Gian Maria Volonté in the context of "A Fistful of Dollars"

⭐ In the context of *A Fistful of Dollars*, Gian Maria Volonté is recognized for his contribution to what aspect of the film's production and impact?

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⭐ Core Definition: Gian Maria Volonté

Gian Maria Volonté (9 April 1933 – 6 December 1994) was an Italian actor and activist. He is best known for his roles in four Spaghetti Western films: Ramón Rojo in Sergio Leone's A Fistful of Dollars (1964), El Indio in Leone's For a Few Dollars More (1965), El Chuncho Munoz in Damiano Damiani's A Bullet for the General (1966) and Professor Brad Fletcher in Sergio Sollima's Face to Face (1967).

He had notable roles in high-profile social dramas depicting the political and social stirrings of Italian and European society in the 1960s and 1970s, including four films directed by Elio PetriWe Still Kill the Old Way (1967), Investigation of a Citizen Above Suspicion (1970), The Working Class Goes to Heaven (1971), and Todo modo (1976). He is also recognized for his performances in Jean-Pierre Melville's Le Cercle Rouge (1970), Giuliano Montaldo's Sacco & Vanzetti (1971) and Giordano Bruno (1973), and Francesco Rosi's Christ Stopped at Eboli (1979).

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👉 Gian Maria Volonté in the context of A Fistful of Dollars

A Fistful of Dollars (Italian: Per un pugno di dollari, "For a Fistful of Dollars") is a 1964 spaghetti Western film directed by Sergio Leone and starring Clint Eastwood in his first leading role, alongside Gian Maria Volonté, Marianne Koch, Wolfgang Lukschy, Sieghardt Rupp, José Calvo, Antonio Prieto and Joseph Egger. The film, an international co-production between Italy, West Germany and Spain, was filmed on a low budget (reported to be US$200,000), and Eastwood was paid $15,000 for his role.

Released in Italy in 1964 and in the United States in 1967, the film initiated the popularity of the spaghetti Western genre. It is considered a landmark in cinema and one of the greatest and most influential films of all time. It was followed by For a Few Dollars More and The Good, the Bad and the Ugly, both also starring Eastwood. Collectively, these three films became known as the Dollars Trilogy, or the Man with No Name Trilogy, after the United Artists publicity campaign referred to Eastwood's characters in all three films as the "Man with No Name". All three films were released in sequence in the United States in 1967, making Eastwood a national celebrity.

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Gian Maria Volonté in the context of Wolfgang Lukschy

Wolfgang Lukschy (19 October 1905 – 10 July 1983 in Berlin) was a German actor. He performed in theater, film and television.

He made over 75 film and television appearances between 1940 and 1979. Possibly his most noted performances worldwide were his roles as Alfred Jodl in the 1962 American war film The Longest Day and as John Baxter in Sergio Leone's 1964 production A Fistful of Dollars alongside Clint Eastwood and Gian Maria Volonté.

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Gian Maria Volonté in the context of For a Few Dollars More

For a Few Dollars More (Italian: Per qualche dollaro in più) is a 1965 Spaghetti Western film directed by Sergio Leone. It stars Clint Eastwood and Lee Van Cleef as bounty hunters and Gian Maria Volonté as the primary villain. Klaus Kinski plays a supporting role as a secondary villain. The film was an international co-production between Italy, West Germany, and Spain. The film was released in the United States in 1967 and was marketed in the United States as the second installment in the Dollars Trilogy.

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Gian Maria Volonté in the context of A Bullet for the General

A Bullet for the General (original Italian title: Quién sabe?, which means "Who knows?" in the Spanish language), also known as El Chucho Quién Sabe?, is a 1966 Italian Zapata Western film directed by Damiano Damiani and starring Gian Maria Volonté, Lou Castel, Klaus Kinski and Martine Beswick. It tells the story of El Chuncho, a bandit and guerrilla leader during the Mexican Revolution, and Bill Tate/El Niño (The Kid), a counter-revolutionary contract killer who infiltrates his gang and befriends Chuncho. The story centers on the way this relationship changes everything for Chuncho, who discovers the hard way that a social revolution is more important than mere money.

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Gian Maria Volonté in the context of Face to Face (1967 film)

Face to Face (Italian: Faccia a faccia; Spanish: Cara a cara German: Halleluja, der Teufel lässt Euch grüßen) is a 1967 Italian/Spanish international co-production Spaghetti Western film co-written and directed by Sergio Sollima and produced by Alberto Grimaldi. The film stars Gian Maria Volonté, Tomas Milian and William Berger, and features a musical score by Ennio Morricone. It is the second of Sollima's three Westerns, following The Big Gundown and predating Run, Man, Run, a sequel to the former. Milian stars in a lead role in all three films.

The film portrays the unlikely partnership of Professor Fletcher (Volonté), a university lecturer, and "Beauregard" Bennet (Milian), a wanted outlaw, and a series of events that results in an exchange of their moral values, culminating in Fletcher taking control of Bennet's bandit gang. Frequently interpreted as a parable based on the rise of European fascism, the story and themes of Face to Face were based on Sollima's wartime experiences, and his personal beliefs on the role of environments and societies in the shaping of a person's character.

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Gian Maria Volonté in the context of Investigation of a Citizen Above Suspicion

Investigation of a Citizen Above Suspicion (Italian: Indagine su un cittadino al di sopra di ogni sospetto) is a 1970 Italian satirical crime thriller film directed by Elio Petri, starring Gian Maria Volonté and Florinda Bolkan. It is a psychological, black-humored satire on corruption in high office, telling the story of a top police officer who kills his mistress, and then tests whether the police would charge him for this crime. He begins manipulating the investigation by planting obvious clues while the other police officers ignore them, either intentionally or not.

The film was released in Italy by Euro International Pictures on 9 February 1970, to widespread acclaim from critics. It won the Jury Prize at the 1970 Cannes Film Festival, and the David di Donatello Awards for Best Film and Best Actor (Gian Maria Volonté). In the United States, it won the Oscar for Best Foreign Language Film. Petri and his co-writer Ugo Pirro were nominated for Best Original Screenplay.

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Gian Maria Volonté in the context of Todo modo

Todo modo (lit. "By all means"), also known in English as One Way or Another, is a 1976 Italian satirical political drama film directed by Elio Petri starring Gian Maria Volonté and Marcello Mastroianni. It is loosely based on the novel of the same name by Leonardo Sciascia.

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Gian Maria Volonté in the context of Le Cercle Rouge

Le Cercle Rouge (French pronunciation: [lə sɛʁkl ʁuʒ]; "The Red Circle") is a 1970 French crime film written and directed by Jean-Pierre Melville. It stars Alain Delon, Bourvil, Gian Maria Volonté, François Périer and Yves Montand. The film is known for its climactic heist sequence which is about half an hour in length and has almost no dialogue.

The film's title refers to an epigraph which Melville made up, just as he did in Le Samouraï.

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Gian Maria Volonté in the context of Sacco & Vanzetti (1971 film)

Sacco & Vanzetti (Italian: Sacco e Vanzetti) is a 1971 historical legal drama film, based on the trial of Italian-American anarchists Nicola Sacco and Bartolomeo Vanzetti, whose guilty verdict and execution was considered a politically-motivated miscarriage of justice. The film is directed and co-written by Giuliano Montaldo, and stars Gian Maria Volonté and Riccardo Cucciolla in the title roles. The cast also features Cyril Cusack, Milo O'Shea, Geoffrey Keen and Rosanna Fratello.

An Italian and French co-production, the film is mainly shot in color although it both starts and finishes in black and white, and also includes period black and white newsreels. The musical score was composed and conducted by Ennio Morricone with the three-part ballad sung by Joan Baez.

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