Screenwriter in the context of "Above the line (filmmaking)"

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⭐ Core Definition: Screenwriter

A screenwriter (also called scriptwriter, scribe, or scenarist) is a person who practices the craft of writing for visual mass media, known as screenwriting. These can include short films, feature-length films, television programs, television commercials, video games, and the growing area of online web series.

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👉 Screenwriter in the context of Above the line (filmmaking)

"Above-the-line" refers to the list of individuals who guide and influence the creative direction, process, and voice of a given narrative in a film and related expenditures. These roles include but are not limited to the screenwriter, producer, director, and principal cast.

Often, the term is used for matters related to the film's production budget. Above-the-line expenditures reflect the expected line item compensation for an official above-the-line member's role in a given film project. These expenditures are usually set, negotiated, spent and/or promised before principal photography begins. They include rights to secure the material on which the screenplay is based, production rights to the screenplay, compensation for the screenwriter, producer, director, principal actors and other cost-related line items such as assistants for the producers, director or actors.

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Screenwriter in the context of Screenwriting

Screenwriting or scriptwriting is the art and craft of writing scripts for mass media such as feature films, television productions or video games. It is often a freelance profession.

Screenwriters are responsible for researching the story, developing the narrative, writing the script, screenplay, dialogues and delivering it, in the required format, to development executives. Screenwriters therefore have great influence over the creative direction and emotional impact of the screenplay and, arguably, of the finished film.

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Screenwriter in the context of Félix Guattari

Pierre-Félix Guattari (/ɡwəˈtɑːri/ gwə-TAR-ee; French: [pjɛʁ feliks ɡwataʁi] ; 30 March 1930 – 29 August 1992) was a French psychoanalyst, political philosopher, semiotician, social activist, and screenwriter. He co-founded schizoanalysis with Gilles Deleuze, and created ecosophy independently of Arne Næss. He has become best known for his literary and philosophical collaborations with Deleuze, most notably Anti-Oedipus (1972) and A Thousand Plateaus (1980), the two volumes of their theoretical work Capitalism and Schizophrenia.

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Screenwriter in the context of Albert Hackett

Albert Maurice Hackett (February 16, 1900 – March 16, 1995) was an American actor, dramatist and screenwriter most noted for his collaborations with his partner and wife Frances Goodrich. Their film work includes the first three installments in the Thin Man series, It's a Wonderful Life, Easter Parade, Father of the Bride and Seven Brides for Seven Brothers.

Goodrich and Hackett won a Pulitzer Prize for Drama and the New York Drama Critics' Circle award for their play The Diary of Anne Frank. They received four nominations for the Academy Award for Best Adapted Screenplay.

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Screenwriter in the context of Below the line (filmmaking)

"Below-the-line" is a term derived from the top sheet of a film budget for motion pictures, television programs, industrial films, independent films, student films and documentaries as well as commercials. The "line" in "below-the-line" refers to the separation of production costs between script and story writers, producers, directors, actors, and casting ("above the-line") and the rest of the crew, or production team.

The top sheet of any creative project's budget serves only as an at-a-glance reference to a fully detailed and attached main budget document, which features total expenses including federal, state and local taxes, as well as insurance within the entire production, and/or production incentives. This painstaking task is usually assigned to the Production Manager or UPM of a production and should be completed before principal photography begins for any project.

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Screenwriter in the context of Sergei Eisenstein

Sergei Mikhailovich Eisenstein (22 January [O.S. 10 January] 1898 – 11 February 1948) was a Soviet film director, screenwriter, film editor and film theorist. Considered one of the greatest filmmakers of all time, he was a pioneer in the theory and practice of montage. He is noted in particular for his silent films Strike (1925), Battleship Potemkin (1925) and October (1928), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1945/1958). In its decennial poll, the magazine Sight and Sound named his Battleship Potemkin the 54th-greatest film of all time.

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Screenwriter in the context of Giovanni Pastrone

Giovanni Pastrone, also known by his artistic name Piero Fosco (13 September 1883 – 27 June 1959), was an Italian film pioneer, director, screenwriter, actor and technician.

Pastrone was born in Montechiaro d'Asti. He worked during the era of the silent film and influenced many important directors in the international cinema with Cabiria, such as David Wark Griffith in The Birth of a Nation (1915) and Intolerance (1916).

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Screenwriter in the context of Richard Matheson

Richard Burton Matheson (February 20, 1926 – June 23, 2013) was an American author and screenwriter, primarily in the fantasy, horror, and science fiction genres.

He is best known as the author of I Am Legend, a 1954 science fiction horror novel that has been adapted for the screen three times. Matheson himself was co-writer of the first film version, The Last Man on Earth, starring Vincent Price, which was released in 1964. The other two adaptations were The Omega Man, starring Charlton Heston, and I Am Legend, with Will Smith. Matheson also wrote 16 television episodes of The Twilight Zone, including "Nightmare at 20,000 Feet", "Little Girl Lost" and "Steel", as well as several adaptations of Edgar Allan Poe stories for Roger Corman and American International PicturesHouse of Usher, The Pit and the Pendulum, Tales of Terror and The Raven. He adapted his 1971 short story "Duel" as a screenplay, directed by Steven Spielberg as the television film of the same name that year.

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