Tall tale in the context of Mason

A fairy tale (alternative names include fairytale, fairy story, household tale, magic tale, or wonder tale) is a short story that belongs to the folklore genre. Such stories typically feature magic, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicit moral tales, including beast fables. Prevalent elements include dragons, dwarfs, elves, fairies, giants, gnomes, goblins, griffins, merfolk, monsters, monarchy, pixies, talking animals, trolls, unicorns, witches, wizards, woodwoses, magic, and enchantments.

In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy-tale ending" (a happy ending) or "fairy-tale romance". Colloquially, the term "fairy tale" or "fairy story" can also mean any far-fetched story or tall tale; it is used especially to describe any story that not only is not true, but also could not possibly be true. Legends are perceived as real within their culture; fairy tales may merge into legends, where the narrative is perceived both by teller and hearers as being grounded in historical truth. However, unlike legends and epics, fairy tales usually do not contain more than superficial references to religion and to actual places, people, and events; they take place "once upon a time" rather than in actual times.

A short story is a piece of prose fiction. It can typically be read in a single sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a single effect or mood. The short story is one of the oldest types of literature and has existed in the form of legends, mythic tales, folk tales, fairy tales, tall tales, fables, and anecdotes in various ancient communities around the world. The modern short story developed in the early 19th century.

In literature, film, and other such arts, an unreliable narrator is a narrator who cannot be trusted, one whose credibility is compromised. They can be found in a wide range from children to mature characters. While unreliable narrators are almost by definition first-person narrators, arguments have been made for the existence of unreliable second- and third-person narrators, especially within the context of film and television, but sometimes also in literature.

The term "unreliable narrator" was coined by Wayne C. Booth in his 1961 book The Rhetoric of Fiction. James Phelan expands on Booth's concept by offering the term "bonding unreliability" to describe situations in which the unreliable narration ultimately serves to approach the narrator to the work's envisioned audience, creating a bonding communication between the implied author and this "authorial audience".

Jewish folklore are legends, music, oral history, proverbs, jokes, popular beliefs, fairy tales, stories, tall tales, and customs that are the traditions of Judaism. Folktales are characterized by the presence of unusual personages, by the sudden transformation of men into beasts and vice versa, or by other unnatural incidents. A number of aggadic stories bear folktale characteristics, especially those relating to Og, King of Bashan, which have the same exaggerations as have the lügenmärchen of modern German folktales.

Folklore of the United States encompasses the myths, legends, tall tales, oral traditions, music, customs, and cultural expressions that have developed within the United States over centuries. It reflects the diverse origins of the nation’s people, drawing from Native American traditions, European settler narratives, African American storytelling, and the folklore of immigrant communities from Asia, Latin America, and elsewhere.

American folklore includes iconic figures such as Paul Bunyan and Johnny Appleseed, regional creatures like Bigfoot and the Jersey Devil; and urban legends that persist into the digital age. It also incorporates folk music, superstitions, ghost stories, and festival traditions that vary across regions and populations.

Baron Munchausen (/ˈmʌntʃaʊzən, ˈmʊntʃ-/; German: [ˈmʏnçˌhaʊzn̩] ) is a fictional German nobleman created by the German writer Rudolf Erich Raspe in his 1785 book Baron Munchausen's Narrative of His Marvellous Travels and Campaigns in Russia. The character is loosely based on baron Hieronymus Karl Friedrich Freiherr von Münchhausen.

Born in Bodenwerder, Hanover, the real-life Münchhausen fought for the Russian Empire during the Russo-Turkish War of 1735–1739. After retiring in 1760, he became a minor celebrity within German aristocratic circles for telling outrageous tall tales based on his military career. After hearing some of Münchhausen's stories, Raspe adapted them anonymously into literary form, first in German as ephemeral magazine pieces and then in English as the 1785 book, which was first published in Oxford by a bookseller named Smith. The book was soon translated into other European languages, including a German version expanded by the poet Gottfried August Bürger. The real-life Münchhausen was deeply upset at the development of a fictional character bearing his name, and threatened legal proceedings against the book's publisher. Perhaps fearing a libel suit, Raspe never acknowledged his authorship of the work, which was only established posthumously.

Mason & Dixon is a postmodernist novel by the American author Thomas Pynchon, published in 1997. It presents a fictionalized account of the collaboration between Charles Mason and Jeremiah Dixon in their astronomical and surveying exploits in the Dutch Cape Colony, Saint Helena, Great Britain and along the Mason-Dixon line in British North America on the eve of the Revolutionary War in the United States.

The novel, written in a style based on late-18th-century English, is a frame narrative told from the focal point of Rev. Wicks Cherrycoke, a clergyman of dubious orthodoxy who, on a cold December evening in 1786, attempts to entertain and divert his extended family (partly for amusement, and partly to keep his coveted status as a guest in the house) by telling a tall tale version of Mason and Dixon's biographies (claiming to have accompanied Mason and Dixon throughout their journeys).