Stockbridge, Massachusetts in the context of "Mohican"

44°53′55″N 88°51′42″W / 44.89861°N 88.86167°W / 44.89861; -88.86167

The Stockbridge–Munsee Community, also known as the Mohican Nation Stockbridge–Munsee Band, is a federally recognized Native American tribe formed in the late eighteenth century from communities of so-called "praying Indians" (or Moravian Indians), descended from Christianized members of two distinct groups: Mohican and Wappinger from the praying town of Stockbridge, Massachusetts, and Munsee (Lenape), from the area where present-day New York, Pennsylvania and New Jersey meet. Their land-base, the Stockbridge–Munsee Indian Reservation, consists of a checkerboard of 24.03 square miles (62.2 km) in the towns of Bartelme and Red Springs in Shawano County, Wisconsin. Among their enterprises is the North Star Mohican Resort and Casino.

The Four Freedoms is a series of four oil paintings made in 1943 by the American artist Norman Rockwell. The paintings—Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear—are each approximately 45.75 by 35.5 inches (116.2 by 90.2 cm), and are now in the Norman Rockwell Museum in Stockbridge, Massachusetts. The four freedoms refer to President Franklin D. Roosevelt's January 1941 Four Freedoms State of the Union address, in which he identified essential human rights that should be universally protected. The theme was incorporated into the Atlantic Charter, and became part of the Charter of the United Nations. The paintings were reproduced in The Saturday Evening Post over four consecutive weeks in 1943, alongside essays by prominent thinkers of the day. They became the highlight of a touring exhibition sponsored by The Post and the U.S. Department of the Treasury. The exhibition and accompanying sales drives of war bonds raised over $132 million.

This series has been the cornerstone of retrospective art exhibits presenting the career of Rockwell, who was the most widely known and popular commercial artist of the mid-20th century, but did not achieve critical acclaim. These are among his best-known works, and by some accounts became his most widely distributed paintings. At one time they were commonly displayed in post offices, schools, clubs, railroad stations, and a variety of public and semi-public buildings.