Sohni Mahiwal in the context of "Noori Jam Tamachi"

Heer Ranjha (Punjabi: [ɦiɾ ɾaːnd͡ʒ(ʱ)aː]) is a classical Punjabi folk tragedy with many historic poetic narrations; with the first one penned by Damodar Gulati in 1600s, on the preexisting oral legend; and the most famous one, Heer, written by Waris Shah in 1766, in the form of an epic. Set in Takht Hazara and Tilla Jogian, it follows the story of love, forced separation, and eventual simultaneous demise of two youths in the Punjabi countryside.

It is one of the four popular tragic romances of the Punjab. The other three are Mirza Sahiban, Sohni Mahiwal and Sassi Punnun.

Mirza Sahiban (Punjabi: [mɪɾzaː saːɦɪbãː]) is a classical Punjabi folk tragedy, originally recorded in literary form by the 17th-century poet Pilu. Set in a village (now in Jhang district of Pakistan), the tragedy follows the romance between two youths, belonging to chieftain families of their respective clans, their elopement and eventual demise.

It is regarded as one of the four popular tragic romances of the Punjab. The other three are Heer Ranjha, Sohni Mahiwal and Sassi Punnun.

Sassui Punnhun is a Sindhi, and Balochi and Punjabi tragic folktale. Set in Sindh and Makran, the tragedy follows the story of a faithful lover who endures many difficulties while seeking her beloved husband who was separated from her by rivals.

It is one of the seven popular tragic romances of Sindh. The other six are Umar Marvi, Momal Rano, Sohni Mehar, Lilan Chanesar, Sorath Rai Diyach, and Noori Jam Tamachi. In Punjab, it is among four of the most popular romances. The other three are Heer Ranjha, Sohni Mahiwal and Mirza Sahiban.

Sindhi folklore (Sindhi: لوڪ ادب) is a rich cultural tradition that has evolved in Sindh over centuries. The region is abundant in folklore, expressed in diverse forms and vibrant colors, ranging from the well-known tales of Watayo Faqir and the legend of Moriro to the epic poetry of Dodo Chanesar and the heroic story of Umar Marvi. Sindhi folklore stands out among the region's traditions, particularly with the love story of Sassui, who longs for her lover Punhu, a tale sung and cherished in every Sindhi house. Other notable stories include the legend of Umar Marui and the tale of Suhuni Mehar (known as Sohni Mahiwal in Punjab).

Sindhi folk singers and women play a crucial role in preserving and transmitting these folktales. They passionately sing the stories of Sindh in every village, keeping the folklore alive through their music.

Momal Rano or (In Sindhi: مومل راڻو) is a romantic tale of Momal and Rano from the Sindhi folklore and Rajasthani folklore. It is a multifaceted story that entails adventure, magic, schemes, beauty, love, ordeals of separation, and above all romantic tragedy.

The story also appears in the Shah Jo Risalo and forms part of seven popular tragic romances from Sindh. The other six tales are Umar Marvi, Sassui Punnhun, Sohni Mehar, Lilan Chanesar, Noori Jam Tamachi and Sorath Rai Diyach commonly known as the Seven Queens of Sindh. Earlier, apart from Bhittai, several other poets, including Shah Inat Rizvi, wrote verses on this tale and many others after Latif's demise, like Tajal Bewas and Shaikh Ayaz (to quote a few) tried upon the same tale; hence all broadened the perspective of the tale from different angles. Momal-Rano is considered to be one of the most popular folktales in Sindhi and Rajasthani literature.

Sorath Rai Diyach is a romantic folktale in Sindhi and Gujarati folklore. The story also appears in Shah Jo Risalo and forms part of seven popular tragic romances from Sindh. The other six tales are Umar Marvi, Sassui Punnhun, Sohni Mehar, Lilan Chanesar, Noori Jam Tamachi and Momal Rano commonly known as the Seven Queens of Sindh, or the Seven heroines of Shah Abdul Latif Bhittai.