Sitar in the context of "Ravi Shankar"

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⭐ Core Definition: Sitar

The sitar (English: /ˈsɪtɑːr/ or /sɪˈtɑːr/; IAST: sitāra) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th-century figure of the Mughal Empire, has been identified by modern scholarship as the inventor of the sitar. According to most historians, he developed the sitar from the setar, an Iranian instrument of Abbasid or Safavid origin.

Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. The advent of psychedelic culture during the mid-to-late 1960s set a trend for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Rolling Stones, Metallica and many others.

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👉 Sitar in the context of Ravi Shankar

Pandit Ravi Shankar (Bengali pronunciation: [ˈrobi ˈʃɔŋkor]; born Robindro Shaunkor Chowdhury, sometimes spelled as Ravindra Shankar Chowdhury; 7 April 1920 – 11 December 2012) was an Indian sitarist and composer. A sitar virtuoso, he became the world's best-known exponent of Indian classical music in the second half of the 20th century, and influenced many musicians in India and throughout the world. Shankar was awarded India's highest civilian honour, the Bharat Ratna, in 1999. He is also the father of American singer Norah Jones and British-American musician and sitar player Anoushka Shankar.

Shankar was born to a Bengali family in India, and spent his youth as a dancer touring India and Europe with the dance group of his brother Uday Shankar. At age 18, he gave up dancing to pursue a career in music, studying the sitar for seven years under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the Apu Trilogy by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956. He was nominated for the Academy Award for Best Original Score for scoring the blockbuster Gandhi (1982).

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Sitar in the context of History of lute-family instruments

Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body".

The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as banjo, tanbura, bağlama, bouzouki, veena, theorbo, archlute, pandura, sitar, tanbur, setar, but also bowed instruments such as the yaylı tambur, rebab, erhu, and the entire family of viols and violins.

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Sitar in the context of Psychedelia

Psychedelia usually refers to a style or aesthetic that is resembled in the psychedelic subculture of the 1960s and the psychedelic experience produced by certain psychoactive substances. This includes psychedelic art, psychedelic music and style of dress during that era. This was primarily generated by people who used psychedelic drugs such as LSD, mescaline (found in peyote) and psilocybin (found in magic mushrooms) and also non-users who were participants and aficionados of this subculture. Psychedelic art and music typically recreate or reflect the experience of altered consciousness. Psychedelic art uses highly distorted, surreal visuals, bright colors and full spectrums and animation (including cartoons) to evoke, convey, or enhance the psychedelic experience.

Psychedelic music uses distorted electric guitar, Indian music elements such as the sitar and tabla, electronic effects, sound effects and reverb, and elaborate studio effects, such as playing tapes backwards or panning the music from one side to another.

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Sitar in the context of Veena

The veena, also spelled vina (Sanskrit: वीणा IAST: vīṇā), is any of various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps. The many regional designs have different names such as the Rudra veena, the Saraswati veena, the Vichitra veena and others.

The North Indian rudra veena, used in Hindustani classical music, is a stick zither. About 3.5 to 4 feet (1 to 1.2 meters) long to fit the measurements of the musician, it has a hollow body and two large resonating gourds, one under each end. It has four main strings which are melodic, and three auxiliary drone strings. To play, the musician plucks the melody strings downward with a plectrum worn on the first and second fingers, while the drone strings are strummed with the little finger of the playing hand. The musician stops the resonating strings, when so desired, with the fingers of the free hand. In modern times the veena has been generally replaced with the sitar in North Indian performances.

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Sitar in the context of Plucked string instrument

Plucked string instruments are a subcategory of string instruments that are played by plucking the strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum.

Most plucked string instruments belong to the lute family (such as guitar, bass guitar, mandolin, banjo, balalaika, sitar, pipa, etc.), which generally consist of a resonating body, and a neck; the strings run along the neck and can be stopped at different pitches.

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Sitar in the context of Hindustani classical music

Hindustani classical music (also known as North Indian classical music or Shastriya Sangeet) is the classical music of the Indian subcontinent's northern regions. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th-century from Carnatic music, the classical tradition of southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu, Kannada, Tamil, Malayalam, Hindustani music largely uses compositions written in Sanskrit, Hindustani (Hindi-Urdu), Braj, Awadhi, Bhojpuri, Bengali, Rajasthani and Punjabi.

Knowledge of Hindustani classical music is taught through a network of classical music schools, called gharana. Hindustani classical music is an integral part of the culture of North India and is performed across the country and internationally. Exponents of Hindustani classical music, including Ustad Bismillah Khan, Pandit Bhimsen Joshi and Ravi Shankar have been awarded the Bharat Ratna, the highest civilian award of India, for their contributions to the arts.

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Sitar in the context of Torwali people

The Torwali people are an Indo-Aryan ethnolinguistic group located in the Swat district of Pakistan. The Torwali people have a culture that values the telling of folktales and music that is played using the sitar. They speak an Indo-Aryan language called Torwali.

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Sitar in the context of Sitar in popular music

The use of the sitar in Western popular music arose in the 1960s due to experimentation by various rock bands such as The Beatles, The Kinks, and The Rolling Stones, While the sitar had earlier been used in jazz and Indian film music, it was from the 1960s onwards that various pop artists in the Western world began to experiment with incorporating the sitar, a classical Indian stringed instrument, within their compositions. The introduction of the sitar into popular music exposed many Westerners to Indian musical traditions.

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