Carrara marble in the context of "Etruscan art"

⭐ In the context of Etruscan art, Carrara marble is considered…

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⭐ Core Definition: Carrara marble

Carrara marble, or Luna marble (marmor lunense) to the Romans, is a type of white or blue-grey marble popular for use in sculpture and building decor. It has been quarried since Roman times in the mountains just outside the city of Carrara in the province of Massa and Carrara in the Lunigiana, the northernmost tip of modern-day Tuscany, Italy.

More marble has been extracted from the over 650 quarry sites near Carrara than from any other place. The pure white statuario grade was used for monumental sculpture, as "it has a high tensile strength, can take a high gloss polish and holds very fine detail".

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👉 Carrara marble in the context of Etruscan art

Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta (especially life-size on sarcophagi or temples), wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced.

Etruscan sculpture in cast bronze was famous and widely exported, but relatively few large examples have survived (the material was too valuable, and recycled later). In contrast to terracotta and bronze, there was relatively little Etruscan sculpture in stone, despite the Etruscans controlling fine sources of marble, including Carrara marble, which seems not to have been exploited until the Romans.

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Carrara marble in the context of Quarry

A quarry is a type of open-pit mine in which dimension stone, rock, construction aggregate, riprap, sand, gravel, or slate is excavated from the ground. The operation of quarries is regulated in some jurisdictions to manage their safety risks and reduce their environmental impact.

The word quarry can also include the underground quarrying for stone, such as Bath stone.

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Carrara marble in the context of Trajan's Column

Trajan's Column (Italian: Colonna Traiana, Latin: Columna Traiani) is a Roman triumphal column in Rome, Italy, that commemorates Roman emperor Trajan's victory in the Dacian Wars. It was probably constructed under the supervision of the architect Apollodorus of Damascus at the order of the Roman Senate. It is located in Trajan's Forum, north of the Roman Forum. Completed in AD 113, the freestanding column is most famous for its spiral bas relief, which depicts the wars between the Romans and Dacians (101–102 and 105–106). Its design has inspired numerous victory columns, both ancient and modern.

The structure is about 30 metres (98 feet) in height, 35 metres (115 feet) including its large pedestal. The shaft is made from a series of 20 colossal Carrara marble drums, each weighing about 32 tons, with a diameter of 3.7 metres (12.1 feet). The 190-metre (620-foot) frieze winds around the shaft 23 times. Inside the shaft, a spiral staircase of 185 steps provides access to a viewing deck at the top. The capital block of Trajan's Column weighs 53.3 tons, and had to be lifted to a height of about 34 metres (112 feet). Ancient coins indicate preliminary plans to top the column with a statue of a bird, probably an eagle. After construction, a statue of Trajan was put in place; this disappeared in the Middle Ages. On December 4, 1587, the top was crowned with a bronze figure of Saint Peter the Apostle by Pope Sixtus V, which remains to this day.

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Carrara marble in the context of Pietà (Michelangelo)

The Pietà (Madonna della Pietà, Italian: [maˈdɔnna della pjeˈta]; '[Our Lady of] Pity'; 1498–1499) is a Carrara marble sculpture of Jesus and Mary at Mount Golgotha representing the "Sixth Sorrow" of the Virgin Mary by Michelangelo Buonarroti, in Saint Peter's Basilica, Vatican City, for which it was made. It is a key work of Italian Renaissance sculpture and often taken as the start of the High Renaissance.

The sculpture captures the moment when Jesus, taken down from the cross, is given to his mother Mary. Mary looks younger than Jesus; art historians believe Michelangelo was inspired by a passage in Dante Alighieri's Divine Comedy: "O virgin mother, daughter of your Son [...] your merit so ennobled human nature that its divine Creator did not hesitate to become its creature" (Paradiso, Canto XXXIII). Michelangelo's aesthetic interpretation of the Pietà is unprecedented in Italian sculpture because it balances early forms of naturalism with the Renaissance ideals of classical beauty.

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Carrara marble in the context of No Cav

No Cav is an Italian protest movement that arose in the early 21st century, criticising the Carrara marble and carbonate quarries in the Apuan Alps.

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Carrara marble in the context of Presidential Palace, Damascus

The People's Palace (Arabic: قصر الشعب), also known as the Presidential Palace, is the official residence of the president of Syria. It is located in the western part of Damascus, on Mount Mezzeh, north of Mezzeh neighborhood, next to Mount Qasioun, and overlooks the city. The main building covers 31,500 square metres (340,000 square feet). The entire plateau of Mount Mezzeh is part of the palace compound and is surrounded by a security wall and guard watchtowers. In front of the building is a large fountain and the palace itself largely consists of empty rooms clad in Carrara marble.

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