Noori Jam Tamachi in the context of "Sassi Punnun"

⭐ In the context of *Sassi Punnhun*, *Noori Jam Tamachi* is considered…

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⭐ Core Definition: Noori Jam Tamachi

Noori Jam Tamachi (Sindhi:نوري ڄام تماچي‎) is a folktale in the Sindhi folklore dating back to the 15th century.

The story appears in Shah Jo Risalo and forms part of seven popular tragic romances from Sindh, Pakistan. The other six tales are Umar Marvi, Sassui Punnhun, Sohni Mehar, Lilan Chanesar, Sorath Rai Diyach and Momal Rano. The seven tragic romances are commonly known as the Seven Queens of Sindh, or the Seven heroines of Shah Abdul Latif Bhittai.

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👉 Noori Jam Tamachi in the context of Sassi Punnun

Sassui Punnhun is a Sindhi, and Balochi and Punjabi tragic folktale. Set in Sindh and Makran, the tragedy follows the story of a faithful lover who endures many difficulties while seeking her beloved husband who was separated from her by rivals.

It is one of the seven popular tragic romances of Sindh. The other six are Umar Marvi, Momal Rano, Sohni Mehar, Lilan Chanesar, Sorath Rai Diyach, and Noori Jam Tamachi. In Punjab, it is among four of the most popular romances. The other three are Heer Ranjha, Sohni Mahiwal and Mirza Sahiban.

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Noori Jam Tamachi in the context of Sohni Mahiwal

Sohni Mahiwal (Punjabi: [soː(ɦ)ɳiː məɦĩʋaːl]) or Suhni Mehar is a classical PunjabiSindhi folk tragedy. Set in northern Punjab or central Sindh, depending upon the version of the tragedy, the folktale depicts the separation of two lovers and their tragic demise.

In Punjab, it is one of four of the most popular romances, the other three being Heer Ranjha, Mirza Sahiban and Sassui Punnhun. In Sindh, it is one of the seven popular tragic romances. The other six are Sassui Punnhun, Umar Marvi, Momal Rano, Lilan Chanesar, Sorath Rai Diyach and Noori Jam Tamachi.

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Noori Jam Tamachi in the context of Momal Rano

Momal Rano or (In Sindhi: مومل راڻو) is a romantic tale of Momal and Rano from the Sindhi folklore and Rajasthani folklore. It is a multifaceted story that entails adventure, magic, schemes, beauty, love, ordeals of separation, and above all romantic tragedy.

The story also appears in the Shah Jo Risalo and forms part of seven popular tragic romances from Sindh. The other six tales are Umar Marvi, Sassui Punnhun, Sohni Mehar, Lilan Chanesar, Noori Jam Tamachi and Sorath Rai Diyach commonly known as the Seven Queens of Sindh. Earlier, apart from Bhittai, several other poets, including Shah Inat Rizvi, wrote verses on this tale and many others after Latif's demise, like Tajal Bewas and Shaikh Ayaz (to quote a few) tried upon the same tale; hence all broadened the perspective of the tale from different angles. Momal-Rano is considered to be one of the most popular folktales in Sindhi and Rajasthani literature.

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Noori Jam Tamachi in the context of Sorath Rai Diyach

Sorath Rai Diyach is a romantic folktale in Sindhi and Gujarati folklore. The story also appears in Shah Jo Risalo and forms part of seven popular tragic romances from Sindh. The other six tales are Umar Marvi, Sassui Punnhun, Sohni Mehar, Lilan Chanesar, Noori Jam Tamachi and Momal Rano commonly known as the Seven Queens of Sindh, or the Seven heroines of Shah Abdul Latif Bhittai.

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Noori Jam Tamachi in the context of The Seven Queens of Sindh

Seven Queens (Sindhi: ست سورميون; Seven heroic women) is a name commonly used for referring to the seven female characters that appear in the poetry compilation Shah Jo Risalo of the Sindhi poet Shah Abdul Latif Bhittai. They include:

These seven female characters, which the poet picked to convey his poetic message, have remained cultural icons in Sindh for their bravery, passion, loyalty, commitment, and strength of character.

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