The Adventures of Tintin in the context of "Spirou and Fantasio"

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⭐ Core Definition: The Adventures of Tintin

The Adventures of Tintin (French: Les Aventures de Tintin [lez‿avɑ̃tyʁ tɛ̃tɛ̃]) is a series of 24 comic albums created by Belgian cartoonist Hergé (pen name of Georges Remi). The series was one of the most popular European comics of the 20th century. By 2007, a century after Hergé's birth, Tintin had been published in more than 70 languages with sales of more than 200 million copies, and had been adapted for radio, television, theatre, and film.

The series first appeared in French on 10 January 1929 in Le Petit Vingtième, a youth supplement to the Belgian newspaper Le Vingtième Siècle. The success of the series led to serialised strips published in Belgium's leading newspaper Le Soir and spun into a successful Tintin magazine. In 1950, Hergé created Studios Hergé, which produced the canonical versions of ten Tintin albums. Following Hergé's death in 1983, the final instalment of the series, Tintin and Alph-Art, was released posthumously.

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👉 The Adventures of Tintin in the context of Spirou and Fantasio

Spirou & Fantasio (French: Spirou et Fantasio), commonly shortened to Spirou, is one of the most popular classic Franco-Belgian comics. The series, which has been running since 1938, shares many characteristics with other European humorous adventure comics like The Adventures of Tintin, Lucky Luke, and Asterix. It has been written and drawn by a succession of artists.

Spirou and Fantasio are the series' main characters, two adventurous journalists who run into fantastic adventures, aided by Spirou's pet squirrel Spip and their inventor friend, the Count of Champignac.

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The Adventures of Tintin in the context of Comics

Comics are a medium used to express ideas with images, often combined with text or other visual information. It typically takes the form of a sequence of panels of images. Textual devices such as speech balloons, captions, and onomatopoeia can indicate dialogue, narration, sound effects, or other information. There is no consensus among theorists and historians on a definition of comics; some emphasize the combination of images and text, some sequentiality or other image relations, and others historical aspects such as mass reproduction or the use of recurring characters. Cartooning and other forms of illustration are the most common means of image-making in comics. Photo comics are a form that uses photographic images. Common forms include comic strips, editorial and gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels and comic albums have become increasingly common, along with webcomics.

The history of comics has followed different paths in different cultures. Scholars have posited a pre-history as far back as the Lascaux cave paintings. By the mid-20th century, comics flourished, particularly in the United States, western Europe (especially France and Belgium), and Japan. The history of European comics is often traced to Rodolphe Töpffer's cartoon strips of the 1830s, while Wilhelm Busch and his Max and Moritz also had a global impact from 1865 on, and became popular following the success in the 1930s of strips and books such as The Adventures of Tintin. American comics emerged as a mass medium in the early 20th century with the advent of newspaper comic strips; magazine-style comic books followed in the 1930s, and the superhero genre became prominent after Superman appeared in 1938. Histories of Japanese comics (manga) propose origins as early as the 12th century. Japanese comics are generally held separate from the evolution of Euro-American comics, and Western comic art probably originated in 17th-century Italy. Modern Japanese comic strips emerged in the early 20th century, and the output of comic magazines and books rapidly expanded in the post-World War II era (1945–) with the popularity of cartoonists such as Osamu Tezuka. Comics has had a lowbrow reputation for much of its history, but towards the end of the 20th century, it began to find greater acceptance with the public and academics.

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The Adventures of Tintin in the context of Bande dessinée

Bandes dessinées (singular bande dessinée; literally 'drawn strips'), abbreviated BDs and also referred to as Franco-Belgian comics (BD franco-belge), are comics that are usually originally in French and created for readership in France and Belgium. These countries have a long tradition in comics, separate from that of English-language comics. Belgium is a mostly bilingual country, and comics originally in Dutch (stripverhalen, literally "strip stories", or simply "strips") are culturally a part of the world of bandes dessinées, even if the translation from French to Dutch far outweighs the other direction.

Among the most popular bandes dessinées are The Adventures of Tintin (by Hergé), Spirou and Fantasio (Franquin et al.), Gaston (Franquin), Asterix (Goscinny & Uderzo), Lucky Luke (Morris & Goscinny), The Smurfs (Peyo) and Spike and Suzy (Willy Vandersteen). Some highly-regarded realistically drawn and plotted bandes dessinées include Blueberry (Charlier & Giraud, a.k.a. "Moebius"), Thorgal (van Hamme & Rosiński), XIII (van Hamme & Vance), and the creations of Hermann.

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The Adventures of Tintin in the context of European comics

European comics are comics produced in Europe. The comic album is a very common printed medium. The typical album is printed in large format, generally with high quality paper and colouring, commonly 24 cm × 32 cm (9.4 in × 12.6 in), has around 48–60 pages, but examples with more than 100 pages are common. While sometimes referred to as graphic novels, this term is rarely used in Europe, and is not always applicable as albums often consist of separate short stories, placing them somewhere halfway between a comic book and a graphic novel. The European comic genres vary from the humorous adventure vein, such as The Adventures of Tintin and Asterix, to more adult subjects like Tex Willer, Diabolik, and Thorgal.

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The Adventures of Tintin in the context of Hergé

Georges Prosper Remi (French: [ʒɔʁʒ pʁɔspɛʁ ʁəmi]; 22 May 1907 – 3 March 1983), known by the pen name Hergé (/ɛərˈʒ/ air-ZHAY; French: [ɛʁʒe] ), from the French pronunciation of his reversed initials RG, was a Belgian comic strip artist. He is best known for creating The Adventures of Tintin, the series of comic albums that are considered one of the most popular European comics of the 20th century. He was also responsible for two other well-known series, Quick & Flupke (1930–1940) and The Adventures of Jo, Zette and Jocko (1936–1957). His works were executed in his distinctive ligne claire drawing style.

Born to a lower-middle-class family in Etterbeek, Brussels, Hergé began his career by contributing illustrations to Scouting magazines, developing his first comic series, The Adventures of Totor, for Le Boy-Scout Belge in 1926. Working for the conservative Catholic newspaper Le Vingtième Siècle, he created The Adventures of Tintin in 1929 on the advice of its editor Norbert Wallez. Revolving around the actions of boy reporter Tintin and his dog Snowy, the series' early instalments – Tintin in the Land of the Soviets, Tintin in the Congo, and Tintin in America – were designed as conservative propaganda for children. Domestically successful, after serialisation the stories were published in book form, with Hergé continuing the series and also developing both the Quick & Flupke and Jo, Zette and Jocko series for Le Vingtième Siècle. Influenced by his friend Zhang Chongren, from 1934 Hergé placed far greater emphasis on conducting background research for his stories, resulting in increased realism from The Blue Lotus onward. Following the German occupation of Belgium in 1940, Le Vingtième Siècle was closed, but Hergé continued his series in Le Soir, a popular newspaper controlled by the Nazi administration.

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The Adventures of Tintin in the context of Le Petit Vingtième

Le Petit Vingtième (French: [lə pti vɛ̃tjɛm], The Little Twentieth) was the weekly youth supplement to the Belgian newspaper Le Vingtième Siècle ("The Twentieth Century") from 1928 to 1940. The comics series The Adventures of Tintin first appeared in its pages.

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The Adventures of Tintin in the context of Le Vingtième Siècle

Le Vingtième Siècle (French: [lə vɛ̃tjɛm sjɛkl], The Twentieth Century) was a Belgian newspaper that was published from 1898 to 1940. Its supplement Le Petit Vingtième ("The Little Twentieth") is known as the first publication to feature The Adventures of Tintin.

The conservative Catholic newspaper was founded by Georges Helleputte, Joseph d'Ursel, and Athanase de Broqueville (brother of Belgian Prime Minister Charles de Broqueville). Its first issue was published on 6 June 1898. It sold poorly and was kept alive by Charles de Broqueville and other Belgian aristocrats.

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