The Lord of the Rings in the context of "Fróði"

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⭐ Core Definition: The Lord of the Rings

The Lord of the Rings is an epic high fantasy novel written by the English author and scholar J. R. R. Tolkien. Set in Middle-earth, the story began as a sequel to Tolkien's 1937 children's book The Hobbit but eventually developed into a much larger work. Written in stages between 1937 and 1949, The Lord of the Rings is one of the best-selling books ever written, with over 150 million copies sold.

The title refers to the story's main antagonist, the Dark Lord Sauron, who in an earlier age created the One Ring, allowing him to rule the other Rings of Power given to men, dwarves, and elves, in his campaign to conquer all of Middle-earth. From homely beginnings in the Shire, a hobbit land reminiscent of the English countryside, the story ranges across Middle-earth, following the quest to destroy the One Ring, seen mainly through the eyes of the hobbits Frodo, Sam, Merry, and Pippin. Aiding the hobbits are the wizard Gandalf, the men Aragorn and Boromir, the elf Legolas, and the dwarf Gimli, who unite as the Company of the Ring to rally the Free Peoples of Middle-earth against Sauron's armies and give Frodo a chance to destroy the One Ring in the fires of Mount Doom.

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👉 The Lord of the Rings in the context of Fróði

Fróði (Old Norse: Frōði; Old English: Frōda; Middle High German: Vruote) is the name of a number of legendary Danish kings in various texts including Beowulf, Snorri Sturluson's Prose Edda and his Ynglinga saga, Saxo Grammaticus' Gesta Danorum, and the Grottasǫngr. A Danish king by this name also appears as a minor character in the Middle High German epic Rabenschlacht. The name is possibly an eponym for the god Freyr.

  • The Fróði of the Grottasǫngr is said to be the son of Fridleif, the son of Skjǫldr. According to Ynglinga saga it was in this Fróði's beer that King Fjǫlnir drowned. Snorri Sturluson here and in the Skáldskaparmál make this Fróði the contemporary of Roman emperor Augustus and comments on the peacefulness of his reign, referred to as Fróði's Peace, suggesting a relationship to the birth of Christ. Though Icelandic sources make this Fróði a very early Danish king, in Gesta Danorum (Book 5), Saxo puts him late in his series of rulers, though including the chronological equation with Augustus and mentioning the birth of Christ.
  • The Fróði who, according to Ynglinga saga and Gesta Danorum, was the father of Halfdan. He would have lived in the 5th or 6th century. He appears to be the same king who later in the Ynglinga saga aided the Swedish king Ongenþeow in defeating the thrall Tunni. Because of this, Egil and his son Ottar (Ohthere) became tributaries to the Danish king.
  • Fróði the father of Ingjald, who in Beowulf is Froda the father of Ingeld and king of the Heathobards. The existence of the Heathobards has been forgotten in Norse texts and this Fróði there sometimes appears as the brother of Halfdan with the long hostility between Heathobards and Danes becoming a family feud between Halfdan and his brother Fróði. Fróði kills Halfdan and is himself slain by Halfdan's sons Helgi (Halga) and Hroar (Hrothgar). (In Arngrímur Jónsson's Latin summary to the lost Skjöldunga saga the names Fróði and Ingjald are interchanged. Saxo Grammaticus (Book 6) makes this Fróði instead to be a very late legendary king, the son of Fridleif son of Saxo's late peaceful Fróði. Saxo knows some of the story of this feud but nothing of any relationship to Halfdan. Instead Saxo relates how this Fróði was slain by Saxons and how, after a marriage alliance between his son Ingel and a Saxon princess to heal the feud, Ingel opened it again at the urging of an old warrior, just as the hero Beowulf prophesies of Ingjald in the poem Beowulf.
  • A legend from Ydre in the South Swedish highlands tells that a king known as Frode was killed by Urkon, the same cow that created Lake Sommen.

The form Fróði is still in use in Icelandic and Faroese and appears Latinized as Frotho or Frodo. The latter form of the name is used by J. R. R. Tolkien in The Lord of the Rings for the main character of the story, Frodo Baggins. Alternative anglicizations are Frode, Fródi, Fróthi and Frodhi. The Danish, Norwegian and Swedish form is Frode. The meaning of the name is "clever, learned, wise".

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The Lord of the Rings in the context of Novel

A novel is an extended work of narrative fiction usually written in prose and published as a book. The word derives from the Italian: novella for 'new', 'news', or 'short story (of something new)', itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning 'new'. According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, Medieval chivalric romance, and the tradition of the Italian Renaissance novella. The ancient romance form was revived by Romanticism, in the historical romances of Walter Scott and the Gothic novel. Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, and John Cowper Powys, preferred the term romance. Such romances should not be confused with the genre fiction romance novel, which focuses on romantic love. M. H. Abrams and Walter Scott have argued that a novel is a fiction narrative that displays a realistic depiction of the state of a society, like Harper Lee's To Kill a Mockingbird. The romance, on the other hand, encompasses any fictitious narrative that emphasizes marvellous or uncommon incidents. In reality, such works are nevertheless also commonly called novels, including Mary Shelley's Frankenstein and J. R. R. Tolkien's The Lord of the Rings.

The spread of printed books in China led to the appearance of the vernacular classic Chinese novels during the Ming dynasty (1368–1644), and Qing dynasty (1616–1911). An early example from Europe was Hayy ibn Yaqdhan by the Sufi writer Ibn Tufayl in Muslim Spain. Later developments occurred after the invention of the printing press. Miguel de Cervantes, author of Don Quixote (the first part of which was published in 1605), is frequently cited as the first significant European novelist of the modern era. Literary historian Ian Watt, in The Rise of the Novel (1957), argued that the modern novel was born in the early 18th century with Robinson Crusoe.

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The Lord of the Rings in the context of J. R. R. Tolkien

John Ronald Reuel Tolkien (/ˈrl ˈtɒlkn/, 3 January 1892 – 2 September 1973) was an English writer and philologist. He was the author of the high fantasy works The Hobbit (1937) and The Lord of the Rings (1954–55).

From 1925 to 1945 Tolkien was the Rawlinson and Bosworth Professor of Anglo-Saxon and a Fellow of Pembroke College, both at the University of Oxford. He then moved within the same university to become the Merton Professor of English Language and Literature and Fellow of Merton College, and held these positions from 1945 until his retirement in 1959. Tolkien was a close friend of C. S. Lewis, a co-member of the Inklings, an informal literary discussion group. He was appointed a Commander of the Order of the British Empire by Queen Elizabeth II on 28 March 1972.

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The Lord of the Rings in the context of C. S. Lewis

Clive Staples Lewis (29 November 1898 – 22 November 1963) was a British author, literary scholar and Anglican lay theologian. He held academic positions in English literature at both Magdalen College, Oxford (1925–1954), and Magdalene College, Cambridge (1954–1963). He is best known as the author of The Chronicles of Narnia, but he is also noted for his other works of fiction, such as The Screwtape Letters and The Space Trilogy, and for his non-fiction Christian apologetics, including Mere Christianity, Miracles and The Problem of Pain.

Lewis was a close friend of J. R. R. Tolkien, the author of The Lord of the Rings. Both men served on the English faculty at the University of Oxford and were active in the informal Oxford literary group known as the Inklings. According to Lewis's 1955 memoir Surprised by Joy, he was baptized in the Church of Ireland but fell away from his faith during adolescence. Lewis returned to Anglicanism at the age of 32, owing to the influence of Tolkien and other friends, and he became an "ordinary layman of the Church of England". Lewis's faith profoundly affected his work, and his wartime radio broadcasts on the subject of Christianity brought him wide acclaim.

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The Lord of the Rings in the context of Fictional universe

A fictional universe, also known as an imagined universe or a constructed universe, is the internally consistent fictional setting used in a narrative or a work of art. This concept is most commonly associated with works of fantasy and science fiction, and can be found in various forms such as novels, comics, films, television shows, video games, and other creative works.

In science fiction, a fictional universe may be a remote alien planet or galaxy with little apparent relationship to the real world (as in Star Wars). In fantasy, it may be a greatly fictionalized or invented version of Earth's distant past or future (as in The Lord of the Rings).

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The Lord of the Rings in the context of Beowulf in Middle-earth

J. R. R. Tolkien, a fantasy author and professional philologist, drew on the Old English poem Beowulf for multiple aspects of his Middle-earth legendarium, alongside other influences. He used elements such as names, monsters, and the structure of society in a heroic age. He emulated its style, creating an impression of depth and adopting an elegiac tone. Tolkien admired the way that Beowulf, written by a Christian looking back at a pagan past, just as he was, embodied a "large symbolism" without ever becoming allegorical. He worked to echo the symbolism of life's road and individual heroism in The Lord of the Rings.

The names of races, including ents, orcs, and elves, and place names such as Orthanc and Meduseld, derive from Beowulf. The werebear Beorn in The Hobbit has been likened to the hero Beowulf himself; both names mean "bear" and both characters have enormous strength. Scholars have compared some of Tolkien's monsters to those in Beowulf. Both his trolls and Gollum share attributes with Grendel, while Smaug's characteristics closely match those of the Beowulf dragon.Tolkien's Riders of Rohan are distinctively Old English, and he has made use of multiple elements of Beowulf in creating them, including their language, culture, and poetry.The godlike Valar, their earthly paradise of Valinor, and the Old Straight Road that allowed the elves to sail to it, may all derive from the Scyld Scefing passage at the start of the poem.

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The Lord of the Rings in the context of Miranda Otto

Miranda Otto (born 16 December 1967) is an Australian actress. She is the daughter of actors Barry and Lindsay Otto and the paternal half-sister of actress Gracie Otto. Otto began her acting career in 1986 at age 18 and appeared in a variety of independent and major studio films in Australia. She made her major film debut in Emma's War in 1987 in which she played a teenager who moves to Australia's bush country during World War II.

After a decade of critically acclaimed roles in Australian films, Otto gained Hollywood's attention during the 1990s after appearing in supporting roles in the films The Thin Red Line and What Lies Beneath. She rose to fame in the early 2000s for playing Éowyn in Peter Jackson's The Lord of the Rings film series, based on the classic fantasy novel of the same name by English author J. R. R. Tolkien.

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The Lord of the Rings in the context of Middle-earth

Middle-earth is the setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the Miðgarðr of Norse mythology and Middangeard in Old English works, including Beowulf. Middle-earth is the oecumene (i.e. the human-inhabited world, or the central continent of Earth) in Tolkien's imagined mythological past. Tolkien's most widely read works, The Hobbit and The Lord of the Rings, are set entirely in Middle-earth. "Middle-earth" has also become a short-hand term for Tolkien's legendarium, his large body of fantasy writings, and for the entirety of his fictional world.

Middle-earth is the main continent of Earth (Arda) in an imaginary period of the past, ending with Tolkien's Third Age, about 6,000 years ago. Tolkien's tales of Middle-earth mostly focus on the north-west of the continent. This region is suggestive of Europe, the north-west of the Old World, with the environs of the Shire reminiscent of England, but, more specifically, the West Midlands, with the town at its centre, Hobbiton, at the same latitude as Oxford.

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The Lord of the Rings in the context of Constructing The Lord of the Rings

The task of constructing The Lord of the Rings was long and complex, lasting from its start in 1937, soon after the success of J. R. R. Tolkien's children's book The Hobbit, until the novel's publication in 1954–1955. Tolkien began with no idea where the story would go, and made several false starts before the tale of the One Ring emerged. The names of the characters, including the protagonists, of The Lord of the Rings changed many times. Tolkien stopped writing repeatedly, sometimes for years at a time. Inspiration, when it came, was based on practical work with maps, names, and languages that Tolkien incorporated in the novel. He illustrated places described in the text, updating drawings and text together until he felt they were correct.

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