Romanian Revival architecture in the context of "Bucharest"

⭐ In the context of Bucharest, Romanian Revival architecture is considered a key element of which broader historical trend?

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⭐ Core Definition: Romanian Revival architecture

Romanian Revival architecture (a.k.a. Romanian National Style, Neo-Romanian, or Neo-Brâncovenesc; Romanian: stilul național român, arhitectura neoromânească, neobrâncovenească) is an architectural style that has appeared in the late 19th century in Romanian Art Nouveau, initially being the result of the attempts of finding a specific Romanian architectural style. The attempts are mainly due to the architects Ion Mincu (1852–1912), and Ion N. Socolescu (1856–1924). The peak of the style was the interwar period. The style was a national reaction after the domination of French-inspired Classicist Eclecticism. Apart from foreign influences, the contribution of Romanian architects, who reinvented the tradition, creating, at the same time, an original style, is manifesting more and more strongly. Ion Mincu and his successors, Grigore Cerchez [ro], Cristofi Cerchez, Petre Antonescu, or Nicolae Ghica-Budești declared themselves for a modern architecture, with Romanian specific, based on theses such as those formulated by Alexandru Odobescu around 1870:

Of course, such a program was not easy to accomplish. All the more so as the new types of urban architecture, especially those with many floors, demanded simple solutions, which hardly supported the world of medieval forms and ornaments or that of folklore, the main sources of inspiration of the style.

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👉 Romanian Revival architecture in the context of Bucharest

Bucharest (UK: /ˌbkəˈrɛst/ BOO-kə-REST, US: /ˈbkərɛst/ -⁠rest; Romanian: București [bukuˈreʃtʲ] ) is the capital and largest city of Romania. The metropolis stands on the River Dâmbovița in south-eastern Romania. Its population is officially estimated at 1.71 million residents within a greater metropolitan area of 2.31 million residents, which makes Bucharest the 8th most-populous city by population within city limits in the European Union. The city area measures 240 km (93 sq mi), while the metropolitan area covers 1,811 km (699 sq mi). The city proper is administratively known as the "Municipality of Bucharest" (Romanian: Municipiul București), and has the same administrative level as that of a national county, being further subdivided into six sectors, each governed by a local mayor. Bucharest is a major cultural, political and economic hub, the country's seat of government, and the capital of the Muntenia region.

Bucharest was first mentioned in documents in 1459. The city became the capital in 1862 and is the centre of Romanian media, culture, and art. Its architecture is a mix of historical (mostly Eclectic, but also Neoclassical and Art Nouveau), interbellum (Bauhaus, Art Deco, and Romanian Revival architecture), socialist era, and modern. In the period between the two World Wars, the city's elegant architecture and the sophistication of its elite earned Bucharest the nicknames of Little Paris, or Paris of the East. Although buildings and districts in the historic city centre were heavily damaged or destroyed by war, earthquakes, and even Nicolae Ceaușescu's program of systematization, many survived and have been renovated. In recent years, the city has been experiencing an economic and cultural boom. It is one of the fastest-growing high-tech cities in Europe. In 2016, the historical city centre was listed as "endangered" by the World Monuments Watch.

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Romanian Revival architecture in the context of Eclecticism

Eclecticism is a conceptual approach that does not hold rigidly to a single paradigm or set of assumptions, but instead draws upon multiple theories, styles, or ideas to gain complementary insights into a subject, or applies different theories in particular cases. However, this is often without conventions or rules dictating how or which theories were combined.

Eclecticism in ethics, philosophy, politics, and religion is often compared to syncretism, but the two concepts differ in their approach to combining elements from different traditions. While syncretism in religion involves the merging or assimilation of several distinct traditions into a new, unified system, eclecticism adopts elements from various systems without necessarily integrating them into a single cohesive framework. This distinction allows for a broader, more inclusive approach in eclecticism, where the selection is based on individual merit or preference rather than an attempt to create a new unified tradition.

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Romanian Revival architecture in the context of Ion Mincu

Ion Mincu (Romanian pronunciation: [iˈon ˈmiŋku]; December 20, 1852 – December 6, 1912 in Bucharest) was a Romanian architect known for having a leading role in the development of the Romanian Revival style. Most of his projects are located in Bucharest, including his main works, the Palace of Justice, the Kiseleff Roadside Buffet [ro], and the Central Girls' School.

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Romanian Revival architecture in the context of Nicolae Minovici Folk Art Museum

The Dr. Nicolae Minovici Folk Art Museum (Romanian: Muzeul de Artă Populară „Prof. Dr. Nicolae Minovici”) is a museum located at 1 Dr. Nicolae Minovici Street in the Băneasa district of Bucharest, Romania.

Initially built as a retreat on the city outskirts for Nicolae Minovici between 1906 and 1907, the house evolved into Bucharest's first folk art museum, with an expansive collection of ethnographic displays. The building was designed by the owner's friend, Cristofi Cerchez, in the Romanian Revival style.

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