Sindhi folklore in the context of Sur Sohni

Sohni Mahiwal (Punjabi: [soː(ɦ)ɳiː məɦĩʋaːl]) or Suhni Mehar is a classical Punjabi–Sindhi folk tragedy. Set in northern Punjab or central Sindh, depending upon the version of the tragedy, the folktale depicts the separation of two lovers and their tragic demise.

In Punjab, it is one of four of the most popular romances, the other three being Heer Ranjha, Mirza Sahiban and Sassui Punnhun. In Sindh, it is one of the seven popular tragic romances. The other six are Sassui Punnhun, Umar Marvi, Momal Rano, Lilan Chanesar, Sorath Rai Diyach and Noori Jam Tamachi.

Sassui Punnhun is a Sindhi, and Balochi and Punjabi tragic folktale. Set in Sindh and Makran, the tragedy follows the story of a faithful lover who endures many difficulties while seeking her beloved husband who was separated from her by rivals.

It is one of the seven popular tragic romances of Sindh. The other six are Umar Marvi, Momal Rano, Sohni Mehar, Lilan Chanesar, Sorath Rai Diyach, and Noori Jam Tamachi. In Punjab, it is among four of the most popular romances. The other three are Heer Ranjha, Sohni Mahiwal and Mirza Sahiban.

Umar Marvi is a traditional Sindhi folktale dating back to the 14th century, and first penned by Shah Abdul Karim Bulri in the 16th century. It follows the story of a village girl Marvi, who resists the overtures of a powerful local ruler and the temptation to live in the palace as a queen, preferring to be in a simple rural environment with her own village folk.

Momal Rano or (In Sindhi: مومل راڻو) is a romantic tale of Momal and Rano from the Sindhi folklore and Rajasthani folklore. It is a multifaceted story that entails adventure, magic, schemes, beauty, love, ordeals of separation, and above all romantic tragedy.

The story also appears in the Shah Jo Risalo and forms part of seven popular tragic romances from Sindh. The other six tales are Umar Marvi, Sassui Punnhun, Sohni Mehar, Lilan Chanesar, Noori Jam Tamachi and Sorath Rai Diyach commonly known as the Seven Queens of Sindh. Earlier, apart from Bhittai, several other poets, including Shah Inat Rizvi, wrote verses on this tale and many others after Latif's demise, like Tajal Bewas and Shaikh Ayaz (to quote a few) tried upon the same tale; hence all broadened the perspective of the tale from different angles. Momal-Rano is considered to be one of the most popular folktales in Sindhi and Rajasthani literature.

Sorath Rai Diyach is a romantic folktale in Sindhi and Gujarati folklore. The story also appears in Shah Jo Risalo and forms part of seven popular tragic romances from Sindh. The other six tales are Umar Marvi, Sassui Punnhun, Sohni Mehar, Lilan Chanesar, Noori Jam Tamachi and Momal Rano commonly known as the Seven Queens of Sindh, or the Seven heroines of Shah Abdul Latif Bhittai.

Noori Jam Tamachi (Sindhi:نوري ڄام تماچي‎) is a folktale in the Sindhi folklore dating back to the 15th century.

The story appears in Shah Jo Risalo and forms part of seven popular tragic romances from Sindh, Pakistan. The other six tales are Umar Marvi, Sassui Punnhun, Sohni Mehar, Lilan Chanesar, Sorath Rai Diyach and Momal Rano. The seven tragic romances are commonly known as the Seven Queens of Sindh, or the Seven heroines of Shah Abdul Latif Bhittai.

Watayo Faqir (Sindhi: وتايو فقير‎) is a legendary character from Sindh, Pakistan. Many fables based on his wisdom and philosophy that are widely spread, and are told at "Katcheri" (traditional gatherings) and are told to children in Sindhi Folklore. He used Humor, Irony and Philosophy in his fables to make it more striking. At the age of 75, he is said to have died and buried at Tando Allahyar.

Tombstone - Kutab (Sindhi: قطب‎) has been a center of discussion for many philosophers. No doubt his expertise in fables were praiseworthy. Words on his tombstone in Sindhi are as: