are a fictional race of people in the novels of J. R. R. Tolkien. About half average human height, Tolkien presented hobbits as a variety of humanity, or close relatives thereof. Occasionally known as halflings in Tolkien's writings, they live barefooted, and traditionally dwell in homely underground houses which have windows, built into the sides of hills, though others live in houses. Their feet have naturally tough leathery soles (so they do not need shoes) and are covered on top with curly hair.

Hobbits first appeared in the 1937 children's novel The Hobbit, whose titular Hobbit is the protagonist Bilbo Baggins, who is thrown into an unexpected adventure involving a dragon. In its sequel, The Lord of the Rings, the hobbits Frodo Baggins, Sam Gamgee, Pippin Took, and Merry Brandybuck are primary characters who all play key roles in fighting to save their world ("Middle-earth") from evil. In The Hobbit, hobbits live together in a small town called Hobbiton, which in The Lord of the Rings is identified as being part of a larger rural region called the Shire, the homeland of the hobbits in the northwest of Middle-earth. Some also live in a region east of the Shire, Bree-land, where they co-exist with Men.

J. R. R. Tolkien's best-known novels, The Hobbit and The Lord of the Rings, both have the structure of quests, with a hero setting out, facing dangers, achieving a goal, and returning home. Where The Hobbit is a children's story with the simple goal of treasure, The Lord of the Rings is a more complex narrative with multiple quests. Its main quest, to destroy the One Ring, has been described as a reversed quest – starting with a much-desired treasure, and getting rid of it. That quest, too, is balanced against a moral quest, to scour the Shire and return it to its original state.

Tolkien superimposed multiple meanings on the basic quest, for example embedding a hidden Christian message in the story, and marking the protagonists Frodo and Aragorn out as heroes by giving them magic swords in the epic tradition of Sigurd and Arthur.

Frodo Baggins (Westron: Maura Labingi) is a fictional character in J. R. R. Tolkien's writings and one of the protagonists in The Lord of the Rings. Frodo is a hobbit of the Shire who inherits the One Ring from his cousin Bilbo Baggins, described familiarly as "uncle", and undertakes the quest to destroy it in the fires of Mount Doom in Mordor. He is mentioned in Tolkien's posthumously published works, The Silmarillion and Unfinished Tales.

Frodo is repeatedly wounded during the quest and becomes increasingly burdened by the Ring as it nears Mordor. He changes, too, growing in understanding and compassion. On his return to the Shire, he is unable to settle back into ordinary life; two years after the Ring's destruction, he is allowed to take ship to the earthly paradise of Valinor.

Samwise Gamgee (/ˈsæmˌwaɪz ˈɡæmˌdʒiː/, usually called Sam) (Westron: Banazîr Galbasi) is a fictional character in J. R. R. Tolkien's Middle-earth. A hobbit, Samwise is the chief supporting character of The Lord of the Rings, serving as the loyal companion of the protagonist Frodo Baggins. Sam is a member of the Company of the Ring, the group of nine charged with destroying the One Ring.

Sam was Frodo's gardener. He was drawn into Frodo's adventure while eavesdropping on a private conversation Frodo was having with the wizard Gandalf. Sam was Frodo's steadfast companion and servant, portrayed as both physically strong for his size and emotionally strong, often supporting Frodo through difficult parts of the journey and, at times, carrying Frodo when he was too weak to go on. Sam served as Ring-bearer for a short time when Frodo was captured by orcs; his emotional strength was again demonstrated when he willingly gave the Ring back to Frodo. Following the War of the Ring, Sam returned to the Shire and his role as a gardener, helping to replant the trees which had been destroyed while he was away. He was elected Mayor of the Shire for seven consecutive terms.