Royal Court Theatre in the context of "Stephen Rea"

Brian Denis Cox (born 1 June 1946) is a Scottish actor. A classically trained Shakespearean actor, he is known for his work on stage and screen. His numerous accolades include two Laurence Olivier Awards, a Primetime Emmy Award, and a Golden Globe Award as well as two nominations for a British Academy Television Award. In the 2003 New Year Honours, he was appointed to the Order of the British Empire at the rank of Commander.

Cox trained at the Dundee Repertory Theatre before becoming a founding member of Royal Lyceum Theatre. He went on to train as a Shakespearean actor, starring in numerous productions with the Royal National Theatre and the Royal Shakespeare Company, where he gained recognition for his portrayal of King Lear. Cox received two Laurence Olivier Awards for Best Actor for his roles in Rat in the Skull (1984), for Royal Court and Titus Andronicus (1988). He received two more Olivier Award nominations for Misalliance (1986) and Fashion (1988).

Man and Superman is a four-act drama written by George Bernard Shaw in 1903, in response to a call for Shaw to write a play based on the Don Juan theme. Man and Superman opened at the Royal Court Theatre in London on 21 May 1905 as a four-act play produced by the Stage Society, and then by John Eugene Vedrenne and Harley Granville-Barker on 23 May, without Act III ("Don Juan in Hell"). A part of the third act (Scene 2), was performed when the drama was staged on 4 June 1907 at the Royal Court. The play was not performed in its entirety until 1915, when the Travelling Repertory Company played it at the Lyceum Theatre, Edinburgh.

Sir Gary Leonard Oldman (born 21 March 1958) is an English actor and filmmaker. Known for his versatility and intense acting style, he has received various accolades, including an Academy Award, a Golden Globe Award, three British Academy Film Awards and nominations for three Primetime Emmy Awards. His films have grossed over US$11 billion worldwide, making him one of the highest-grossing actors of all time.

Oldman began acting in theatre in 1979 and made his film debut in Remembrance (1982). He appeared in the Royal Court Theatre in London and was a member of the Royal Shakespeare Company, with credits including Cabaret, Romeo and Juliet, Entertaining Mr Sloane, Saved, The Country Wife and Hamlet. He rose to prominence in British film with his portrayals of Sid Vicious in Sid and Nancy (1986), Joe Orton in Prick Up Your Ears (1987) and Rosencrantz in Rosencrantz & Guildenstern Are Dead (1990). Regarded as a member of the "Brit Pack", he achieved greater recognition as an American gangster in State of Grace (1990), Lee Harvey Oswald in JFK (1991) and Count Dracula in Bram Stoker's Dracula (1992).

Hilda Mary Dallas (6 February 1878 – 1958) was a British artist and a suffragette who designed suffrage posters and cards and took a leadership role for the Women's Social and Political Union (WSPU). A pacifist, she raised funds from a cross-section of society, produced and designed set & costumes for the 1929 Court Theatre production of the anti-war satirical play The Rumour.

"Wearing My Rolex" is a song by British grime musician Wiley. Described as "grime-meets-electro" on BBC Radio 1Xtra, the song samples DSK's song "What Would We Do" and features a 4 x 4 beat by producer Luke Arnold of willenhall. It was released on 21 April 2008 by Asylum Records and Atlantic Records. The track was produced by Bow producer Bless Beats. "Wearing My Rolex" peaked at number two on the UK Singles Chart.

An a cappella gangsta-rap version of "Wearing My Rolex", performed by the main cast, featured in the original Royal Court Theatre production of Laura Wade's stage play Posh (2010). The song was ranked at number 284 in Pitchfork Media's list of the Top 500 Tracks of the 2000s.

The Incorporated Stage Society, commonly known as the Stage Society, was an English theatre society with limited membership which mounted private Sunday performances of new and experimental plays, mainly at the Royal Court Theatre (whose Vedrenne-Barker management is said to have originated in the Society's work) but also at other London West End venues. Founded in 1899 "to regenerate the Drama", it followed the Independent Theatre Society in this activity. Its plays particularly included the first performances of plays that had been banned for public performance by the Lord Chamberlain. George Bernard Shaw, Harley Granville Barker, St. John Hankin, Gilbert Murray and Clifford Bax were all involved with the company.

Its council decided in 1930 that the rise of other groups like the Gate Theatre meant the Society's work was complete and, though a 1930 proposal for its dissolution was defeated, it fell into abeyance on the outbreak of the Second World War in 1939. Its aims were continued post-war by the English Stage Company, the resident company at the Royal Court Theatre.

John Eugene Vedrenne (July 13, 1867-February 12, 1930), often known as J. E. Vedrenne, was a West End theatre producer who co-managed the Savoy Theatre with Harley Granville-Barker, and then (from 1904 to 1907, also with Granville-Barker) the Royal Court Theatre. During their time at the latter, they premiered several of George Bernard Shaw's plays, including John Bull's Other Island and Major Barbara. His partnership with Granville-Barker ending in 1907, Vedrenne then became associated with Lewis Waller at the Lyric Theatre, and in 1911 with Dennis Eadie at the Royalty Theatre, and later still at the Kingsway Theatre.

Vedrenne's wife was Phyllis Blair.

Candida (Shavian: 𐑒𐑩𐑯𐑛𐑦𐑛𐑳), a comedy by playwright George Bernard Shaw, was written in 1894 and first published in 1898, as part of his Plays Pleasant. The central characters are clergyman James Morell, his wife Candida and a youthful poet, Eugene Marchbanks, who tries to win Candida's affections. The play questions Victorian notions of love and marriage, asking what a woman really desires from her husband. The cleric is a Christian Socialist, allowing Shaw (who was a Fabian Socialist) to weave political issues, current at the time, into the story.

Shaw attempted but failed to have a London production of the play put on in the 1890s, but there were two small provincial productions. However, in late 1903 actor Arnold Daly had such a great success with the play that Shaw would write by 1904 that New York was seeing "an outbreak of Candidamania". The Royal Court Theatre in London performed the play in six matinees in 1904. The same theatre staged several of Shaw's other plays from 1904 to 1907, including further revivals of Candida.