Tulip period in the context of "Ottoman Baroque architecture"

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⭐ Core Definition: Tulip period

The Tulip Period, or Tulip Era (Ottoman Turkish: لاله دورى, Turkish: Lâle Devri), is a period in Ottoman history from the Treaty of Passarowitz on 21 July 1718 to the Patrona Halil Revolt on 28 September 1730. This was a relatively peaceful period, during which the Ottoman Empire began to orient itself outwards.

The name of the period derives from the tulip craze among the Ottoman court society. Cultivating this culturally ambiguous emblem had become a celebrated practice. The Tulip Period illustrated the conflicts brought by early modern consumer culture. During this period the elite and high-class society of the Ottoman period had established an immense fondness for the tulip, which were utilized in various occasions. Tulips defined nobility and privilege, both in terms of goods and leisure time.

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👉 Tulip period in the context of Ottoman Baroque architecture

Ottoman Baroque architecture, also known as Turkish Baroque, was a period in Ottoman architecture in the 18th century and early 19th century which was influenced by European Baroque architecture. Preceded by the changes of the Tulip Period and Tulip Period architecture, the style marked a significant departure from the classical style of Ottoman architecture and introduced new decorative forms to mostly traditional Ottoman building types. It emerged in the 1740s during the reign of Mahmud I (r. 1730–1754) and its most important early monument was the Nuruosmaniye Mosque, completed in 1755. Later in the 18th century, new building types were also introduced based on European influences. The last fully Baroque monuments, such as the Nusretiye Mosque, were built by Mahmud II (r. 1808–1839) in the early 19th century, but during this period new European-influenced styles were introduced and supplanted the Baroque.

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Tulip period in the context of Tulip Period architecture

Tulip Period architecture was a stage in Ottoman architecture in the early 18th century. New types of decoration were introduced into the existing classical style of Ottoman architecture and new types of buildings, such as stand-alone fountains and libraries, became important landmarks. The style is most closely associated with the Tulip Period (1718-1730), a period of peace during the reign of Ahmed III when architectural patronage increased in Istanbul after a relative lull in the late 17th century. However, the new style was also present at the beginning of Ahmed III's reign and continued to be evident after him in the 1730s. The introduction of European influences in Ottoman culture and architecture eventually led to the creation of the Ottoman Baroque style in the 1740s.

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