Süleymaniye Mosque in the context of "Eski Saray"

The Historic Areas of Istanbul (Turkish: İstanbul'un Tarihî Alanları; Greek: Ιστορικές Περιοχές της Κωνσταντινούπολης, romanized: Historikés Periochés tīs Kōnstantinoúpolis; Ottoman Turkish: استانبولك تاریخي اﻻنلری) are a group of sites in the capital district of Fatih in the city of Istanbul, Turkey. These areas were added to the UNESCO World Heritage List in 1985.

It includes buildings and structures such as the Sarayburnu, the Topkapı Palace, the Hagia Sophia, the Sultan Ahmed Mosque, the Hagia Irene, Zeyrek Mosque, Süleymaniye Mosque, Little Hagia Sophia and the Walls of Constantinople.

Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials, which may or may not contain remains, and a range of prehistoric megalithic constructs. Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display. It can also function as a reminder of the mortality of humankind, as an expression of cultural values and roles, and help to propitiate the spirits of the dead, maintaining their benevolence and preventing their unwelcome intrusion into the lives of the living.

The deposit of objects with an apparent aesthetic intention is found in almost all cultures – Hindu culture, which has little, is a notable exception. Many of the best-known artistic creations of past cultures – from the Egyptian pyramids and the Tutankhamun treasure, to the Terracotta Army surrounding the tomb of Qin Shi Huang, the Mausoleum of Halicarnassus, the Sutton Hoo ship burial and the Taj Mahal – are tombs or objects found in and around them. In most instances, specialized funeral art was produced for the powerful and wealthy, although the burials of ordinary people might include simple monuments and grave goods, usually from their possessions.

Ottoman architecture is an architectural style that developed under the Ottoman Empire over a long period, undergoing some significant changes during its history. It first emerged in northwestern Anatolia around the end of the 13th century and developed from earlier Seljuk Turkish architecture, with influences from Byzantine and Iranian architecture along with other architectural traditions in the Middle East. Early Ottoman architecture experimented with multiple building types over the course of the 13th to 15th centuries, progressively evolving into the classical Ottoman style of the 16th and 17th centuries. This style integrated the Ottoman tradition with influences from the Hagia Sophia, resulting in monumental mosque buildings focused around a high central dome with a varying number of semi-domes. The most important architect of the classical period is Mimar Sinan, whose major works include the Şehzade Mosque, Süleymaniye Mosque, and Selimiye Mosque. The second half of the 16th century also saw the apogee of certain Ottoman decorative arts, most notably in the use of Iznik tiles.

Beginning in the 18th century, Ottoman architecture was opened to external influences, particularly Baroque architecture in Western Europe. Changes appeared during the style of the Tulip Period, followed by the emergence of the Ottoman Baroque style in the 1740s. The Nuruosmaniye Mosque is one of the most important examples of this period. The architecture of the 19th century saw more influences imported from Western Europe, brought in by architects such as those from the Balyan family. Empire style and Neoclassical motifs were introduced and a trend towards eclecticism was evident in many types of buildings, such as the Dolmabahçe Palace. The last decades of the Ottoman Empire saw the development of a new Ottoman revivalist style, also known as the First National Architectural Movement, by architects such as Mimar Kemaleddin and Vedat Tek. Since the dissolution of the Ottoman Empire in 1922, the traditional Ottoman style has been imitated in the construction of many new mosques in Turkey and in some constructions projects beyond Turkey.

Classical Ottoman architecture is a period in Ottoman architecture generally including the 16th and 17th centuries. The period is most strongly associated with the works of Mimar Sinan, who was Chief Court Architect under three sultans between 1538 and 1588. The start of the period also coincided with the long reign of Suleiman the Magnificent, which is recognized as the apogee of Ottoman political and cultural development, with extensive patronage in art and architecture by the sultan, his family, and his high-ranking officials.

Ottoman architecture at this time was strongly influenced by Byzantine architecture, particularly the Hagia Sophia, and blended it with other influences to suit Ottoman needs. Architects typically experimented with different combinations of conventional elements including domes, semi-domes, and arcaded porticos. Successful architects such as Sinan demonstrated their skill through their meticulous attempts to solve problems of space, proportion, and harmony. Sinan's most important works include the Şehzade Mosque, Süleymaniye Mosque, and Selimiye Mosque.

A külliye (Ottoman Turkish: كلیه) is a complex of buildings associated with Turkish architecture centered on a mosque and managed within a single institution, often based on a waqf (charitable foundation) and composed of a madrasa, a Dar al-Shifa (clinic), kitchens, bakery, hammam, other buildings for various charitable services for the community and further annexes.

The tradition of külliye is particularly marked in Turkish architecture, starting in Seljuq, then especially in Ottoman, and also in Timurid architectural legacies. The word is derived from Turkish külli, meaning "complete".