Banjo in the context of "History of lute-family instruments"

A soundboard (or sounding board) is the surface of a string instrument that the strings vibrate against, usually via some sort of bridge. Depending on the instrument, it is also called a top, top plate, resonator, table, sound-table, or belly. It is usually made of a softwood, often spruce.

Pianos, guitars, banjos, and many other stringed instruments incorporate soundboards. The resonant properties of the soundboard and the interior of the instrument greatly increase the loudness of the vibrating strings. "The sound board is probably the most important element of a guitar in terms of its influence on the quality of the instrument's tone [timbre]."

Country music, also known as country and western or simply country, is a music genre known for its ballads and dance tunes, identifiable by both traditional lyrics and harmonies accompanied by banjos, fiddles, harmonicas, and many types of guitar; either acoustic, electric, steel, or resonator guitars. Once called hillbilly music, the term country music was popularized in the 1940s.

It originated in the Southern United States, and spread throughout the Piedmont area of United States, from Louisiana along the Appalachian Mountains to New York. The music is believed to be derived from British folk music, brought to the United States during early waves of immigration. Rooted in American folk music, such as old-time and Southern Appalachian music, many traditions blended to form country music. In particular, this included cowboy and vaquero Western music and African-American traditional folk songs and spirituals. Mexican, Irish, and Gospel music have had a formative influence on the genre, as have the Polynesian Hawaiian music and the Southwestern styles of New Mexico and Tejano, as well as gospel music, blues modes from blues music.

The neck is the part of certain string instruments that projects from the main body and is the base of the fingerboard, where the fingers are placed to stop the strings at different pitches. Guitars, banjos, ukuleles, lutes, the violin family, and the mandolin family are examples of instruments which have necks. Necks are also an integral part of certain woodwind instruments, such as the saxophone.

The word for neck also sometimes appears in other languages in musical instructions. The terms include manche (French), manico (Italian), and Hals (German).

The yaylı tambur is a bowed long-neck lute from Turkey. Derived from the older plucked mızraplı tambur variant of the Turkish tambur, it has a long, fretted neck and a round metal or wooden soundbox which is often covered on the front with a skin or acrylic head similar to that of a banjo.

The instrument is held vertically, with the soundbox resting in the player's lap or between the calves or it can be worn on a strap. The bow is grasped sideways, with the little, ring and middle fingers pressing on the horsehairs, while the thumb and index fingers hold the rightmost wooden edge of the bow or it can be held overhand like a Cello Bow to allow for more expressiveness. The leftmost strings of the instrument unite into a single course to form a doubled-string which is tuned to a unison that is lifted slightly from the bridge. This is where all melodic playing takes place. The rest are sympathetic strings numbering from 4 to 6 which are tuned to the octave, fifth and/or fourth of the main doubled-string.

Plucked string instruments are a subcategory of string instruments that are played by plucking the strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum.

Most plucked string instruments belong to the lute family (such as guitar, bass guitar, mandolin, banjo, balalaika, sitar, pipa, etc.), which generally consist of a resonating body, and a neck; the strings run along the neck and can be stopped at different pitches.

Fingerstyle guitar is the technique of playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking (plucking individual notes with a single plectrum, commonly called a "pick"). The term "fingerstyle" is something of a misnomer, since it is present in several different genres and styles of music—but mostly, because it involves a completely different technique, not just a "style" of playing, especially for the guitarist's picking/plucking hand. The term is often used synonymously with fingerpicking except in classical guitar circles, although fingerpicking can also refer to a specific tradition of folk, blues and country guitar playing in the US. The terms "fingerstyle" and "fingerpicking" are also applied to similar string instruments such as the banjo.

Music arranged for fingerstyle playing can include chords, arpeggios (the notes of a chord played one after the other, as opposed to simultaneously) and other elements such as artificial harmonics, hammering on and pulling off notes with the fretting hand, using the body of the guitar percussively (by tapping rhythms on the body), and many other techniques. Often, the guitarist will play the melody notes, interspersed with the melody's accompanying chords and the deep bassline (or bass notes) simultaneously. Some fingerpicking guitarists also intersperse percussive tapping along with the melody, chords and bassline. Fingerstyle is a standard technique on the classical or nylon string guitar, but is considered more of a specialized technique on steel string guitars. Fingerpicking is less common on electric guitar. The timbre of fingerpicked notes is described as "result[ing] in a more piano-like attack," and less like pizzicato.

A one-man band is a musician who plays a number of instruments simultaneously using their hands, feet, limbs, and various mechanical or electronic contraptions. One-man bands also often sing while they perform.

The simplest type of "one-man band" is a singer accompanying themselves on acoustic guitar and playing a harmonica mounted in a metal "harp rack" below the mouth. This approach is often taken by buskers and folk music singer-guitarists. More complicated setups may include wind instruments strapped around the neck, a large bass drum mounted on the musician's back with a beater which is connected to a foot pedal, cymbals strapped between the knees or triggered by a pedal mechanism, tambourines and maracas tied to the limbs, and a stringed instrument strapped over the shoulders (e.g., a banjo, ukulele or guitar).