Siddhaṃ script in the context of "Dhāraṇī"

Sanskrit Buddhist literature refers to Buddhist texts composed either in classical Sanskrit, in a register that has been called "Buddhist Hybrid Sanskrit" (also known as "Buddhistic Sanskrit" and "Mixed Sanskrit"), or a mixture of these two. Several non-Mahāyāna Nikāyas appear to have kept their canons in Sanskrit, the most prominent being the Sarvāstivāda school. Many Mahāyāna Sūtras and śāstras also survive in Buddhistic Sanskrit or in standard Sanskrit.

During the Indian Tantric Age (8th to the 14th century), numerous Buddhist Tantras were written in Sanskrit, sometimes interspersed with local languages like Apabhramśa, and often containing notable irregularities in grammar and meter.

The Odia script (Odia: ଓଡ଼ିଆ ଅକ୍ଷର, romanized: Oṛiā akṣara, also Odia: ଓଡ଼ିଆ ଲିପି, romanized: Oṛiā lipi) is a Brahmic script, mainly used to write the Odia language. To a lesser extent, it is also used to write Sanskrit and other regional languages. It is one of the official scripts of the Indian Republic. The script has developed over more than 1000 years from a variant of Siddhaṃ script which was used in Eastern India, where the characteristic top line transformed into a distinct round umbrella shape due to the influence of palm leaf manuscripts and also being influenced by the neighbouring scripts from the Western and Southern regions.

Odia is a syllabic alphabet or an abugida wherein all consonants have an inherent vowel embedded within. Diacritics (which can appear above, below, before, or after the consonant they belong to) are used to change the form of the inherent vowel. When vowels appear at the beginning of a syllable, they are written as independent letters. Also, when certain consonants occur together, special conjunct symbols combine the essential parts of each consonant symbol.

The Assamese alphabet (Assamese: অসমীয়া বৰ্ণমালা, romanized: Ôxômiya Bôrnômala) is a writing system of the Assamese language and is a part of the Bengali-Assamese script. This script was also used in Assam and nearby regions for Sanskrit as well as other languages such as Bodo (now Devanagari), Khasi (now Roman), Mising (now Roman), Jaintia (now Roman) etc. The current form of the script has seen continuous development from the 5th-century Umachal/Nagajari-Khanikargaon rock inscriptions written in an eastern variety of the Gupta script, adopting significant traits from the Siddhaṃ script in the 7th century. By the 17th century three styles of Assamese alphabets could be identified (bamuniya, kaitheli and garhgaya) that converged to the standard script following typesetting required for printing. The present standard is identical to the Bengali alphabet except for two letters, ৰ (ro) and ৱ (vo); and the letter ক্ষ (khya) has evolved into an individual consonant by itself with its own phonetic quality whereas in the Bengali alphabet it is an original conjunct of two letters (ক + ষ).

The Buranjis were written during the Ahom dynasty in the Assamese language using the Assamese alphabet. In the 14th century Madhava Kandali used Assamese alphabets to compose the famous Saptakanda Ramayana, which is the Assamese translation of Valmiki's Sanskrit Ramayana. Later, Sankardev used it in the 15th and 16th centuries to compose his oeuvre in Assamese and Brajavali dialect, the literary language of the bhakti poems (borgeets) and dramas.

The Amitābha Sūtra (Ch.: 阿彌陀經, pinyin: Āmítuó Jīng, or 佛說阿彌陀經, Fóshuō Āmítuó Jīng; Jp.: Amida Kyō, Vi.: A Di Đà Kinh), also known as the [Shorter] Sukhāvatīvyūha Sūtra (Sanskrit, The Array of "the Blissful Land", or The Arrangement of Sukhāvatī) is one of the two Indian Mahayana sutras that describe Sukhāvatī, the pure land of Amitābha. The text was translated into Chinese in 402 by Kumārajīva (Taishō Tripiṭaka no. 366) and it is also known in Chinese as the "Small Sutra" (Xiaojing).

The Amitābha Sūtra is highly influential in East Asian Buddhism, including China, Korea, Japan, and Vietnam since it is considered one of the "Three Pure Land" sutras which are the key scriptures in Pure Land Buddhism.

The Gupta script (sometimes referred to as Gupta Brahmi script or Late Brahmi script) was used for writing Sanskrit and is associated with the Gupta Empire of the Indian subcontinent, which was a period of material prosperity and great religious and scientific developments. The Gupta script was descended from Brāhmī and gave rise to the Śāradā and Siddhaṃ scripts. These scripts in turn gave rise to many of the most important Indic scripts, including Devanāgarī (the most common script used for writing Sanskrit since the 19th century), the Gurmukhī script for Punjabi, the Odia script, the Bengali-Assamese script and the Tibetan script.