Spaghetti Western in the context of "Clint Eastwood"

⭐ In the context of Clint Eastwood's career, *Spaghetti Westerns* are most notably associated with which early role that launched him to international fame?

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⭐ Core Definition: Spaghetti Western

The spaghetti Western is a broad subgenre of Western films produced in Europe. It emerged in the mid-1960s in the wake of Sergio Leone's filmmaking style and international box-office success. The term was used by foreign critics because most of these Westerns were produced and directed by Italians.

The majority of the films in the spaghetti Western genre were international co-productions by Italy and Spain, and sometimes France, West Germany, Britain, Portugal, Greece, Yugoslavia, and the United States. Over six hundred European Westerns were made between 1960 and 1978, including nearly five hundred in Italy, which dominated the market. Most spaghetti Westerns filmed between 1964 and 1978 were made on low budgets, and shot at Cinecittà Studios and various locations around southern Italy and Spain.

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👉 Spaghetti Western in the context of Clint Eastwood

Clinton Eastwood Jr. (born May 31, 1930) is an American actor and film director. After achieving success in the Western TV series Rawhide, Eastwood rose to international fame with his role as the "Man with No Name" in Sergio Leone's Dollars Trilogy of spaghetti Westerns during the mid-1960s and as antihero cop Harry Callahan in the five Dirty Harry films throughout the 1970s and 1980s. These roles, among others, have made Eastwood an enduring cultural icon of masculinity. Elected in 1986, Eastwood served for two years as the mayor of Carmel-by-the-Sea, California.

Eastwood's greatest commercial successes are the adventure comedy Every Which Way but Loose (1978) and its action comedy sequel Any Which Way You Can (1980). Other popular Eastwood films include the Westerns Hang 'Em High (1968), The Outlaw Josey Wales (1976) and Pale Rider (1985), the action-war film Where Eagles Dare (1968), the prison film Escape from Alcatraz (1979), the war film Heartbreak Ridge (1986), the action film In the Line of Fire (1993), and the romantic drama The Bridges of Madison County (1995). More recent works include Gran Torino (2008), The Mule (2018), and Cry Macho (2021). Since 1967, Eastwood's company Malpaso Productions has produced all but four of his American films.

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Spaghetti Western in the context of Film genre

A film genre is a stylistic or thematic category for motion pictures based on similarities either in the narrative elements, aesthetic approach, or the emotional response to the film.

Drawing heavily from the theories of literary-genre criticism, film genres are usually delineated by "conventions, iconography, settings, narratives, characters and actors". One can also classify films by the tone, theme/topic, mood, format, target audience, or budget. These characteristics are most evident in genre films, which are "commercial feature films [that], through repetition and variation, tell familiar stories with familiar characters and familiar situations" in a given genre.

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Spaghetti Western in the context of A Fistful of Dollars

A Fistful of Dollars (Italian: Per un pugno di dollari, "For a Fistful of Dollars") is a 1964 spaghetti Western film directed by Sergio Leone and starring Clint Eastwood in his first leading role, alongside Gian Maria Volonté, Marianne Koch, Wolfgang Lukschy, Sieghardt Rupp, José Calvo, Antonio Prieto and Joseph Egger. The film, an international co-production between Italy, West Germany and Spain, was filmed on a low budget (reported to be US$200,000), and Eastwood was paid $15,000 for his role.

Released in Italy in 1964 and in the United States in 1967, the film initiated the popularity of the spaghetti Western genre. It is considered a landmark in cinema and one of the greatest and most influential films of all time. It was followed by For a Few Dollars More and The Good, the Bad and the Ugly, both also starring Eastwood. Collectively, these three films became known as the Dollars Trilogy, or the Man with No Name Trilogy, after the United Artists publicity campaign referred to Eastwood's characters in all three films as the "Man with No Name". All three films were released in sequence in the United States in 1967, making Eastwood a national celebrity.

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Spaghetti Western in the context of Man with No Name

The Man with No Name (Italian: Uomo senza nome) is the antihero character portrayed by Clint Eastwood in Sergio Leone's Dollars Trilogy of Italian Spaghetti Western films: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). He is recognizable by his sarape, brown hat, tan cowboy boots, fondness for cigarillos, and the fact that he rarely speaks.

The "Man with No Name" concept was invented by the American distributor United Artists. Eastwood's character does have a name, or nickname, which is different in each film: "Joe", "Manco" and "Blondie", respectively.

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Spaghetti Western in the context of Sergio Leone

Sergio Leone (/liˈni/ lee-OH-nee; Italian: [ˈsɛrdʒo leˈoːne]; 3 January 1929 – 30 April 1989) was an Italian filmmaker, credited as the pioneer of the spaghetti Western genre. He is widely regarded as one of the greatest directors in the history of cinema.

Leone's film-making style includes juxtaposing extreme close-up shots with lengthy long shots. His films include the Dollars Trilogy of Westerns featuring Clint Eastwood: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966); and the Once Upon a Time films: Once Upon a Time in the West (1968), Duck, You Sucker! (1971), and Once Upon a Time in America (1984).

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Spaghetti Western in the context of Dollars Trilogy

The Dollars Trilogy (Italian: Trilogia del dollaro), also known as the Man with No Name Trilogy (Italian: Trilogia dell'Uomo senza nome), is an Italian film series consisting of three spaghetti Western films directed by Sergio Leone. The films are titled A Fistful of Dollars (1964), For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966). Their English versions were distributed by United Artists, while the Italian ones were distributed by Unidis and PEA.

The series has become known for establishing the spaghetti western genre, and inspiring the creation of many more spaghetti western films. The three films are consistently listed among the best-rated western films in history.

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Spaghetti Western in the context of Every Which Way but Loose

Every Which Way but Loose is a 1978 American action comedy film released by Warner Bros. starring Clint Eastwood in an uncharacteristic and offbeat comedy role. It was produced by Robert Daley and directed by James Fargo. Eastwood plays Philo Beddoe, a trucker and bare-knuckle brawler roaming the American West in search of a lost love while accompanied by his brother/manager Orville and his pet orangutan Clyde. Philo encounters a wide assortment of characters, including a pair of police officers and a motorcycle gang who pursue him for revenge.

Eastwood's appearance in the film, after his string of Spaghetti Western and Dirty Harry roles, somewhat startled the film industry, and he was reportedly advised against taking the role. Although it was poorly reviewed by critics, the film proved successful and became, along with its 1980 sequel Any Which Way You Can, two of the highest-grossing Eastwood films. When adjusted for inflation, it ranks as one of the top 250 highest-grossing films of all time.

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Spaghetti Western in the context of Gian Maria Volonté

Gian Maria Volonté (9 April 1933 – 6 December 1994) was an Italian actor and activist. He is best known for his roles in four Spaghetti Western films: Ramón Rojo in Sergio Leone's A Fistful of Dollars (1964), El Indio in Leone's For a Few Dollars More (1965), El Chuncho Munoz in Damiano Damiani's A Bullet for the General (1966) and Professor Brad Fletcher in Sergio Sollima's Face to Face (1967).

He had notable roles in high-profile social dramas depicting the political and social stirrings of Italian and European society in the 1960s and 1970s, including four films directed by Elio PetriWe Still Kill the Old Way (1967), Investigation of a Citizen Above Suspicion (1970), The Working Class Goes to Heaven (1971), and Todo modo (1976). He is also recognized for his performances in Jean-Pierre Melville's Le Cercle Rouge (1970), Giuliano Montaldo's Sacco & Vanzetti (1971) and Giordano Bruno (1973), and Francesco Rosi's Christ Stopped at Eboli (1979).

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Spaghetti Western in the context of Marianne Koch

Marianne Koch (German: [maˈʁi̯anə ˈkɔx] ; born 19 August 1931) is a German retired actress, best known for her appearances in Spaghetti Westerns and adventure films of the 1960s. She later worked as a television host and as a physician.

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