Semperoper in the context of "Elektra (opera)"

Gottfried Semper (German: [ˈɡɔtfʁiːt ˈzɛmpɐ]; 29 November 1803 – 15 May 1879) was a German architect, art critic, and professor of architecture who designed and built the Semper Opera House in Dresden between 1838 and 1841. In 1849 he took part in the May Uprising in Dresden and was put on the government's wanted list. He fled first to Zürich and later to London. He returned to Germany after the 1862 amnesty granted to the revolutionaries.

Semper wrote extensively on the origins of architecture, especially in his book The Four Elements of Architecture (1851), and was one of the major figures in the controversy surrounding the polychrome architectural style of ancient Greece. He designed works at all scales—from major urban interventions such as the redesign of the Ringstraße in Vienna, to a baton for Richard Wagner. His unrealised design for an opera house in Munich was, without permission, adapted by Wagner for the Bayreuth Festspielhaus.

The German composer Richard Strauss (1864–1949) was prolific and long-lived, writing 16 operas from 1892 up until his death in 1949. Strauss "emerged soon after the deaths of Wagner and Brahms as the most important living German composer", and was crucial in inaugurating the musical style of Modernism. His operas were dominant representatives of the genre in his time, particularly his earlier ones: Salome (1905), Elektra (1909), Der Rosenkavalier (1911) and Ariadne auf Naxos (1912). His earliest work, Der Kampf mit dem Drachen (comp. 1876), was a juvenile sketch, and is sometimes not counted as part of his operatic oeuvre; his final opera, Des Esels Schatten (de) (comp. 1947–1949), was unfinished at his death and completed by Karl Haussner in 1964.

Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from Louvet de Couvrai's novel Les amours du chevalier de Faublas and Molière's comedy Monsieur de Pourceaugnac. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, with Ernst von Schuch conducting. Until the premiere, the working title was Ochs auf Lerchenau. (The choice of the name Ochs is not accidental, as "Ochs" means "ox", which describes the Baron's manner.)

The opera has four main characters: the aristocratic Marschallin; her 17-year-old lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs's prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs's Rosenkavalier by presenting a ceremonial silver rose to Sophie. But Octavian and Sophie fall in love on the spot, and soon devise a comic intrigue to extricate Sophie from her engagement, with help from the Marschallin, who then yields Octavian to Sophie. Though a comic opera, the work incorporates weighty themes (particularly through the Marschallin's character arc), including infidelity, aging, sexual predation, and selflessness in love.

Die ägyptische Helena (The Egyptian Helen), Op. 75, is an opera in two acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal. It premiered at the Dresden Semperoper on 6 June 1928. Strauss had written the title role with Maria Jeritza in mind but, creating quite a sensation at the time, the Dresden opera management refused to pay Jeritza's large fee and cast Elisabeth Rethberg instead as Helen of Troy. Jeritza eventually created the part in Vienna and New York City.

As inspiration for the story, Hofmannsthal used sources from Euripides (Helen). Strauss made changes to the opera in 1933, five years after the premiere, working with the director Lothar Wallenstein and the conductor Clemens Krauss.

The Königliches Hoftheater (Royal Court Theatre) in Dresden, Saxony, was a theatre for opera and drama in the royal seat of the Kingdom of Saxony from 1841 and 1869, designed by Gottfried Semper. It was the predecessor of today's Semperoper, and is therefore sometimes called Altes Hoftheater (Old Court Theatre).

The Opernhaus am Zwinger (Opera house at the Zwinger) was a theatre in Dresden, Saxony, Germany, opened in 1719. The architect of the Zwinger, Matthäus Daniel Pöppelmann, was also responsible for the opera house situated next to its south-western pavilion. The building replaced the first opera house of Dresden, the Opernhaus am Taschenberg, which was transformed to a church.

The three-tier hall seated up to 2000 people and was at the time one of the largest opera houses in Europe. The first performance was on 3 September 1719 Antonio Lotti's Giovi in Argo, followed on 13 September by the premiere of Lotti's Teofane on the occasion of the wedding of prince Friedrich August II, later the elector and as August III king of Poland, and Maria Josepha of Austria. The house flourished when he, an opera enthusiast, reigned as elector, and Johann Adolph Hasse was musical director. Due to the Seven Years' War, the last opera, Hasse's Olimpiade, was performed in 1756. The building was used for balls and concerts. It burned down during the May Uprising in Dresden in 1849. The next opera house, the Semperoper, was built at a different location.