Rumi in the context of "Ottoman Turkish language"

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⭐ Core Definition: Rumi

Jalāl al-Dīn Muḥammad Rūmī (Persian: جلال‌الدین محمّد رومی), or simply Rumi (30 September 1207 – 17 December 1273), was a Sufi mystic and poet whose followers went on to found the Mevlevi Order most famous for its whirling dervishes – a practice that he instigated. Rumi is a seminal figure in Sufism, or mystical Islam, whose thought and works loom large in both Persian literature and mystic poetry in general, with his translated works being enjoyed globally to this day.

Rumi's works are written in his mother tongue, Persian. He occasionally used the Arabic language and single Turkish and Greek words in his verse. His Masnavi (Mathnawi), composed in Konya, is considered one of the greatest poems of the Persian language. Rumi's influence has transcended national borders and ethnic divisions: Iranians, Afghans, Tajiks, Turks, Kurds, Greeks, Central Asian Muslims, as well as Muslims of the Indian subcontinent have greatly appreciated his spiritual legacy for the past seven centuries. His poetry influenced not only Persian literature, but also the literary traditions of the Ottoman Turkish, Chagatai, Pashto, Kurdish, Urdu, and Bengali languages.

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Rumi in the context of Poetry

Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, consonance, euphony and cacophony, onomatopoeia, rhythm (via metre), rhyme schemes (patterns in the type and placement of a phoneme group) and sound symbolism, to produce musical or other artistic effects. They also frequently organize these devices into poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often rely on rhythmic metre: patterns of syllable stress or syllable (or mora) weight. They may also use repeating patterns of phonemes, phoneme groups, tones, words, or entire phrases. Poetic structures may even be semantic (e.g. the volta required in a Petrachan sonnet).

Most written poems are formatted in verse: a series or stack of lines on a page, which follow the poetic structure. For this reason, verse has also become a synonym (a metonym) for poetry. Some poetry types are unique to particular cultures and genres and respond to characteristics of the language in which the poet writes. Readers accustomed to identifying poetry with Dante, Goethe, Mickiewicz, or Rumi may think of it as written in lines based on rhyme and regular meter. There are, however, traditions, such as Biblical poetry and alliterative verse, that use other means to create rhythm and euphony. Other traditions, such as Somali poetry, rely on complex systems of alliteration and metre independent of writing and have been described as structurally comparable to ancient Greek and medieval European oral verse. Much modern poetry reflects a critique of poetic tradition, testing the principle of euphony itself or altogether forgoing rhyme or set rhythm. In first-person poems, the lyrics are spoken by an "I", a character who may be termed the speaker, distinct from the poet (the author). Thus if, for example, a poem asserts, "I killed my enemy in Reno", it is the speaker, not the poet, who is the killer (unless this "confession" is a form of metaphor which needs to be considered in closer context – via close reading).

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Rumi in the context of Persian literature

Persian literature comprises oral compositions and written texts in the Persian language and is one of the world's oldest literatures. It spans over two-and-a-half millennia. Its sources have been within Greater Iran including present-day Iran, Iraq, Afghanistan, Pakistan, the Kurdistan Region, the Caucasus, and Turkey, regions of Central Asia (such as Tajikistan), South Asia and the Balkans where the Persian language has historically been either the native or official language.

For example, Rumi, one of the best-loved Persian poets, born in Balkh (in modern-day Afghanistan) or Wakhsh (in modern-day Tajikistan), wrote in Persian and lived in Konya (in modern-day Turkey), at that time the capital of the Seljuks in Anatolia. The Ghaznavids conquered large territories in Central and South Asia and adopted Persian as their court language. There is thus Persian literature from Iran, Mesopotamia, Azerbaijan, the wider Caucasus, Turkey, Pakistan, Bangladesh, India, Tajikistan and other parts of Central Asia, as well as the Balkans. Not all Persian literature is written in Persian, as some consider works written by ethnic Persians or Iranians in other languages, such as Greek and Arabic, to be included.

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Rumi in the context of Mevlevi Order

The Mevlevi Order or Mawlawiyya (Turkish: Mevlevilik; Persian: طریقت مولویه) is a Sufi order that originated in Konya, Turkey (formerly capital of the Sultanate of Rum) and which was founded by the followers of Jalaluddin Muhammad Balkhi Rumi, a 13th-century Persian poet, Sufi mystic, and theologian. The Mevlevis are also known as the "whirling dervishes" due to their famous practice of whirling while performing dhikr (remembrance of God). Dervish is a common term for an initiate of the Sufi path; whirling is part of the formal sema ceremony and the participants are properly known as semazens.

In 2005, UNESCO confirmed "The Mevlevi Sema Ceremony" as amongst the Masterpieces of the Oral and Intangible Heritage of Humanity.

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Rumi in the context of Masnavi

The Masnavi is an extensive Persian masnavi (a poetic form) written by Rumi, and one of the most influential works in the history of Sufism. It is a series of six books of poetry that together amount to around 25,000 verses or 50,000 lines.

Ascribed to be like a "Quran in Persian", some Muslims regard the Masnavi as one of the most important works of Islamic literature, falling behind only the Quran. It has been viewed by many commentators as the greatest mystical poem in world literature. It is a spiritual text that teaches Sufis how to reach their goal of being truly in love with God.

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