Sarcophagus in the context of "Book of the Dead"

The role of women in ancient warfare differed from culture to culture. There have been various historical accounts of females participating in battle.

This article lists instances of women recorded as participating in ancient warfare, from the beginning of written records to approximately 500 CE. Contemporary archaeological research regularly provides better insight into the accuracy of ancient historical accounts.

The Amazons (Ancient Greek: Ἀμαζόνες Amazónes, singular Ἀμαζών Amazōn; in Latin Amāzon, -ŏnis) were a people in Greek mythology, portrayed in a number of ancient epic poems and legends, such as the Labours of Heracles, the Argonautica and the Iliad. They were female warriors and hunters, known for their physical agility, strength, archery, riding skills, and the arts of combat. Their society was closed to men and they raised only their daughters, returning their sons to their fathers with whom they would only socialize briefly in order to reproduce.

Courageous and fiercely independent, the Amazons, commanded by their queen, regularly undertook extensive military expeditions into the far corners of the world, from Scythia to Thrace, Asia Minor, and the Aegean Islands, reaching as far as Arabia and Egypt. Besides military raids, the Amazons are also associated with the foundation of temples and the establishment of numerous ancient cities like Ephesos, Cyme, Smyrna, Sinope, Myrina, Magnesia, Pygela, etc.

The catacombs of Kom El Shoqafa (Arabic: مقابر كوم الشقافة, romanized: Maqābir Kūm al-Shuqāfah, lit. 'Mound of Shards') are an historical archaeological site located in Alexandria, Egypt, and are considered one of the Seven Wonders of the Middle Ages.

The necropolis consists of a series of Alexandrian tombs, statues and archaeological objects of the Pharaonic funerary cult with Hellenistic and early Imperial Roman influences. Due to the time period, many of the features of the catacombs of Kom El Shoqafa merge Roman, Greek and Egyptian cultural attributes; some statues are Egyptian in style, yet bear Roman clothes and hairstyles whilst other features share a similar style. A circular staircase, which was often used to transport deceased bodies down the middle of it, leads down into the tombs that were tunneled into the bedrock during the age of the Antonine emperors (2nd century CE). The facility was then used as a burial chamber from the 2nd century to the 4th century, before being rediscovered in 1900 when a donkey accidentally fell into the access shaft. To date, three sarcophagi have been found, along with other human and animal remains which were added later. It is believed that the catacombs were only intended for a single family, but it is unclear why the site was expanded in order to house numerous other individuals.

A jurist is a person with expert knowledge of law; someone who analyzes and comments on law. This person is usually a specialist legal scholar, mostly (but not always) with a formal education in law (a law degree) and often a legal practitioner.

In the United Kingdom the term "jurist" is mostly used for legal academics, while in the United States the term may also be applied to a judge. With reference to Roman law, a "jurist" (in English) is a jurisconsult (iurisconsultus).

Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta (especially life-size on sarcophagi or temples), wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced.

Etruscan sculpture in cast bronze was famous and widely exported, but relatively few large examples have survived (the material was too valuable, and recycled later). In contrast to terracotta and bronze, there was relatively little Etruscan sculpture in stone, despite the Etruscans controlling fine sources of marble, including Carrara marble, which seems not to have been exploited until the Romans.

In art, the term macabre (US: /məˈkɑːb/ or UK: /məˈkɑːbrə/; French: [makabʁ]) means "having the quality of having a grim or ghastly atmosphere".

The macabre emphasises the details and symbols of death.

A pope is the Bishop of Rome and the leader of the Catholic Church. Approximately 100 papal tombs are at least partially extant, representing fewer than half of the 266 deceased popes, from Saint Peter to Pope Francis.

For the first few centuries in particular, little is known of the popes and their tombs, and available information is often contradictory. As with other religious relics, multiple sites claim to house the same tomb. Furthermore, many papal tombs that recycled sarcophagi and other materials from earlier tombs were later recycled for their valuable materials or combined with other monuments. For example, the tomb of Pope Leo I was combined with Leos II, III, and IV circa 855, and then removed in the seventeenth century and placed under his own altar, below Alessandro Algardi's relief, Fuga d'Attila. The style of papal tombs has evolved considerably throughout history, tracking trends in the development of church monuments. Notable papal tombs have been commissioned from sculptors such as Michelangelo and Gian Lorenzo Bernini.

Sacred and Profane Love (Italian: Amor Sacro e Amor Profano) is an oil painting by Titian, probably painted in 1514, early in his career. The painting is presumed to have been commissioned by Niccolò Aurelio, a secretary to the Venetian Council of Ten, whose coat of arms appears on the sarcophagus or fountain, to celebrate his marriage to a young widow, Laura Bagarotto. It perhaps depicts a figure representing the bride dressed in white, sitting beside Cupid and accompanied by the goddess Venus.

The title of the painting is first recorded in 1693, when it was listed in an inventory as Amor Divino e Amor Profano (Divine love and Profane love), and may not represent the original concept at all.

A cemetery, burial ground, gravesite, graveyard, or a green space called a memorial park or memorial garden, is a place where the remains of many dead people are buried or otherwise entombed. The word cemetery (from Greek κοιμητήριον 'sleeping place') implies that the land is specifically designated as a burial ground and originally applied to the Roman catacombs. The term graveyard is often used interchangeably with cemetery, but a graveyard primarily refers to a burial ground within a churchyard.

The intact or cremated remains of people may be interred in a grave, commonly referred to as burial, or in a tomb, an "above-ground grave" (resembling a sarcophagus), a mausoleum, a columbarium, a niche, or another edifice. In Western cultures, funeral ceremonies are often observed in cemeteries. These ceremonies or rites of passage differ according to cultural practices and religious beliefs. Modern cemeteries often include crematoria, and some grounds previously used for both continue as crematoria as a principal use long after the interment areas have been filled.