Sukkal in the context of "Enki"

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⭐ Core Definition: Sukkal

Sukkal (conventionally translated from Sumerian as "vizier") was a term which could denote both a type of official and a class of deities in ancient Mesopotamia. The historical sukkals were responsible for overseeing the execution of various commands of the kings and acted as diplomatic envoys and translators for foreign dignitaries. The deities referred to as sukkals fulfilled a similar role in mythology, acting as servants, advisors and envoys of the main gods of the Mesopotamian pantheon, such as Enlil or Inanna. The best known sukkal is the goddess Ninshubur. In art, they were depicted carrying staves, most likely understood as their attribute. They could function as intercessory deities, believed to mediate between worshipers and the major gods.

The office sukkal is also known from various areas to the west and east of Mesopotamia, including the Hurrian kingdom Arrapha, Syrian Alalakh and Mari and Elam under the rule of the Sukkalmah Dynasty, while the concept of divine sukkals was incorporated into Hurrian religion, in which major gods such as Kumarbi or Hebat commonly appear in company of their sukkals, similar to their Mesopotamian counterparts.

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👉 Sukkal in the context of Enki

Enki (Sumerian: 𒀭𒂗𒆠 EN-KI), also known as Ea (Akkadian: 𒀭𒂍𒀀 E₂-A) was the Mesopotamian god of wisdom, crafts, fresh subterranean waters, magic, and incantations. He was believed to rule the Abzû. In Mesopotamian astronomy, he was associated with the stars of the southern band of the sky. Enki’s wife was Damgalnuna, and their children included Nanshe, Asalluhi, Marduk and Enbilulu. His sukkal (attendant deity) was Isimud. Servants of the god included lahmu, kulullû, and the Seven Sages.

Enki was first worshipped by the Sumerians of Southern Mesopotamia. The earliest sources associate him with the city of Eridu, which was his main cult center, and regarded as his home. His temple there was the E-Abzû. Enki was already a major deity in Sumer at the time of the earliest written sources, and the influence of his cult spread outside of Southern Mesopotamia early on. It is uncertain when Enki was assimilated to Ea, a god whose name is of unknown, but possibly semitic origin. Under the name Ea, Enki was worshipped by the Akkadians, Babylonians and Assyrians. His cult was particularly influential in the Ur III and Old Babylonian Periods, where he became part of a triad at the top of the pantheon consisting of Anu, Enlil and himself. He was incorporated into Hurrian religion as a major god, with identical character and functions as in Mesopotamia. His cult spread into Anatolia, possibly as early as the third millennium BCE, and he became part of the Hittite pantheon. With the rise of Babylon and its patron god Marduk, Ea’s cult gradually lost importance, though he still remained a major god in first millennium BCE Mesopotamia.

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Sukkal in the context of Ishtar

Inanna is the ancient Mesopotamian goddess of war, love, and fertility. She is also associated with political power, divine law, sensuality, procreation, and beauty. Originally worshipped in Sumer, she was known by the Akkadians, Babylonians, and Assyrians as Ishtar. Her primary title is "the Queen of Heaven".

She was the patron goddess of the Eanna temple at the city of Uruk, her early main religious center. In archaic Uruk, she was worshipped in three forms: morning Inanna (Inana-UD/hud), evening Inanna (Inanna sig), and princely Inanna (Inanna NUN), the former two reflecting the phases of her associated planet Venus. Her most prominent symbols include the lion and the eight-pointed star. Her husband is the god Dumuzid (later known as Tammuz), and her sukkal (attendant) is the goddess Ninshubur, later conflated with the male deities Ilabrat and Papsukkal.

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Sukkal in the context of Sin (mythology)

Sin (/ˈsn/) or Suen (Akkadian: 𒀭𒂗𒍪, EN.ZU) also known as Nanna (Sumerian: 𒀭𒋀𒆠 ŠEŠ.KI, NANNA) is the Mesopotamian god representing the moon. While these two names originate in two different languages, respectively Akkadian and Sumerian, they were already used interchangeably to refer to one deity in the Early Dynastic period. They were sometimes combined into the double name Nanna-Suen. A third well attested name is Dilimbabbar (𒀭𒀸𒁽𒌓). Additionally, the name of the moon god could be represented by logograms reflecting his lunar character, such as 30 (𒀭𒌍), referring to days in the lunar month or U4.SAKAR (𒀭𒌓𒊬), derived from a term referring to the crescent. In addition to his astral role, Sin was also closely associated with cattle herding. Furthermore, there is some evidence that he could serve as a judge of the dead in the underworld. A distinct tradition in which he was regarded either as a god of equal status as the usual heads of the Mesopotamian pantheon, Enlil and Anu, or as a king of the gods in his own right, is also attested, though it only had limited recognition. In Mesopotamian art, his symbol was the crescent. When depicted anthropomorphically, he typically either wore headwear decorated with it or held a staff topped with it, though on kudurru the crescent alone serves as a representation of him. He was also associated with boats.

The goddess Ningal was regarded as Sin's wife. Their best attested children are Inanna (Ishtar) and Utu (Shamash), though other deities, for example Ningublaga or Numushda, could be regarded as members of their family too. Sin was also believed to have an attendant deity (sukkal), Alammuš, and various courtiers, such as Nineigara, Ninurima and Nimintabba. He was also associated with other lunar gods, such as Hurrian Kušuḫ or Ugaritic Yarikh.

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Sukkal in the context of Ninshubur

Ninshubur (𒀭𒎏𒋚,; Ninšubur, "Lady of Subartu" or "Lady of servants"), also spelled Ninšubura, was a Mesopotamian goddess regarded as the sukkal (divine attendant) of the goddess Inanna. While it is agreed that in this context Ninshubur was regarded as female, in other cases the deity was considered male, possibly due to syncretism with other divine messengers, such as Ilabrat. No certain information about her genealogy is present in any known sources, and she was typically regarded as unmarried. As a sukkal, she functioned both as a messenger deity and as an intercessor between other members of the pantheon and human petitioners.

Due to the belief that she could intercede with higher ranking deities, Ninshubur was popular in everyday religion, and many theophoric names invoking her and other references to personal worship are known. Her original cult center was Akkil, but in the Early Dynastic Period she was already worshiped in nearby Uruk. She was also introduced to the pantheon of the state of Lagash, where her cult center was Girsu. Multiple kings of this area regarded her as their personal deity. In the Ur III period she was also introduced to Ur. Further cities where Ninshubur was worshiped include Adab, Nippur, Malgium, and more.

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Sukkal in the context of Ilabrat

Ilabrat was a Mesopotamian god who in some cases was regarded as the sukkal (attendant deity) of the sky god Anu. Evidence from the Old Assyrian period indicates that he could also be worshiped as an independent deity.

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Sukkal in the context of Papsukkal

Papsukkal (𒀭𒉽𒈛) was a Mesopotamian god regarded as the sukkal (attendant deity) of Anu and his wife Antu in Seleucid Uruk. In earlier periods he was instead associated with Zababa. He acquired his new role through syncretism with Ninshubur.

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Sukkal in the context of Ancient Mesopotamian underworld

The ancient Mesopotamian underworld (known in Sumerian as Kur, Irkalla, Kukku, Arali, or Kigal, and in Akkadian as Erṣetu), was the lowermost part of the ancient near eastern cosmos, roughly parallel to the region known as Tartarus from early Greek cosmology. It was described as a dark, dreary cavern located deep below the ground, where inhabitants were believed to continue "a transpositional version of life on earth". The only food or drink was dry dust, but family members of the deceased would pour sacred mineral libations from the earth for them to drink. In the Sumerian underworld, it was initially believed that there was no final judgement of the deceased and the dead were neither punished nor rewarded for their deeds in life.

The ruler of the underworld was the goddess Ereshkigal, who lived in the palace Ganzir, sometimes used as a name for the underworld itself. Her husband was either Gugalanna, the "canal-inspector of Anu", or, especially in later stories, Nergal, the god of war. After the Akkadian Period (c. 2334–2154 BC), Nergal sometimes took over the role as ruler of the underworld. The seven gates of the underworld are guarded by a gatekeeper, who is named Neti in Sumerian. The god Namtar acts as Ereshkigal's sukkal, or divine attendant. The dying god Dumuzid spends half the year in the underworld, while, during the other half, his place is taken by his sister, the scribal goddess Geshtinanna, who records the names of the deceased. The underworld was also the abode of various demons, including the hideous child-devourer Lamashtu, the fearsome wind demon and protector god Pazuzu, and galla, who dragged mortals to the underworld.

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