Slipcasting in the context of "Slip (ceramics)"

Play Trivia Questions online!

or

Skip to study material about Slipcasting in the context of "Slip (ceramics)"

Ad spacer

⭐ Core Definition: Slipcasting

Slip casting, or slipcasting, is a ceramic forming technique, and is widely used in industry and by craft potters to make ceramic forms. This technique is typically used to form complicated shapes like figurative ceramics that would be difficult to be reproduced by hand or other forming techniques. The technique involves a clay body slip, usually prepared in a blunger, being poured into plaster moulds and allowed to form a layer, the cast, on the internal walls of the mould.

It is suited for the consistent and precise shaping of complex shapes. It is the standard shaping technique for sanitaryware, such as toilets and basins, and is commonly used for smaller pieces like figurines and teapots.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Slipcasting in the context of Slip (ceramics)

A slip is a clay slurry used to produce pottery and other ceramic wares. Liquified clay, in which there is no fixed ratio of water and clay, is called slip or clay slurry which is used either for joining leather-hard (semi-hardened) clay body (pieces of pottery) together by slipcasting with mould, glazing or decorating the pottery by painting or dipping the pottery with slip. Pottery on which slip has been applied either for glazing or decoration is called slipware.

Engobe, from the French word for slip, is a related term for a liquid suspension of clays and flux, in addition to fillers and other materials. This is in contrast to slips, which are historically considered to be a liquid suspension of only clay or clays in water.

↓ Explore More Topics
In this Dossier

Slipcasting in the context of Bow porcelain factory

The Bow porcelain factory (active c. 1747–64 and closed in 1776) was an emulative rival of the Chelsea porcelain factory in the manufacture of early soft-paste porcelain in Great Britain. The two London factories were the first in England. It was originally located near Bow, in what is now the London Borough of Tower Hamlets, but by 1749 it had moved to "New Canton", sited east of the River Lea, and then in Essex, now in the London Borough of Newham.

Designs imitated imported Chinese and Japanese porcelains and the wares being produced at Chelsea, at the other end of London. From about 1753, Meissen figures were copied, both directly and indirectly through Chelsea. Quality was notoriously uneven; the warm, creamy body of Bow porcelains is glassy and the glaze tends towards ivory. The paste included bone ash, and Bow figures were made by pressing the paste into moulds, rather than the slipcasting used at Chelsea. Bow appears to have been the largest English factory of its period. After about 1760, quality declined, as more English factories opened, and the dependence on Chelsea models increased, perhaps aided by an influx of Chelsea workers after 1763, as production there decreased.

↑ Return to Menu