A Fistful of Dollars in the context of "Spaghetti Western"

A film genre is a stylistic or thematic category for motion pictures based on similarities either in the narrative elements, aesthetic approach, or the emotional response to the film.

Drawing heavily from the theories of literary-genre criticism, film genres are usually delineated by "conventions, iconography, settings, narratives, characters and actors". One can also classify films by the tone, theme/topic, mood, format, target audience, or budget. These characteristics are most evident in genre films, which are "commercial feature films [that], through repetition and variation, tell familiar stories with familiar characters and familiar situations" in a given genre.

Live action is a form of cinematography or videography that uses photography instead of animation. Some works combine live action with animation to create a live-action animated feature film. Live action is used to define film, video games or similar visual media. Photorealistic animation, particularly modern computer animation, is sometimes erroneously described as "live action", as in the case of some media reports about Disney's remake of the traditionally animated The Lion King from 1994. According to the Cambridge English Dictionary, live action involves "real people or animals, not models, or images that are drawn, or produced by computer".

The Man with No Name (Italian: Uomo senza nome) is the antihero character portrayed by Clint Eastwood in Sergio Leone's Dollars Trilogy of Italian Spaghetti Western films: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). He is recognizable by his sarape, brown hat, tan cowboy boots, fondness for cigarillos, and the fact that he rarely speaks.

The "Man with No Name" concept was invented by the American distributor United Artists. Eastwood's character does have a name, or nickname, which is different in each film: "Joe", "Manco" and "Blondie", respectively.

Sergio Leone (/liˈoʊni/ lee-OH-nee; Italian: [ˈsɛrdʒo leˈoːne]; 3 January 1929 – 30 April 1989) was an Italian filmmaker, credited as the pioneer of the spaghetti Western genre. He is widely regarded as one of the greatest directors in the history of cinema.

Leone's film-making style includes juxtaposing extreme close-up shots with lengthy long shots. His films include the Dollars Trilogy of Westerns featuring Clint Eastwood: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966); and the Once Upon a Time films: Once Upon a Time in the West (1968), Duck, You Sucker! (1971), and Once Upon a Time in America (1984).

The Dollars Trilogy (Italian: Trilogia del dollaro), also known as the Man with No Name Trilogy (Italian: Trilogia dell'Uomo senza nome), is an Italian film series consisting of three spaghetti Western films directed by Sergio Leone. The films are titled A Fistful of Dollars (1964), For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966). Their English versions were distributed by United Artists, while the Italian ones were distributed by Unidis and PEA.

The series has become known for establishing the spaghetti western genre, and inspiring the creation of many more spaghetti western films. The three films are consistently listed among the best-rated western films in history.

Antihero (sometimes spelled as anti-hero or in two words as anti hero) is a literary term that can be understood as standing in opposition to the traditional hero, i.e., one with high social status, well-liked by the general populace, and given a particular role to play. Although antiheroes may sometimes perform actions that most of the audience considers heroic, they continue because they must, not because they believe they are the right person for the job.

The "Racinian" antihero is defined by three factors. The first is that the antihero is doomed to fail before their adventure begins. The second constitutes the blame of that failure on everyone but themselves. Thirdly, they offer a critique of social morals and reality. To other scholars, an antihero is inherently a hero from a specific point of view, and a villain from another.

Gian Maria Volonté (9 April 1933 – 6 December 1994) was an Italian actor and activist. He is best known for his roles in four Spaghetti Western films: Ramón Rojo in Sergio Leone's A Fistful of Dollars (1964), El Indio in Leone's For a Few Dollars More (1965), El Chuncho Munoz in Damiano Damiani's A Bullet for the General (1966) and Professor Brad Fletcher in Sergio Sollima's Face to Face (1967).

He had notable roles in high-profile social dramas depicting the political and social stirrings of Italian and European society in the 1960s and 1970s, including four films directed by Elio Petri – We Still Kill the Old Way (1967), Investigation of a Citizen Above Suspicion (1970), The Working Class Goes to Heaven (1971), and Todo modo (1976). He is also recognized for his performances in Jean-Pierre Melville's Le Cercle Rouge (1970), Giuliano Montaldo's Sacco & Vanzetti (1971) and Giordano Bruno (1973), and Francesco Rosi's Christ Stopped at Eboli (1979).

Wolfgang Lukschy (19 October 1905 – 10 July 1983 in Berlin) was a German actor. He performed in theater, film and television.

He made over 75 film and television appearances between 1940 and 1979. Possibly his most noted performances worldwide were his roles as Alfred Jodl in the 1962 American war film The Longest Day and as John Baxter in Sergio Leone's 1964 production A Fistful of Dollars alongside Clint Eastwood and Gian Maria Volonté.