Leather-hard in the context of "Slip (ceramics)"

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⭐ Core Definition: Leather-hard

In pottery, leather-hard is the condition of a clay or clay body when it has been partially dried to a consistency similar to leather of the same thickness as the clay. At this stage, the clay object has approximately 15% moisture content. The clay is still visibly damp (normally a darkish grey, if it began whiteish) but has dried enough to be able to be handled without deformation. The body is able to be gouged or incised without breaking.

The leather-hard stage is the easiest place to add on extension material that cannot be dried with the rest of the pot without causing some issues to occur. For instance, in some cases when handles are added before the base and sides have been dried, the handle can dry before the sides do and cause cracking, as the weight of the dried portion is no longer at the same equivalence with the wet side. The same goes for other additions to the pot that will not dry at the same rate as the rest of the pot. These include bases that are not the same shape as the rest of the vessel, hand-built additions, or decorations on the sides.

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👉 Leather-hard in the context of Slip (ceramics)

A slip is a clay slurry used to produce pottery and other ceramic wares. Liquified clay, in which there is no fixed ratio of water and clay, is called slip or clay slurry which is used either for joining leather-hard (semi-hardened) clay body (pieces of pottery) together by slipcasting with mould, glazing or decorating the pottery by painting or dipping the pottery with slip. Pottery on which slip has been applied either for glazing or decoration is called slipware.

Engobe, from the French word for slip, is a related term for a liquid suspension of clays and flux, in addition to fillers and other materials. This is in contrast to slips, which are historically considered to be a liquid suspension of only clay or clays in water.

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Leather-hard in the context of Pottery wheel

In pottery, a potter's wheel is a machine used in the shaping (known as throwing) of clay into round ceramic ware. The wheel may also be used during the process of trimming excess clay from leather-hard dried ware that is stiff but malleable, and for applying incised decoration or rings of colour. Use of the potter's wheel became widespread throughout the Old World but was unknown in the Pre-Columbian New World, where pottery was handmade by methods that included coiling and beating.

A potter's wheel may occasionally be referred to as a "potter's lathe". However, that term is better used for another kind of machine that is used for a different shaping process, turning, similar to that used for shaping of metal and wooden articles. The pottery wheel is an important component to create arts and craft products.

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Leather-hard in the context of Slipware

Slipware is pottery identified by its primary decorating process where slip is placed onto the leather-hard (semi-hardened) clay body surface before firing by dipping, painting or splashing. Slip is an aqueous suspension of a clay body, which is a mixture of clays and other minerals such as quartz, feldspar and mica. The slip placed onto a wet or leather-hard clay body surface by a variety of techniques including dipping, painting, piping or splashing.

Principal techniques include slip painting, where the slip is treated like paint and used to create a design with brushes or other implements, and slip trailing, where the slip, usually rather thick, is dripped, piped or trailed onto the body, typically from some device like the piping bag used to decorate cakes. The French term for slip is barbotine, and this term may be used for both techniques, but usually from different periods.

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Leather-hard in the context of Lute (material)

Lute (from Latin lutum 'mud, clay etc.') was a substance used to seal and affix apparatus employed in chemistry and alchemy, and to protect component vessels against heat damage by fire; it was also used to line furnaces. Lutation was thus the act of "cementing vessels with lute".

In pottery, luting is a technique for joining pieces of unfired leather-hard clay together, using a wet clay slip or slurry as adhesive. The complete object is then fired. Large objects are often built up in this way, for example the figures of the Terracotta Army in ancient China. The edges being joined might be scored or cross-hatched to promote adhesion, but clay and water are the only materials used.

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