Socialist realism in the context of "July Theses"

Bucharest (UK: /ˌbuːkəˈrɛst/ BOO-kə-REST, US: /ˈbuːkərɛst/ -⁠rest; Romanian: București [bukuˈreʃtʲ] ) is the capital and largest city of Romania. The metropolis stands on the River Dâmbovița in south-eastern Romania. Its population is officially estimated at 1.71 million residents within a greater metropolitan area of 2.31 million residents, which makes Bucharest the 8th most-populous city by population within city limits in the European Union. The city area measures 240 km (93 sq mi), while the metropolitan area covers 1,811 km (699 sq mi). The city proper is administratively known as the "Municipality of Bucharest" (Romanian: Municipiul București), and has the same administrative level as that of a national county, being further subdivided into six sectors, each governed by a local mayor. Bucharest is a major cultural, political and economic hub, the country's seat of government, and the capital of the Muntenia region.

Bucharest was first mentioned in documents in 1459. The city became the capital in 1862 and is the centre of Romanian media, culture, and art. Its architecture is a mix of historical (mostly Eclectic, but also Neoclassical and Art Nouveau), interbellum (Bauhaus, Art Deco, and Romanian Revival architecture), socialist era, and modern. In the period between the two World Wars, the city's elegant architecture and the sophistication of its elite earned Bucharest the nicknames of Little Paris, or Paris of the East. Although buildings and districts in the historic city centre were heavily damaged or destroyed by war, earthquakes, and even Nicolae Ceaușescu's program of systematization, many survived and have been renovated. In recent years, the city has been experiencing an economic and cultural boom. It is one of the fastest-growing high-tech cities in Europe. In 2016, the historical city centre was listed as "endangered" by the World Monuments Watch.

Chișinău (/ˌkɪʃɪˈnaʊ/ KISH-in-OW, US also /ˌkiːʃiːˈnaʊ/ KEE-shee-NOW, Romanian: [kiʃiˈnəw] ; formerly known as Kishinev) is the capital and largest city of Moldova. The city is Moldova's main industrial and commercial centre. It is situated in the middle of the country, on the river Bîc, a tributary of the Dniester. According to the results of the 2024 Moldovan census, the population of the city proper stood at over 567,000 inhabitants, while the population of the Municipality of Chișinău (which includes the city itself and other nearby communities) numbered over 720,000 people. Chișinău is the most economically prosperous locality in Moldova and the country's largest transport hub. Nearly a third of Moldova's population resides in the metropolitan area.

Moldova has a history of winemaking dating back to at least 3,000 BC. As the capital city, Chișinău hosts the yearly national wine festival every October. Though the city's buildings were significantly damaged during the Second World War and earthquakes, a rich architectural heritage remains. In addition, it has numerous buildings designed in the postwar Socialist realism and Brutalist architecture styles.

Realism was a general movement that began in 19th-century theatre, around the 1870s, and remained present through much of the 20th century. 19th-century realism is closely connected to the development of modern drama, which "is usually said to have begun in the early 1870s" with the "middle-period" work of the Norwegian dramatist Henrik Ibsen. Ibsen's realistic drama in prose has been "enormously influential."

It developed a set of dramatic and theatrical conventions with the aim of bringing a greater fidelity of real life to texts and performances. These conventions occur in the text, (set, costume, sound, and lighting) design, performance style, and narrative structure. They include recreating on stage a facsimile of real life except missing a fourth wall (on proscenium arch stages). Characters speak in naturalistic, authentic dialogue without verse or poetic stylings, and acting is meant to emulate human behaviour in real life. Narratives typically are psychologically driven, and include day-to-day, ordinary scenarios. Narrative action moves forward in time, and supernatural presences (gods, ghosts, fantastic phenomena) do not occur. Sound and music are diegetic only. Part of a broader artistic movement, it includes Naturalism and Socialist realism.

Stalinist architecture (Russian: Сталинская архитектура), mostly known in the former Eastern Bloc as Stalinist style or socialist classicism, is an architectural style that defined the institutional aesthetics of the Soviet Union under the leadership of Joseph Stalin — particularly between 1933 (when Boris Iofan's draft for the Palace of the Soviets was officially approved) and 1956 (when Nikita Khrushchev condemned what he saw as the "excesses" of past decades and disbanded the Soviet Academy of Architecture). Stalinist architecture is associated with the Socialist realism school of art and architecture.
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The Palace of the Parliament (Romanian: Palatul Parlamentului), initially designed during Communist times as the People's House (Casa Poporului) or (less frequently used) the House of the Republic (Casa Republicii), is the seat of the Parliament of Romania, located atop Dealul Spirii in Bucharest, the national capital. The Palace reaches a height of 84 m (276 ft), is 92 m (302 ft) deep underground, has a floor area of 365,000 m (3,930,000 sq ft) and a volume of 2,550,000 m (90,000,000 cu ft). The Palace of the Parliament is the heaviest building in the world, weighing about 4,098,500 tonnes (9.04 billion pounds), and is the largest civilian administrative building in the world, the largest military administrative building being the yet larger US Pentagon (cf. List of largest buildings). The Independent described it as the third best building in the world - "Hideous but also sort of impressive."

The building was designed and supervised by chief architect Anca Petrescu, with a team of approximately 700 architects, and constructed over a period of 13 years (1984–1997) in modernist Neoclassical architectural forms and styles, with socialist realism in mind. The Palace was ordered by Nicolae Ceaușescu (1918–1989), the president of Communist Romania.

Vladimir Vladimirovich Mayakovsky (19 July [O.S. 7 July] 1893 – 14 April 1930) was a Russian poet, playwright, artist, and actor. During his early, pre-Revolution period leading into 1917, Mayakovsky became renowned as a prominent figure of the Russian Futurist movement. He co-signed the Futurist manifesto, A Slap in the Face of Public Taste (1913), and wrote such poems as A Cloud in Trousers (1915) and Backbone Flute (1916). Mayakovsky produced a large and diverse body of work during the course of his career: he wrote poems, wrote and directed plays, appeared in films, edited the art journal LEF, and produced agitprop posters in support of the Communist Party during the Russian Civil War of 1917–1922.

Though Mayakovsky's work regularly demonstrated ideological and patriotic support for the ideology of the Bolsheviks and a strong admiration of Vladimir Lenin, his relationship with the Soviet state was always complex and often tumultuous. Mayakovsky often found himself engaged in confrontation with the increasing involvement of the Soviet state in cultural censorship and the development of the State doctrine of Socialist realism. Works that criticized or satirized aspects of the Soviet system, such as the poem "Talking With the Taxman About Poetry" (1926), and the plays The Bedbug (1929) and The Bathhouse (1929), met with scorn from the Soviet state and literary establishment.

Nur Muhammad Taraki (Pashto: نور محمد ترکی‎; 14 July 1917 – 9 October 1979) was an Afghan communist politician, revolutionary, journalist and writer. He was a founding member of the People's Democratic Party of Afghanistan (PDPA) who served as its General Secretary from 1965 to 1979 and Chairman of the Revolutionary Council from 1978 to 1979.

Taraki was born in Nawa, Ghazni Province, and he got his primary and secondary education from district Pishin in Balochistan and graduated from Kabul University, after which he started his political career as a journalist. From the 1940s onward Taraki also wrote novels and short stories in the socialist realism style. Forming the PDPA at his residence in Kabul along with Babrak Karmal, he was elected as the party's General Secretary at its first congress. He ran as a candidate in the 1965 Afghan parliamentary election but failed to win a seat. In 1966 he published the Khalq, a party newspaper advocating for class struggle, but the government closed it down shortly afterward. In 1978 he, Hafizullah Amin and Babrak Karmal initiated the Saur Revolution and established the Democratic Republic of Afghanistan.