Nuruosmaniye Mosque in the context of "Ottoman architecture"

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⭐ Core Definition: Nuruosmaniye Mosque

The Nuruosmaniye Mosque (Turkish: Nuruosmaniye Camii) is an 18th-century Ottoman mosque located in the Çemberlitaş neighbourhood of Fatih district in Istanbul, Turkey, which was inscribed in the Tentative list of World Heritage Sites in Turkey in 2016.

Designed by a Greek non-Muslim architect named Simeon Kalfa (tr), the Nuruosmaniye mosque was the first monumental Ottoman building to exemplify the new Ottoman baroque style, which introduced baroque and neoclassical elements from Europe. The mosque's ornamentation and its curved courtyard display its baroque influences. The dome of the mosque is one of the largest in Istanbul. The mosque is part of a larger religious complex, or külliye, acting as a centre of culture, religion, and education for the neighborhood.

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👉 Nuruosmaniye Mosque in the context of Ottoman architecture

Ottoman architecture is an architectural style that developed under the Ottoman Empire over a long period, undergoing some significant changes during its history. It first emerged in northwestern Anatolia around the end of the 13th century and developed from earlier Seljuk Turkish architecture, with influences from Byzantine and Iranian architecture along with other architectural traditions in the Middle East. Early Ottoman architecture experimented with multiple building types over the course of the 13th to 15th centuries, progressively evolving into the classical Ottoman style of the 16th and 17th centuries. This style integrated the Ottoman tradition with influences from the Hagia Sophia, resulting in monumental mosque buildings focused around a high central dome with a varying number of semi-domes. The most important architect of the classical period is Mimar Sinan, whose major works include the Şehzade Mosque, Süleymaniye Mosque, and Selimiye Mosque. The second half of the 16th century also saw the apogee of certain Ottoman decorative arts, most notably in the use of Iznik tiles.

Beginning in the 18th century, Ottoman architecture was opened to external influences, particularly Baroque architecture in Western Europe. Changes appeared during the style of the Tulip Period, followed by the emergence of the Ottoman Baroque style in the 1740s. The Nuruosmaniye Mosque is one of the most important examples of this period. The architecture of the 19th century saw more influences imported from Western Europe, brought in by architects such as those from the Balyan family. Empire style and Neoclassical motifs were introduced and a trend towards eclecticism was evident in many types of buildings, such as the Dolmabahçe Palace. The last decades of the Ottoman Empire saw the development of a new Ottoman revivalist style, also known as the First National Architectural Movement, by architects such as Mimar Kemaleddin and Vedat Tek. Since the dissolution of the Ottoman Empire in 1922, the traditional Ottoman style has been imitated in the construction of many new mosques in Turkey and in some constructions projects beyond Turkey.

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Nuruosmaniye Mosque in the context of Ottoman Baroque architecture

Ottoman Baroque architecture, also known as Turkish Baroque, was a period in Ottoman architecture in the 18th century and early 19th century which was influenced by European Baroque architecture. Preceded by the changes of the Tulip Period and Tulip Period architecture, the style marked a significant departure from the classical style of Ottoman architecture and introduced new decorative forms to mostly traditional Ottoman building types. It emerged in the 1740s during the reign of Mahmud I (r. 1730–1754) and its most important early monument was the Nuruosmaniye Mosque, completed in 1755. Later in the 18th century, new building types were also introduced based on European influences. The last fully Baroque monuments, such as the Nusretiye Mosque, were built by Mahmud II (r. 1808–1839) in the early 19th century, but during this period new European-influenced styles were introduced and supplanted the Baroque.

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