Brahms in the context of "List of operas by Richard Strauss"

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⭐ Core Definition: Brahms

Johannes Brahms (/brɑːmz/; German: [joˈhanəs ˈbʁaːms] ; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of the mid-Romantic period. His music is noted for its rhythmic vitality and freer treatment of dissonance, often set within studied yet expressive contrapuntal textures. He adapted the traditional structures and techniques of a wide historical range of earlier composers. His œuvre includes four symphonies, four concertos, a Requiem, much chamber music, and hundreds of folk-song arrangements and Lieder, among other works for symphony orchestra, piano, organ, and choir.

Born to a musical family in Hamburg, Brahms began composing and concertizing locally in his youth. He toured Central Europe as a pianist in his adulthood, premiering many of his own works and meeting Franz Liszt in Weimar. Brahms worked with Ede Reményi and Joseph Joachim, seeking Robert Schumann's approval through the latter. He gained both Robert and Clara Schumann's strong support and guidance. Brahms stayed with Clara in Düsseldorf, becoming devoted to her amid Robert's insanity and institutionalization. The two remained close, lifelong friends after Robert's death. Brahms never married, perhaps in an effort to focus on his work as a musician and scholar. He was a self-conscious, sometimes severely self-critical composer.

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👉 Brahms in the context of List of operas by Richard Strauss

The German composer Richard Strauss (1864–1949) was prolific and long-lived, writing 16 operas from 1892 up until his death in 1949. Strauss "emerged soon after the deaths of Wagner and Brahms as the most important living German composer", and was crucial in inaugurating the musical style of Modernism. His operas were dominant representatives of the genre in his time, particularly his earlier ones: Salome (1905), Elektra (1909), Der Rosenkavalier (1911) and Ariadne auf Naxos (1912). His earliest work, Der Kampf mit dem Drachen (comp. 1876), was a juvenile sketch, and is sometimes not counted as part of his operatic oeuvre; his final opera, Des Esels Schatten (de) (comp. 1947–1949), was unfinished at his death and completed by Karl Haussner in 1964.

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Brahms in the context of Arnold Schoenberg

Arnold Schoenberg or Schönberg (13 September 1874 – 13 July 1951) was an Austrian and American composer, music theorist, teacher and writer. He was among the first modernists who transformed the practice of harmony in 20th-century classical music, and a central element of his music was its use of motives as a means of coherence. He propounded concepts like developing variation, the emancipation of the dissonance, and the "unity of musical space".

Schoenberg's early works, like Verklärte Nacht (1899), represented a BrahmsianWagnerian synthesis on which he built. Mentoring Anton Webern and Alban Berg, he became the central figure of the Second Viennese School. They consorted with visual artists, published in Der Blaue Reiter, and wrote atonal, expressionist music, attracting fame and stirring debate. In his String Quartet No. 2 (1907–1908), Erwartung (1909), and Pierrot lunaire (1912), Schoenberg visited extremes of emotion; in self-portraits he emphasized his intense gaze. While working on Die Jakobsleiter (from 1914) and Moses und Aron (from 1923), Schoenberg confronted popular antisemitism by returning to Judaism and substantially developed his twelve-tone technique. He systematically interrelated all notes of the chromatic scale in his twelve-tone music, often exploiting combinatorial hexachords and sometimes admitting tonal elements.

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Brahms in the context of Berlin Philharmonic

The Berlin Philharmonic (German: Berliner Philharmoniker) is a German symphony orchestra that is based in Berlin and was founded in 1882. It is one of the most popular, acclaimed and well-respected orchestras in the world. The orchestra is the recipient of numerous Grammy Awards, Gramophone Awards, Classic BRIT Awards, ECHO Music Prizes, Grand Prix Du Disque and Diapason d'Or.

The orchestra emerged from the Bilsesche Kapelle (“Bilse’s Band”) and rose to prominence under the leadership of pianist-conductor Hans von Bülow. During the 20th century, the orchestra was led by conductors Wilhelm Furtwängler (1922–45; 1952–54), Herbert von Karajan (1955–89), and Claudio Abbado (1989–2002). The orchestra’s early years, particularly during the later Nazi era, focused heavily on Classical music from the Austro-Germanic repertoire, featuring composers such as Beethoven, Brahms, Bruckner, Strauss, and Wagner. Under Furtwängler and Karajan, it became renowned for its distinctive sound and high-quality musicianship and toured widely. In the latter half of the 20th century, the orchestra broadened its repertoire to include more Classical, Romantic, and 20th-century works, as well as lesser-known compositions and music from outside the Austro-German tradition.

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