Satyajit Ray in the context of "Aparajito"

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⭐ Core Definition: Satyajit Ray

Satyajit Ray (Bengali: [ˈʃotːodʒit ˈrae̯] ; 2 May 1921 – 23 April 1992) was an Indian film director, screenwriter, author, lyricist, magazine editor, illustrator, calligrapher, and composer. He is widely considered to be one of the greatest and most influential film directors in the history of cinema. He is celebrated for works including The Apu Trilogy (1955–1959), The Music Room (1958), The Big City (1963), Charulata (1964), and the Goopy–Bagha trilogy (1969–1992).

Ray was born in Calcutta to author Sukumar Ray and Suprabha Ray. Starting his career as a commercial artist, Ray was drawn into independent film-making after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealist film Bicycle Thieves (1948) during a visit to London.

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👉 Satyajit Ray in the context of Aparajito

Aparajito (Bengali: অপরাজিত Ôporajito; The Unvanquished) is a 1956 Indian Bengali-language drama film written and directed by Satyajit Ray, and is the second part of The Apu Trilogy. It is an adaptation of the last part of Bibhutibhushan Bannerjee's novel Pather Panchali and the first part of his followup novel Aparajito. The film starts off where the previous film Pather Panchali (1955) ended, with Apu's family moving to Varanasi, and chronicles Apu's life from childhood to adolescence in college.

When Ray started making Pather Panchali, he had no plans of following it up with a sequel, but the critical and commercial success of that film prompted him to start making Aparajito. Unlike his previous venture, where he stayed faithful to the novel, Ray took some bold artistic decisions here, such as portraying the relationship between Apu and his mother in a very different manner from the book. As a result, in contrast to its predecessor, the film was not received well locally; Ray recalled that "as for the suburban audience, it was shocked by the portrayal of the mother and son relationship, so sharply at variance with the conventional notion of mutual sweetness and devotion".

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Satyajit Ray in the context of Trilogy

A trilogy is a set of three distinct works that are connected and can be seen either as a single work or as three individual works. They are commonly found in literature, film, and video games. Three-part works that are considered components of a larger work also exist, such as the triptych or the three-movement sonata, but they are not commonly referred to with the term "trilogy".

Most trilogies are works of fiction involving the same characters or setting, such as The Deptford Trilogy of novels by Robertson Davies, The Apu Trilogy of films by Satyajit Ray, and The Kingdom Trilogy of television miniseries from 1994 to 2022 by Lars von Trier. Other fiction trilogies are connected only by theme: for example, each film of Krzysztof Kieślowski's Three Colours trilogy explores one of the political ideals of the French Republic (liberty, equality, fraternity). Trilogies can also be connected in less obvious ways, such as The Nova Trilogy of novels by William S. Burroughs, each written using cut-up technique.

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Satyajit Ray in the context of The Apu Trilogy

The Apu Trilogy is a celebrated series of three Indian Bengali-language drama films directed by Satyajit Ray: Pather Panchali (1955), Aparajito (1956) and The World of Apu (1959). The trilogy's score was composed by Ravi Shankar.

Adapted from two Bengali novels by Bibhutibhushan BandopadhyayPather Panchali (1929) and Aparajito (1932)—these films are widely regarded as a cornerstone of Indian and world cinema and have been widely acclaimed as masterpieces. Produced on a modest shoestring budget using an amateur cast and crew, the trilogy garnered widespread critical acclaim and won numerous prestigious awards, including three National Film Awards and multiple honours at the Cannes, Berlin and Venice Film Festivals. Notably, Pather Panchali was made with a budget of roughly 150,000, approximately $45,300 at the time.

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Satyajit Ray in the context of Ravi Shankar

Pandit Ravi Shankar (Bengali pronunciation: [ˈrobi ˈʃɔŋkor]; born Robindro Shaunkor Chowdhury, sometimes spelled as Ravindra Shankar Chowdhury; 7 April 1920 – 11 December 2012) was an Indian sitarist and composer. A sitar virtuoso, he became the world's best-known exponent of Indian classical music in the second half of the 20th century, and influenced many musicians in India and throughout the world. Shankar was awarded India's highest civilian honour, the Bharat Ratna, in 1999. He is also the father of American singer Norah Jones and British-American musician and sitar player Anoushka Shankar.

Shankar was born to a Bengali family in India, and spent his youth as a dancer touring India and Europe with the dance group of his brother Uday Shankar. At age 18, he gave up dancing to pursue a career in music, studying the sitar for seven years under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the Apu Trilogy by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956. He was nominated for the Academy Award for Best Original Score for scoring the blockbuster Gandhi (1982).

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Satyajit Ray in the context of Pather Panchali

Pather Panchali (Bengali pronunciation: [pɔtʰer pãtʃali] , transl.Song Of The Little Road) is a 1955 Indian drama film written and directed by Satyajit Ray in his directorial debut. It is an adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name. The film stars Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, and Chunibala Devi in leading roles. As the first instalment of The Apu Trilogy, the film depicts the childhood hardships of the protagonist Apu and his elder sister Durga amid the harsh realities of rural poverty. The film is widely acclaimed as a classic of Indian cinema and is regarded as one of the greatest and most influential films in the history of cinema.

The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. Lack of funds led to frequent interruptions in production, which took nearly three years, but the West Bengal government pulled Ray out of debt by buying the film for the equivalent of $60,000, which it turned into a profit of $700,000 by 1980. The sitar player Ravi Shankar composed the film's soundtrack and score using classical Indian ragas. Subrata Mitra was in charge of the cinematography while editing was handled by Dulal Dutta. Following its premiere on 3 May 1955 during an exhibition at New York's Museum of Modern Art, Pather Panchali was released in Calcutta the same year to an enthusiastic reception. A special screening was attended by the Chief Minister of West Bengal and the Prime Minister of India.

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Satyajit Ray in the context of The World of Apu

The World of Apu, initially released as Apur Sansar (Bengali: অপুর সংসার), is a 1959 Indian Bengali-language drama film written, produced, and directed by Satyajit Ray. It is adapted from the second half of Bibhutibhushan Bandopadhyay’s novel Aparajito. Preceded by Pather Panchali (1955) and Aparajito (1956), it is the concluding instalment of Ray’s acclaimed Apu Trilogy, chronicling the life of Apu, a young Bengali man, through his formative years in early twentieth-century India.

The film stars Soumitra Chatterjee in his debut role as Apu, alongside Sharmila Tagore as Apu’s wife, Aparna—both of whom would become frequent collaborators in Ray’s later works.

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Satyajit Ray in the context of Pather Panchali (novel)

Pather Panchali (Bengali: পথের পাঁচালী, Pôther Pãchali; transl.Song of the Little Road) is a 1929 novel written by Bibhutibhushan Bandyopadhyay and was later adapted into a 1955 film of the same name by Satyajit Ray. Considered to be one of the greatest literary works describing rural life, Pather Panchali deals with the life of the Roy family, both in their ancestral village in rural Bengal and later when they move to Varanasi in search of a better life, as well as the anguish and loss they face during their travels.

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Satyajit Ray in the context of Jalsaghar

Jalsaghar (Bengali: জলসাঘর Jalsāghar, lit.'The Music Room') is a 1958 Indian Bengali drama film written and directed by Satyajit Ray, based on a popular short story by Bengali writer Tarasankar Bandyopadhyay, and starring Chhabi Biswas. The fourth of Ray's feature films, it was filmed at Nimtita Raajbari in Nimtita, Murshidabad district.

Despite an initially poor critical reception in India, the film went on to win the Presidential Award for Best Film in New Delhi, and it played a significant role in establishing Ray's international reputation as a director. It has since gained near-universal critical acclaim, and has come to be regarded by the cinema community as one of the greatest films of all time.

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Satyajit Ray in the context of Mahanagar

Mahanagar, aka The Big City (lit.'The Mighty City'), is a 1963 Indian Bengali-language drama film written and directed by Satyajit Ray. Starring Madhabi Mukherjee in the leading role and based on the short story Abataranika by Narendranath Mitra, it tells the story of a housewife who disconcerts her traditionalist family by getting the job of a saleswoman. The film marked the first screen appearance of Jaya Bhaduri, one of Hindi cinema's leading actresses.

Shot in the first half of 1963 in Calcutta, Mahanagar was the first film directed by Ray set entirely in his native Calcutta, reflecting contemporary realities of the urban middle-class, where women going to work is no longer merely driven by ideas of emancipation, but has become an economic reality. The film examines the effects of the confident working woman on patriarchial attitudes and social dynamics. According to veteran film critic Philip French, the film stands alongside The Apu Trilogy as some of Ray's greatest work.

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