Sack of Rome (1527) in the context of "High Renaissance"

⭐ In the context of the High Renaissance, the Sack of Rome (1527) is considered…

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⭐ Core Definition: Sack of Rome (1527)

The Sack of Rome, then part of the Papal States, followed the capture of Rome on 6 May 1527 by the mutinous troops of Charles V, Holy Roman Emperor, during the War of the League of Cognac. Charles V only intended to threaten military action to make Pope Clement VII come to his terms. However, most of the Imperial army (14,000 Germans, including Lutherans, 6,000 Spaniards and some Italians) were largely unpaid. Despite being ordered not to storm Rome, they broke into the scarcely defended city and began looting, killing, and holding citizens for ransom without any restraint. Clement VII took refuge in Castel Sant'Angelo after the Swiss Guard were annihilated in a delaying rear guard action; he remained there until a ransom was paid to the pillagers.

Benvenuto Cellini, eyewitness to the events, described the sack in his works. It was not until February 1528 that the spread of a plague and the approach of the League forces under Marshal of France Odet de Foix forced the army to withdraw towards Naples from the city. Rome's population had dropped from 55,000 to 10,000 due to the atrocities, famine, an outbreak of plague, and flight from the city. The subsequent loss of the League army during the Siege of Naples secured a victory in the War of the League of Cognac for Charles V. The Emperor denied responsibility for the sack and came to terms again with Clement VII. On the other hand, the Sack of Rome further exacerbated religious hatred and antagonism between Catholics and Lutherans.

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👉 Sack of Rome (1527) in the context of High Renaissance

In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians state that the High Renaissance started between 1490 and 1500, and ended in 1520 with the death of Raphael, although some say the High Renaissance ended about 1525, or in 1527 with the Sack of Rome by the mutinous army of Charles V, Holy Roman Emperor, or about 1530. The best-known exponents of painting, sculpture, and architecture of the High Renaissance include Leonardo da Vinci, Michelangelo, Raphael, and Bramante. In the 21st century, the use of the term has been frequently criticized by some academic art historians for oversimplifying artistic developments, ignoring historical context, and focusing only on a few iconic works.

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Sack of Rome (1527) in the context of Roman civilisation

The history of Rome includes the history of the city of Rome as well as the civilisation of ancient Rome. Roman history has been influential on the modern world, especially in the history of the Catholic Church, and Roman law has influenced many modern legal systems. Roman history can be divided into the following periods:

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Sack of Rome (1527) in the context of Parmigianino

Girolamo Francesco Maria Mazzola (11 January 1503 – 24 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (UK: /ˌpɑːrmɪæˈnn/, US: /-ɑːˈ-/, Italian: [parmidʒaˈniːno]; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes Vision of Saint Jerome (1527) and the iconic if somewhat anomalous Madonna with the Long Neck (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period.

His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and are now in major museums in Italy and around the world, his two large projects in fresco are in a church in Parma and a palace in a small town nearby. This in conjunction with their lack of large main subjects has resulted in their being less well known than other works by similar artists. He painted a number of important portraits, leading a trend in Italy towards the three-quarters or full-length figure, previously mostly reserved for royalty.

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Sack of Rome (1527) in the context of Landsknecht

The Landsknechte (singular: Landsknecht, pronounced [ˈlantsknɛçt]), also rendered as Landsknechts or Lansquenets, were German mercenaries used in pike and shot formations during the early modern period. Consisting predominantly of pikemen and supporting foot soldiers, their front line was formed by Doppelsöldner ("double-pay men") renowned for their use of Zweihänder and arquebus. They formed the bulk of the Holy Roman Empire's Imperial Army from the late 15th century to the early 17th century, fighting in the Habsburg-Valois wars, the Habsburg-Ottoman wars, and the European wars of religion.

Although prone to mutiny if unpaid and divided within their ranks between Catholics and Lutherans, the Landsknechte were well-armed and experienced warriors, recruitable in large numbers throughout Germany and Austria by the Holy Roman Emperor. This guaranteed both quantity and quality to the Imperial military for a century and a half. At their peak during the reign of Charles V of Habsburg, and under the leadership of notable captains such as Georg von Frundsberg and Nicholas of Salm, the Imperial Landsknechts obtained important successes such as the capture of the French King Francis I at the Battle of Pavia in 1525 and the resistance against the Ottoman Turks led by Suleiman the Magnificent at the Siege of Vienna in 1529, while also being responsible for the Sack of Rome in 1527.

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Sack of Rome (1527) in the context of Pope Paul III

Pope Paul III (Latin: Paulus III; Italian: Paolo III; born Alessandro Farnese; 29 February 1468 – 10 November 1549) was head of the Catholic Church and ruler of the Papal States from 13 October 1534 to his death, in November 1549.

Paul III came to the papal throne in the time following the sack of Rome in 1527, which was rife with uncertainties in the Catholic Church as the Protestant Reformation progressed. His pontificate initiated the Catholic Reformation with the Council of Trent in 1545, and witnessed wars of religion in which Emperor Charles V launched military campaigns against the Protestants in Germany. He recognized new Catholic religious orders and societies such as the Jesuits, the Barnabites, and the Congregation of the Oratory. His efforts were distracted by nepotism to advance the power and fortunes of his family, including his illegitimate son Pier Luigi Farnese.

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